Relationship issues arise between a researcher with a theory to explain away all his failed dating experiments, a player who wants out of the game, a deejay whose head spins with thoughts of God, a hoodrat with no street cred, a poet not-so-well-versed in the art of love, and a womanipulator of men.
Victor, a Lower East Side teenager, as he deals with his eccentric family, including his strict grandmother, his bratty sister, and a younger brother who completely idolizes him. Along the way he tries to win the affections of Judy, who is very careful and calculating when it comes to how she deals with men.
Follows the choices made by three young women - one a drug dealer, one an addict, one a pregnant teen - in Jersey City.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician's attention is pricked by the tattoo of Botticelli's 'Birth of Venus' inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he's forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he's been searching for. He find redemption and peace.
.Ana (Judy Marte) is a young woman trying to reimagine her life after her mother’s death during the course of one California spring. Filled with resentment over her father’s mistakes, Ana feels disconnected from herself and everyone around her. Swept up by new romance (Brian Rieger) and a warm reunion with her half-sister (Lauren Fales), Ana is so taken by the newfound support and love in her life that she sets out to find someone—anyone other than herself—to help. She finds a volunteer project in Maria (Karen Black), a reclusive hoarder who has alienated her own family with her compulsive behavior. As the two become unlikely friends and confidantes, Ana finds herself in an emotionally complex relationship that reveals some uncomfortable truths about herself.
When Kate and Abby are mistaken for famous art thieves, their fun night out quickly goes from good to bad.
A gay couple enlists the help of their friend Polly to create a baby. Meanwhile, they must also contend with their homophobic neighbour who becomes a big nuisance.
A once-abused woman devotes herself to ridding victims of their domestic abusers while hunting down the one she must kill to be truly free.
Three gutsy kids from a rapidly gentrifying Bronx neighborhood stumble upon a sinister plot to suck all the life from their beloved community.
After his family's well-established Atlantic City restaurant is destroyed during Hurricane Sandy, a young chef must grow up quickly, taking the biggest risks of his life, both in business and love.
Victor, a twelve year-old boy growing up on New York City's Lower East Side experiences what growing up is all about.
A teenager accidentally kills a fellow student in a brawl and is sentenced to three years in juvenile detention. On his release he finds himself ostracised by society, and moves in with a prostitute and a transsexual as all three try to find their way in the world.
A Latino thriller wherein an emotionally conflicted artist's life is dragged into a vortex of Chaos when both her bullet wounded thieving ex-boyfriend and HIV positive sister end up on her door steps and back in her life the same day, and the events that unfold putting her life in grave danger
Sunday at Il Posto Accanto is a deeply personal, hybrid film blending documentary techniques with narrative storytelling. Set in a beloved East Village restaurant during the early days of reopening after the pandemic, it stars Victor Rasuk, Danny Hoch, and the real people who made the place a sanctuary for community. At once funny and poignant, the film is a meditation on grief, resilience, and the small rituals—both absurd and sacred—that keep us connected. It’s rich with character, brimming with the kind of imperfect charm only real life can deliver. Il Posto is about a neighborhood, a family—chosen and otherwise—and the quiet beauty of coming together after isolation. Made on a modest budget with a lot of heart, it captures a moment in time when the simple act of gathering felt nothing short of holy.