Gratien Gélinas

Agnes of God

When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.

The Canadian Conspiracy

A mockumentary illustrating a supposed conspiracy to infiltrate American culture through employing Canadians in the U.S. entertainment industry.

Tit-Coq

After returning home from war, an ill-tempered young soldier must deal with his sweetheart having married another man.

La Dame aux Camélias, la vraie

The film was produced and directed by Gratien Gélinas, who also plays the lead role of Fridolin, and who also wrote the screenplay. It is of course a parody of the novel by Alexandre Dumas fils, La dame aux camélias . As the press noted in 1942: “…the work is a real revenge of Quebec popular culture on French classical culture” or even “ Fridolin sticks his tongue out at France!”. The film is like a bomb. We must not forget that at the time of the premiere, Gratien Gélinas was one of the most influential authors in the province. His plays were performed in French in Quebec, and in English across Canada.

Montreal by Night

This short film showcases the city of Montreal on a summer's night. What was once a small Indian village is presented as a pot-pourri of contrasting sights and sounds. It is North America's second largest port and, after Paris, the world's largest French-speaking city. With its warehouses, offices, homes, clubs and amusement parks, the city serves as a bright backdrop for a happy couple out on the town.

Red the Half Breed

The illegitimate son of an Indian woman and a French Canadian man leaves home and is attacked when he tries to return.

Cordélia

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.