During the occupation, informer Klaus Thun insinuates himself into the life of lawyer Nordgård and his happy family. He informs on Nordgård's son Lars and seduces his daughter Eva. Then the children's mother takes matters into her own hands.
At a high mountain hotel in Norway, porter Poppe tries to do the best he can for the guests with an often unhelpful piccolo Rudolf. This, however, leads to a lot of problems, and Poppe thinks some of the guests behave inappropriate.
A gnome named Gurin wakes up with a foxtail as punishment for his practical jokes.
Fifteen years after they last saw each other, Benny, Valborg and Dynamitt-Harry discovers that Egon Olsen is out of prison and living in a retirement home. Olsenbanden is reunited, and Egon has a plan.
Norwegian film's great charmer, Frank Robert, plays an associate professor and bachelor whose waking desire for life brings him to Paris, where he breaks free.
Per buys lottery tickets for Trine. They fall in love and seemingly win a house.
Per has won the 50 kilometer in Holmenkollen, but which village is he from, Alvdal or Tynset?
Main character Esther feels like she doesn't fit into the 'elite' and takes the big showdown with those who always have.
Harald's wife Eva has ambitions of becoming a writer, and divorces him to marry one of his friends, Anton. But Anton can't forget his former wife Ragna, and Harald is inheriting a large sum of money. Will this change things?
Askeladden (Norwegian "The Ash Lad") is the main character in many Norwegian folktales.
"Herman", based on Lars Saabye Christensen's novel of the same name, tells the story of the young boy Herman who suddenly loses his hair and becomes bald at the age of eleven. It follows him through what is a very difficult period in his life, through big mood swings and irrational behaviour until he finally learns to accept himself for who he is.
Four men are gathered to play a game of bridge, when the conversation turns to unnatural and occult events.
100 miles north, a bit east and up, is Pinchcliffe, the home of bicycle repairman Reodor Felgen and his two assistants, Solan Gundersen and Ludvig. Sponsored by oil sheik Ben Redic Fy Fazan, they build the car "Il Tempo Gigante" to race against Reodor's former assistant Rudolf Blodstrupmoen, who has stolen one of Reodor's inventions to become a world racing champion.
The movie begins with a disenchanted poet who, having had his fill of the world, decides to hide out in a large department store. There are many floors, dusty nooks and crannies, and forgotten storerooms where he can secret himself. He believes he has found the peace and serenity he seeks--away from humankind--in order to write his poetry. To his initial horror, he finds he is not alone. There are Others who have also sought refuge in the dark places of the department store. He quickly finds himself at the mercy of this clandestine social underclass, for none may leave and risk exposing those who have spent years in the store. What quickly evolves is a chilling tale involving the poet and a young woman who had lost her way in the store while a mere child, and who has since spent her entire life as the downtrodden handmaid to the evil matriarch who rules her clan with an iron fist.
The Olsen Gang becomes millionaires. Unfortunately for the gang, their arch-enemies, the King and the Jack, are planning to steal the money for themselves.
Remo Caprino loosely and grippingly tells the story about the making of the now beloved norwegian movie, the production itself and the cultural impact it has had for almost 40 years.
Ten years have passed since our three heroines' first outing in 1975. Now the women meet at yet another class reunion. Not surprisingly, they are still unwilling to call it a night after the party is over. Husbands and children must celebrate Christmas as best they can, while the women spend quality time drinking and taking stock of their lives.
Where is the line drawn between the freedom of the press and its financial dependence on owners and advertisers?
Ola visits the big city and needs to learn how to navigate the traffic.
What stories can old films and photographs tell? A movie camera, projector and 4 reels of developed film belonging to painter Edvard Munch, were donated to the Munch museum in Oslo some years ago. This find, along with the painter's photographical self portraits, written notes and letters, set the stage for "the narrator" (Frank Robert) to set out on a journey throughout Europe in the footsteps of Munch. He wants to see like the great painter did. Little by little, "the narrator" is able to see for himself ...
A educational film from the Norwegian traffic police. ***** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
Oslo has its own sanitation. This film shows what tasks workers in the sanitation have. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
The film offers an insight into Oslo’s art scene, from teaching at the National Academy of Fine Arts and Kunstnernes Hus to major galleries and museums. We visit the National Gallery and encounter key artists such as I.C. Dahl, Christian Krohg, and Edvard Munch. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
The anniversary of The Norwegian Artists' Association. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.