During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
“The Vanished” was a full-length feature film produced nearly twenty years ago by the IDF Spokesperson’s Film Unit. It was an exceptionally ambitious and elaborate production, with an estimated budget of around one million dollars. The IDF invested generous resources—hundreds of extras, tanks, helicopters, and more were made available—and some of Israel’s top film professionals joined (or were enlisted) to take part in its creation. Nevertheless, at the very last moment, the IDF decided to shelve the film. “The Vanished” was never publicly screened, and to this day, the reason for its suppression remains unclear.
Boaz, a reserve soldier, returns from the battlefield and becomes involved in editing a memorial album dedicated to a friend who was killed before his eyes. He becomes increasingly involved in the lucrative business of producing memorabilia of this kind and does not hesitate exploiting the grief feelings of the survivors and symbolically becomes a "vulture," even in his romance with the dead hero's girlfriend.
The twisted paths of three very different men brutally collide due to a chain of unspeakable murders: a grieving father who has been doomed to seek vengeance and a police detective who boldly crosses the narrow boundary between law and crime meet a religion teacher suspected of being the murderer.
Smadar (Smadar Sayar) and Mirit (Naama Schendar), both 18 years old, are assigned to patrol the streets of Jerusalem together as part of their military service. Worlds apart in their personality their initial frosty relationship changes to friendship as they deal with their own emotional issues, the crushes and break-ups in their love lives, as well as the political realities.
Yotam, a thirteen year-old boy studying at an ultra-orthodox Jewish boarding school tries to battle the awakening of his sexual desires. Confused and guilt-ridden, he consults with his rabbi who abuses his position and Yotam's innocence. With no one to trust and nowhere to go, Yotam finds himself trapped by the enforced silence in his community.
A boy and a girl wake up in bed one morning, naked. The children's mother died a few weeks earlier. Before she died she asked her children to find their birth father who left them when they were still babies. Their quest in search of their father leads them to hospitals, nursing homes and holding cells. In the course of the quest the brother and sister meet people who provide them - like in parallel quantum universes - a glance into what their future lives may hold for them.
Yariv is a shy photographer charged to take photos at a family birthday. The photographs he takes highlight his problematic relationship with his brother, and increasingly intertwine to his extreme sexual experiences at the gay sauna.
Let BOYS ON FILM move, inspire and uplift you with this stunning collection of 11 new gay short films, marking the final physical edition of the series. The 11 short films are: We Collide (2023); Firsts (2022); Sea Sparkles [Noctilucas] (2022); Aloof [מנגד] (2020); The Rev (2021); Prelude [Preludio] (2019); Beautiful Stranger (2021); You Like That (2023); Thursday, Friday, Saturday [Jeudi, vendredi, samedi] (2021); The Unknown Man [L'homme inconnu] (2021); S.A.M. (2020).
A young man by the name of Hertzel comes back to Israel broke after years abroad and finds work hanging advertising posters. He drives across the country from north to south in his deceased father’s old Volvo, meeting stranded people, lost people, people on quests – until his journey brings him face to face with himself and with open questions about the past.
The day before a big trip, Adi (23) is diagnosed with a recurrence of the leukemia she had as a child.
A 40-year-old writer returns to his family house where he was raised and that he escaped after half a lifetime - to face his brother who stayed instead, inherited their family bakery and married the woman who they both loved.
A drama centered on an orphaned Palestinian girl growing up in the wake of the first Arab-Israeli war who finds herself drawn into the conflict.
A father who's daughter was killed in a terror attack, sets out on a quest for vengeance against the man who took everything from him and is now about to be released from prison.
BEAUFORT tells the story of LIRAZ LIBERTI, the 22 year-old outpost commander, and his troops in the months before Israel pulled out of Lebanon. This is not a story of war, but of retreat. This is a story with no enemy, only an amorphous entity that drops bombs from the skies while terrified young soldiers must find a way to carry out their mission until their very last minutes on that mountaintop.
Mira Segal wakes up screaming one morning to discover that her husband has disappeared. The police open a Missing Person file and advise her to wait. As weeks turn into months, Mira continues to search for him while exploring her own desires and the guilt of not wanting him back.
Tel Aviv cop Amir Samo (Sharon Alexander) was on the brink of nabbing a notorious pimp and drug dealer when the scumbag framed him for harassment and got him suspended. Derided by the press and the criminal underworld, Samo seeks solace in the local pub. There, he encounters Michal (Tal Kahana), a despondent barmaid saddled with a wannabe film director boyfriend (Adam Horowitz).
Elisha is the right-hand man of Koresh, a charismatic leader of a Jewish cult living in the desert. When Koresh commands him to help him execute a mass suicide, Elisha dares to question his master for the first time. Will he manage to break free from his control?
After Tom Hurndall is shot in the head in Gaza, his parents Anthony and Jocelyn arrive in Israel wanting to know how it could have happened. They expect sympathy and cooperation from the Israeli authorities, but are instead met with an official explanation that fails to tally with any eye-witness accounts, and a wall of silence. When an Israeli army report attempts to whitewash the incident, the Hurndalls decide the only way to establish the truth is to launch their own investigation into the shooting, a process which brings them face to face with both the Open-Fire regulations of the Israeli army in Gaza, and the soldier who pulled the trigger.