The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Boris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later he directs his own snuff inspired movies. He invites actors to take part in an audition at his country manor house - blurring the lines of what is real and what is fiction.
It's two years since the mysterious disappearance of Kath Swarbrick's older sister Annie, but Kath remains haunted by a need to know what happened. When police investigations wind down, Kath continues the search herself. She gets nowhere until she steals some CCTV footage of her sister on her final day. Visiting the spot where Annie was filmed, Kath becomes convinced she has found a portal to another reality and from this portal Kath is trying to say something.
Three people — a blue-collar American, a French journalist and a London school boy — are touched by death in different ways.
Sally Lockhart crosses paths with the nefarious industrialist Axel Bellman, the richest and most powerful man in Europe. She's determined to prove him guilty of corruption and fraud, whilst Bellman will stop at nothing to destroy her case.
Ian Bonar is Stevie, a wannabe musician whose look is a hybrid of Jarvis Cocker and early Elvis Costello. Working with his drummer pal Neil (Matthew Baynton) in a call centre, they dream of breaking into the indie music scene. To do this they require additional band members. Step forward the driven (and drinking) guitarist Billy (Kieran Bew) and slightly scatty bassist Emily (Lyndsey Marshal), who has a sideline in making sculpture from hair.
The Young Visiters, written in twelve days by nine-year-old Daisy Ashford in 1890, is a surreal blend of naiveté, precocious perception and inadvertent social satire.
'Festival' is a black comedy set during the annual Edinburgh Fringe festival. The film is based around both the judging of a major comedy award and the performers at one of the smaller venues. Various plot strands interweave, including the bitter relationship between a famous self-obsessed British comic and his ever-suffering assistant, an actress debuting at the festival with a one-woman show about Dorothy Wordsworth and a depressed, rich housewife who spies on the stoned Canadian theatre troupe to whom she has rented out her house
Peter Capaldi embarks upon a personal journey to discover the shocking history of the stars of north London's famous film studios, Cricklewood Film Studios.
Filmmaker Stephen Whittaker adapts author D.H. Lawrence's simmering tale of sex, love, and family. In the years leading up to World War I, the problems faced by many families were uncannily similar to the issues that mankind would still be struggling with nearly a century later. Human relationships remain as fragile as ever, and the only constant in life seems to be a humbling sense of uncertainty. Sarah Lancashire stars in a drama detailing the anguish of first love, and the awkward confusion of first sex.
The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.
Three generations of the rowdy Cutler family live as outlaws in some of Britain's richest countryside – hunting hares, ram-raiding stately homes, and taunting the police. Struggling to retain a way of life fast becoming extinct, Chad Cutler ends up caught between his father's archaic principles and trying to do right by his kids, whilst the full force of the law is finally catching up with him.
No Pressure is a controversial 2010 short film produced by the global warming mitigation campaign 10:10. Intended for cinema and television advertisements, No Pressure is composed of scenes in which a variety of people in every-day situations are graphically blown to pieces for failing to be sufficiently enthusiastic about the 10:10 campaign to reduce CO2 emissions. The film's makers said that they viewed No Pressure as "a funny and satirical tongue-in-cheek little film in the over-the-top style of Monty Python or South Park".
When hard partying and volatile neighbours move in next door, a quiet woman's life begins to spiral, pushing her to the edge and triggering a slow, unnerving descent into obsession and revenge.
As a member of the family business, Alec films and edits online porn, starring his father, Dylan, until he meets tomboy Nina, who challenges Alec to break free and find his own path to real intimacy.
Strange noises from the apartment next door wake up Tommy, and one morning his mattress has been dragged to the shared wall. Soon he must confront his father's disturbing behaviour while battling an unseen force raging next door.
A love story offering an intimate look inside the marriage of Winston and Clementine Churchill during a particularly troubled, though little-known, moment in their lives.
Seven (or six - depending on the version) short stories of conquest, desperation and the will to overcome.
A teenage girl comes to terms with the unexplained death of the boy next door.
TV Film adaptation of Victoria Wood's hit musical set in Manchester in 1929 and 1969. When middle aged loners Tubby and Enid attend a reunion of the choir in which they sang as children, the music evokes powerful memories, leading them to realise they still have a chance to find happiness.
Just after losing her husband to a similar condition, Dr Anne Turner is diagnosed with a fatal neurological condition. So she plans to end her life herself. Based on a true story.
To celebrate its 50th anniversary, the National Theatre of Great Britain presents National Theatre: 50 Years on Stage, bringing together the best British actors for a unique evening of unforgettable performances, broadcast live from London to cinemas around the world.
On an archaeological dig in Iraq, author Agatha Christie uncovers a series of murders.
A killer has killed once and kidnapped another victim, challenging the investigative and forensic team to work out why. Suddenly everyone's past comes under scrutiny, everyone's version of the truth comes under suspicion. Kay Rousseau, who heads up the crime team, is back at work after the death of her child. Suspicion about her involvement in this death remains, not least in her own husband. Only Matt Costello, Kay's second-in-command and a dedicated, impassioned copper, is loyal to the core.
When milkman Jimmy Connelly accidentally puts Britain's contender for the World title out of action, he is propelled from amateur boxer to the world stage and announced as the replacement contender for the championship fight.
HOLE_AID presents Up the Catalogue, an ambitiously small film set in a fictional shopping channel by the name of 4QTV. Tasked with flogging a seemingly endless cycle of questionable products, star presenter, Hailey Cartin, is starting to fear she might be trapped in live television. When a rival product demonstrator eventually forces Hailey to confront her own quest-defying reality, will she ever be able to climb out of the hole she’s now in? Maybe. But maybe not. (And certainly not without the generous help of the film’s sponsors, HOLE_AID.) A story for the ages, Up the Catalogue boldly takes the shopping channel film genre away from cult classic territory and straight into the mainstream.
Trust is weaponised in this obsessive love story that blurs the line between love and deceit.
Yorkshire, 1916. A choral society's male members enlist in World War I, leaving the demanding Dr. Guthrie to recruit teenagers. Together, they experience the joy of singing while the young men grapple with their impending conscription.