The story follows the adventures of Bilbo Baggins, a diminutive creative who resides in a place called Middle-Earth before he is compelled to go on a quest to find a treasure buried deep in the heart of the Lonely Mountain.
After two American prisoners are killed by guards in the act of escaping from a German POW camp in World War II, barracks black marketeer J.J. Sefton is suspected of being an informer.
When police officer Moe Finkelstein and his colleague Officer Salomon are ordered to serve as bodyguards to German consul Karl Baumer by the mayor of New York City, Finkelstein turns in his badge, convinced he has to quit the service because the man is a Nazi.
Englishman Mr. Howard is on a fishing holiday in eastern France when the Germans invade in 1940. Setting off to try and get back home he is persuaded to take along the two Cavanaugh children, and as his journey progresses his family keeps growing in size. Once in German-occupied northern France a new problem arises — the risk of being heard speaking English.
Bumbling reporter Robert Kittredge has been fired after bungling his latest assignment. His career isn't all he's botched up: his girlfriend Chris is tired of waiting for him to marry her. When he gets a hot tip on some Nazi spies operating in Washington, D.C., he convinces Chris to help him break the story so he can get his job back. The pair soon find themselves in several awkward predicaments as they track the criminals down in a night club, a burlesque show, and face a final showdown at a beauty salon.
A comedy of manners, the film centers on virtuous actress Patty O'Neill, who meets playboy architect Donald Gresham on the observation deck of the Empire State Building and accepts his invitation to join him for drinks and dinner in his apartment. There she meets Donald's upstairs neighbors, his ex-fiancée Cynthia and her father, roguish David Slader. Both men are determined to bed the young woman, but they quickly discover Patty is more interested in engaging in spirited discussions about the pressing moral and sexual issues of the day than surrendering her virginity to either one of them. After resisting their amorous advances throughout the night, Patty leaves and returns to the Empire State Building, where Donald finds her and proposes marriage.
Otto Preminger wasn't only one of the most famous directors of classic Hollywood. He was a presence, a brand, and the only one who rivaled Hitchcock as the greatest showman and self-promoter of his generation. But toward the end of his career, his attempts to "get with the times" (with films like Skidoo, Tell Me That You Love Me Junie Moon, Such Good Friends, Hurry Sundown, and others) shocked, alienated, and outright repelled audiences. What happened to Otto and how can one best appreciate and enjoy those confounding later works?
Bill wants to join the Army, but he's 4F so he asks a wizard to help him, but the wizard has slight problems with his history knowlege, so he sends Bill everywhere in history, but not to WWII.
This documentary, hosted by actor Burgess Meredith, explores the life and career of movie director Otto Preminger, whose body of work includes such memorable films as Anatomy of a Murder, Exodus, Laura, Forever Amber, Advise and Consent, In Harm's Way, The Moon Is Blue, The Man with the Golden Arm, and many other movies made from the '30s through the '70s. Interviews with actors Frank Sinatra, Vincent Price, James Stewart, Michael Caine, and others who worked with the flamboyant and sometimes control-obsessed director add information and insight to the story.
Various comedy sketches with the Master of Insults, Don Rickles.
The Making of In Harm's Way (1965)
18 years after his last film, (The Troubles We've Seen), Marcel Ophuls emerges from retirement as one of our last masters, the most corrosive, the funniest as well. And the most forceful. The director of The Sorrow and the Pity shares with us stories of his exceptionally rich life in this light-hearted yet bitter escapade though the century and the movies. Son of the great Max Ophuls, he is generous in his admiration. We also meet Jeanne Moreau, Bertolt Brecht, Ernst Lubitsch, Otto Preminger, Woody Allen, Stanley Kubrick and of course François Truffaut. There are no great filmmakers without a memory, so here is the memory shop of Marcel Ophuls.