After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.
In a stirring blend of archival footage, fictional recreations, interviews, and animation, the film delves into the story of Italy’s ‘Unknown Soldier’. November 4, 2021, in fact, is the hundredth anniversary of the burial of the Unknown Soldier in the Altare della Patria in Rome. Thanks to a collaboration with the Ministry of Defense, the Friuli Venezia Giulia Region, the city of Aquileia, and the Istituto Luce Cinecittà, this film reconstructs the events that led up to that event in 1921
Guido, an acclaimed writer, leads a seemingly perfect life with his wife and daughter, but his restless search for inspiration leads him into the arms of Giulia, a charming and mysterious swim instructor who's hiding a secret.
An actor past his prime gives drama lessons to prisoners in an attempt to stage "Waiting for Godot."
After the Arcangelo affair, the Pasti brothers, together with an eccentric half-sister they didn't know they had, have made a name for themselves as "gravediggers of VIPs" and are vying for a coveted category award never won before, the Vespillone D'oro. But the evaluation commission finds a gigantic hole in the company's books, which threatens to exclude them from the race for the award. But how is this possible? The answer is in Matteo Pasti's confession: he "borrowed" large sums from company accounts to maintain a virtual relationship with the cam girl named Bella Salma. A stage name that, soon, is on the opening news of all the news: the sex worker is found dead in her villa due to an unlikely domestic accident. The Pasti phone is not long in ringing...
Longtime Italian cinema star Stefania Sandrelli (The First Beautiful Thing) is Alba, the mother of two very different adult sons. While Giorgio is a playboy who constantly cheats on his wife, Leonardo (Luca Argentero, Eat Pray Love) is always unlucky in love. When Leonardo finally meets the woman of his dreams, Sara, he brings her home to meet the family, but it appears this is not the first time that Sara has met Giorgio. Directed by Luca Lucini and stars Luca Argentero, Alessandro Gassman and Stefania Sandrelli.
During research for a series focused on the greatest scientists of the past, a TV producer, following a hypnosis experiment, finds herself catapulted into the 19th century, participating in the last years of Ludwig Van Beethoven's life.
In August 1954, Alcide De Gasperi, now at the end of his personal and political career, left the Christian Democrats' headquarters in Rome and visited his daughter, Lucia, a nun. He revealed to her that he had definitively retired from active politics and was leaving for Sella for a period of rest, necessary for his precarious health. Upon arriving in Sella, where he was reunited with his family, the statesman and his grandson Giorgio went for a walk in the mountains, and there, prompted by the boy's questions, he began to recount his life story, an often painful journey down memory lane.
Maledimiele tells the story of Sara, a teenage girl who sinks – slowly but inevitably – into the abyss of anorexia.
An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in his mom's basement. But things didn't go as planned after his half sister joins him.
First violin in the orchestra of a big city, S. has an extraordinary memory, which leads him to remember every detail of what falls under his attention. When he realizes that he can no longer read a score, because the notes before his eyes explode into moving and colorful points, he decides to contact Professor L., an internationally renowned psychologist.
Born in a village in Sudan, kidnapped by slavers, often beaten and abused, and later sold to Federico Marin, a Venetian merchant, Bakhita then came to Italy and became the nanny servant of Federico's daughter, Aurora, who had lost her mother at birth. She is treated as an outcast by the peasants and the other servants due to her black skin and African background, but Bakhita is kind and generous to others. Bakhita gradually comes closer to God with the help of the kind village priest, and embraces the Catholic faith. She requests to join the order of Canossian sisters, but Marin doesn't want to give her up as his servant, treating her almost as his property. This leads to a moving court case that raised an uproar which impacts Bakhita's freedom and ultimate decision to become a nun. Pope John Paul II declared her a saint in the year 2000.
Checco is 39 and lived his entire life with his parents. He loves his job where he does nothing the whole day, until something happens that will change his behavior and his life forever...
In Vicenza, a beautiful Italian art city, a young wealthy couple joyfully welcomes the birth of a long-awaited daughter in the early 1980s. But the child’s face is disfigured by a red birthmark that covers half her face. This spot haunts the mother to the point that she rejects her responsibilities as a mother. The child’s aunt, a famous concert pianist, takes over her education, thus discovering her exceptional musical talent.
An inexperienced journalist tries to discover who murdered her friend.
The bad romance between Luisa Ferida and Osvaldo Valenti, two of the foremost movie stars in Fascist Italy, who were supporters of the regime to the bitter end, and shared its brutal downfall.
Riccardo Mancini (Ranieri) is discharged from the forensic psychiatric hospital, where he has spent many long years serving time for a crime shrouded in mystery; now he is determined to wreak revenge and win back power within his crime family.
Sofia is a young student in an acting class who learns some of the secrets of the trade from three great actresses: Mariangela Melato teaches her to lie, Stefania Sandrelli teaches her to tell the truth, and Alida Valli teaches her about the illusion of art. Lies, truth, and illusion that Sofia tries to apply to everyday life, to her relationship with her man and her best friend.
A journey through Italy across a century of popular religious devotion. Ancient and more recent saints, white and black Madonnas, devotional processions... are the expression of a need for the sacred that seems very distant from our way of being, but perhaps is not that distant at all. Today, especially in the South, but with some “isolated” locations in the North, popular faith is still a very real thing, which finds its finest expression in song and in music.
The story of an encounter between a bourgeois man and a poor woman, because their teenage children fall in love.
The life and work of Giuseppe Bertolucci, as told by his father and brother, friends and colleagues.
The actor Gøril Mauseth goes on a 11.000 kilometer travel with the Trans-Siberian to play Anna Karenina in a new language in Leo Tolstoj's Russia, discovering the language, and the reasons Tolstoj wrote what he wrote, changing her forever.
Elena, a young trainee psychiatrist, dreams of bringing "mad" people back to a normal life; she makes them talk, she provokes and incites them in the hope of finding the distinguishing signs of normality. Fausto is a boy judged "mad", who has been hospitalized against his will several times, an extrovert musician, he shows clear signs of normality.
On the occasion of the bicentenary of the birth, Carmelo Bene returns to the verses of the poet from Recanati. In this film the most beautiful poems by Giacomo Leopardi (La Ginestra, Il Canto Notturno, Le Ricordanze, A Silvia, L'Infinito ...), but also some passages from the Moral Operettas, as well as the unfinished Project for a hymn at Ahrimane, follow one another with deep and moving simplicity, with a quiet immediacy that causes the void of every other voice: therefore the listenere is ensnared in the pauses, bewitched by the unexpected descents of silence. The voice assumes a dark and ancestral tone in which the words seem to find their original nuances.
Collective film for the 60th anniversary of the Universal Declaration of Human Rights, with 30 directors each helming a segment about one of the 30 articles of the Declaration.
A whirlwind of activity sweeps us into the daily routine at the Archaeological Museum of Naples.
Three years after her relationship with Giovanni, Monica is in prison and has to ask his ex for help.
In Rome, the Cassamortari are people who work in the funeral business. The Pasti family's agency was founded by Giuseppe, who is willing to do anything to turn a corpse into money, preferably in black.
The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.
Baghdad, 2005. After Italian journalist Giuliana Sgrena is kidnapped by insurgents, veteran SISMI negotiator Nicola Calipari is tasked with rescuing her, but interference from US forces in Iraq compromises his mission.
It's a night like any other for Captain Marco Giordani, or so he thinks until Silvia has a fight with her companion and ends up alone in the middle of the station square. Giordani offers to help her, and soon finds himself entangled in a murder case.
Grieving and thirsting for justice for the murder of her father, committed by her mother Clytemnestra and her lover Aegisthus, Electra, together with her brother Orestes, embarks on a path of suffering in which there is no room for remorse or repentance, culminating in irrevocable decisions. Directed by Roberto Andò.
Starting from the main spire of the Duomo, right under the Madonnina, Alberto crosses the city at night, discovering the more or less hidden treasures of the Lombard capital: from the stage of the Teatro alla Scala to the basilica of S. Ambrogio, from the Brera art gallery to the library Ambrosiana, custodian of Leonardo's priceless Atlantic Codex. A journey into art that takes the viewer to the presence of Vinci's Last Supper but also among the "Seven Heavenly Palaces", the gigantic installation by Anselm Kiefer kept in the Pirelli Hangar Bicocca, or among the futurists of the Museo del Novecento. A journey into the history of the city, former capital of the Roman Empire, proud medieval municipality and one of the most splendid lordships with the Viscontis and the Sforzas. This route does not lack the most representative places of Milanese life today, such as the Central Station, the Gallery, the Navigli and the skyscrapers that have redesigned the skyline in recent decades.