The film shows as a documentary the trip to London of Palito Ortega and Graciela Borges
A separated woman faces her future and revises her goals.
A man's terminal illness disrupts the happiness of his marriage.
A German baroness and her ailing husband arrive at a mansion in the middle of the countryside in Argentina in the decade of the 30s.
Fernandez is a lonely man leading a lonely life. All he does is work for an old man in a hardware store. But all that changes, when he meets the girl of his dreams... and her family.
They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death of their mother. When Susana sells their mother's flat, she deprives her brother of the home where he had cared for their mother his whole life. Marcos's need to start living again surfaces when his sister forces him to leave Buenos Aires for Uruguay.
A unfulfilled man tries to find something to ling to, traveling from town to town, in one of them he'll find enough reason to stay.
A married man's death puts his widow and mistress in an unusual living arrangement.
Amid the sweltering summer heat in northern Argentina, two middle-class families retreat to a crumbling country estate and a modest townhouse, where strained relationships, simmering tensions, and the presence of children and servants quietly expose the fractures of family life. Between idle days, gossip, and unspoken desires, the boundaries of class, tradition, and faith are reflected in their everyday interactions.
When his pet is killed by a probe from earth, Mercano, a Martian, travels to earth angered. Landing in Buenos Aires, at first noone takes any notice of him.
The godmother and Perla are the world to "the little girl," a world defined by the four walls of a studio apartment with one window looking nowhere. Only space and alter the monotony, the blood transfusion sessions to which must be submitted Pearl and almost anonymous sexual encounters of the baby.
The priest Mario Pantaleo discovers he has some power to diagnose and cure diseases through the laying on of hands. But the police and the church hierarchy will against him.
It's about three women, three stories, or perhaps a single story in different projections of time and space. The Mistress wishes to unravel the meaning of being a woman is the victim of Hollywood. Ana is the product of a society ruled or dominated by men.
The story of rebel gaucho Martin Fierro, his people, and their life in the Argentine Pampas. Based on José Hernández's epic poem.
A group of young aristocrats lock themselves up, for fun, on a terrace in a wealthy building in Buenos Aires. Their parents try to get them out, but they threaten to jump down if any adults enter the terrace.
The daughter of an American marriage in Puerto Rico forces her parents to find a doll that her father mistakenly sent in a box of aid during a flood.
In this drama, a still-young grandmother has a suitor whose son is suffering from an incurable illness. The woman knows that the son has fallen in love with her granddaughter, but the granddaughter does not reciprocate his feelings. Convinced she should do something about that situation, grandmother talks her granddaughter into going on a trip to Paris with the young man -- intent on bringing the two together. But this simple plan, it turns out, has unforeseen consequences
The head of a criminal gang has all the power among his men until one decides to testify against him.
Delia Mañara is notorious in her quarter of Buenos Aires for the mysterious deaths of two of her fiancés. She lives in a twilight world and gains most satisfaction through the exercise of power over others.
The story of two strangers who decide to overcome distance and loneliness, turning a casual meeting into an opportunity for a new beginning.
The Cenacle, a unique restaurant offers single-table work. In a ruined temple every night there is a last supper. Diners sitting at the table, define something important in their lives. Four stories plus the secret that bond the owners. Superb music.
A turbulent era in Argentine politics is highlighted in this well-wrought drama, set in Buenos Aires at the end of 1945, about Clara (Graciela Borges), a young, half-Jewish woman awakening to the reasons behind the political conflicts of her time and place. Clara's father was a Communist who fought the Nazis in Argentina and possessed a list of the top Nazi exiles and their contacts. Through a former lover, Clara -- a successful broadcast journalist -- begins to see her Jewish roots (and the leftists) in a whole new light. Meanwhile, the political storms sweeping through Argentina are setting the stage for the Peronist government to come.
Henchmen of the dictator from a South American country blackmail Nick Thomas into being a government spy. The former smuggler is to pose as a priest and enter a monastery thought to be sympathetic with rebel guerrillas. The release of the film coincided with real-life events, as Catholic priests continued to be the victims of government persecution throughout Latin America.
Graciela and Arturo operate a kindergarten in their mansion. Graciela is particularly keen on one boy, Luciano, on whom she makes sexual advances.
A group of musicians, prostitutes, gamblers, and laborers, react to the arrival of a tango pianist at a saloon.
The love story between two teenagers, children of incomprehensible parents.
Against the backdrop of a military dictatorship, Eugenia is reunited with her estranged family following her father’s stroke and is forced to confront dark secret.
"The Vicious Ones" - The police investigates a drug trafficking network. Other social issues are discloses. A rare film including the famous Coccinelle.
There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography
A vagabond receives a large fortune as an inheritance and summons his peers to decide what to do with it.
A social drama centered on the miserable conditions experencied by cane cutters in Argentina's north.
A woman who has been traumatized by her brother's accidental death from electrocution in the subways of Buenos Aires learns to readjust.
A man whose wife was murdered on the wedding night returns to town to marry another and is resisted by the locals.
This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.
Following the death of a close friend, a woman caught in an unhappy marriage looks for ways to improve her life.
A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.
A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.
Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.
A movie director forces her actress wife not to practice her profession, so she escapes.
Saverio is an insurance broker who arrives in a small town after receiving a letter from a potential client requesting insurance for "special affections." Upon arriving at the mansion, Saverio is captivated by the beauty of Susana, the granddaughter and heiress to a vast fortune—beautiful, refined, and cultured. What Saverio doesn't suspect is that he will become the victim of a macabre plot, in which he plays a crucial role. Susana, in collusion with her family and friends, will feign madness with the sole purpose of making Saverio fall at her feet.
In a boring marriage a model-photographer attracts the husband and a young man to the woman.
Miss Tacuarembó is a unique mixture of drama, comedy, musical with touches of parody and nostalgia which for its beautiful narration will attract many open-minded viewers not only in Latin American world. The story of Natalia, the main hero, and her life's struggles is shown in different three eras of her life.
An art dramatic teacher, with melancholic eyes and some sort of charge over his shoulders, manages El Sotano Club by the nights, a comedy pub and gives comedy classes to other adult people by the day. All his life changes when he meets a very special student that breaks with all his schemas. Love, that strange thing.
During the yellow fever epidemic of 1870, a fugitive enters the mansion where three women had locked themselves in.
A young painter from La Boca discovers that his father is a millionaire. He goes to live with him, changes his life and comes back to the neighborhood.
In the 60s and thanks to the epistolary exchange, the young filmmaker Manuel Antín and the famous writer Julio Cortázar devised four films. An ocean away, a fruitful collaboration and genuine friendship are born.
Mario Soffici's last film. The story is about a beautiful young woman who is criticized by the town's old gossip women and is defended by a generous priest. She has an amorous relationship with a young orphan.
Documentary about Fernando Iglesias, “Tacholas”, a Spanish actor who arrived in Buenos Aires in 1929 and participated in 52 national films.
The romantic encounter and misunderstanding between an aristocratic model and an actor.
The story follows a girl named Lila, who, after her father's death, discovers she has the ability to communicate with him from beyond the grave. As she explores this supernatural connection, she faces emotional challenges and family secrets that will test her faith in what she thought was possible.
A portrait of the bond between a filmmaker great-granddaughter and her great-grandmother, photographer Annemarie Heinrich. Through this relationship, Mariana explores a shared obsession: what it means to portray and reveal someone.