Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
Yoon is a South Korean. He lives in France. Someday, he encounters a woman who seems lost, alone, and miserable. That is Sulhwa, from North Korea. Yoon offers her a roof for a night. It is the first time Yoon has ever met a North Korean, and that Sulhwa has ever been in the real world.
One rainy night, Sodan's grandmother disappears, only telling her she's going to see a movie. In an effort to track her down Sodan gets a job as a box office attendant at the local theater. But there's more to this run down cinema than meets the eye.
Two friends, Jung Jong-suk and Hwang Kyung-min, meet after several years and talk about their time in school, which left them scarred.
Sang-won, Seung-jun and Min-wook are high school best chums. However, after graduation, they are in three different places in life; Sang-won is a college student, Seung-jun studies one more year to enter the college, Min-wook performs his military service. One day, two friends visit Min-wook in the army. Seung-jun has another reason for a visit to bring the break-up letter from Min-wook’s girl friend, Esther. Once three boys reunite, they spend one night of carousing devoted to the poor military boy and try to find when to give the letter. Before they separate, will the Dear John letter be delivered successfully? The trio allows their adventure to continue.
Nami is a young woman with numerous hangups sprouting from a dysfunctional childhood. She inherits a small fortune that allows her to pursue various interests, many of which are abnormal.
Aspiring filmmaker Hyunsu offers Miju a role, and they fall in love. As time passes, Miju grows tired of his dreaming while she struggles at work. A fight leads them to experience different July 7ths, leaving their future uncertain.
In 1862, amidst the rule of the late Joseon dynasty in Korea, a band of fighters named Kundo rise against the unjust authorities.
Arts professor Jung Ji Woo is searching for a nude model for a video clip that will be played at her exhibition. When Hee-jin, one of her students, recommends Yoon Ji Woo for the job, the three woman head to the beach to shoot the video. As they spend time together, Yoon Ji Woo begins to share pieces of her past relationship with Kang Ji Woo. The film weaves the pasts and presents of the three Ji Woos and focuses on their intersecting relationship.
Joon is arrested for the murder of the top student at his prestigious school. When he is released, Joon holds students accusing him of the crime in a room and forces them to reveal their dark secrets.
The Korean Academy of Film Arts has produced an animation for 3 consecutive years through a collaborative project. Considering the severe reality of Korean animation in that it lacks an industrial infrastructure, "The House" demonstrates the possibilities of Korean animation and the efficiency of collective production. While comparing apartments in the downtown core to the shabby environment of a marginalized district, "The House" portrays the collapse of the spirits dwelling at the house. As such the adventure of Ga-young and the spirits in the house becomes a criticism of modern society: enlightenment via animation. Although this animation may not have the most delicate or original style, the 5 animators that worked on this film unleashed their imaginations, ultimately showcasing the power of a collective process and a pleasure of the collective imagination.
A murderer in the middle of a killing spree enlists a reporter to interview him as he prepares to finish sacrificing his victims to his god.
Korean international student A-Joong (Kim Kkobbi) takes part in a camp at a country village, located in the suburbs of Los Angeles. A-Joong isn't happy with the Japanese international students who seem to be addicted to alcohol, drugs or sex. At that time, some brothers, who make a living through murders and burglary, target the cottage where the international students stay.
In order to be with the man she loves, Kim goes back to Japan from Korea. The man saved Kim from darkness, when she was little. But he was raised by Kim's mother under the dark world. Now, he is involved in the criminal world. To protect her love, Kim makes a dangerous plan to get the man from her mother.
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
Young is a nameless actor who dreams of becoming a big movie star. Then one day, he makes his breakthrough with a film and becomes a star overnight.
Jeong-hye, a woman in her 30s, works at the post office and lives a quite monotonous life alone in an apartment with her cat. Apart from having lunch with the girls at work, she is all by herself, until an aspiring writer is attracted by her.
Seo-hee, Nam-hee and Lan. These three girls happen to read their tarot cards. Tarot cards tell them once-in-a-life-time opportunities will be coming to each of them simply by holding tarot cards and chanting magic spells. And the magic spells are nothing but their own names! Once their names are said, very special events begin to unfold.
The actors start to shoot themselves after they receive the cameras. Kim Kkot-bee goes abroad to shoot her friends from Breathless. She throws parties with her friends there and shoots a film. She also has a good time with her dear sister and brother. When Seo Young-ju finished her busy life with a performance as an actress and an assistant director after shooting a film, Seo leaves on a trip overseas to hibernate. She is thinking what she as an actress should do for the health of the earth. But her loneliness cannot be solved. Yang Eun-yong loves someone, but cannot contact with him. She drinks because of her agony, but cannot resolve her loneliness and thirst easily. However, there is the film in the center of them. Though it is tough, they reveal and discover their new faces through their films, the source of their energy. There is something in the actresses in the shaking cameras; that is what they are looking for.
Ayoung is a young woman living a less-than-humble life working as an assistant at a dermatology clinic. Although Ayoung barely makes ends meet on a miserable salary earned by popping pimples, she has a secret.
This is the story of a father who died mysteriously in May of 1980, a mother who lives in the shadows with a bullet in her head and not being able to forget May 18th and their daughter, and the nation's greatest comedian, Hee-soo.
Bo-kyung is in the final year of her studies in oriental painting. Although she has a boyfriend of four years, Duk-woo, Bo-kyung has feelings for one particular senior.
Echizen Washi artisan Takeo has lived in emotional isolation since the death of his wife, but he collapses due to a brain tumor and is in need of care. Yona, a Korean woman in Japan on a working holiday, comes to his aid. Stubborn Takeo and pushy Yona butt heads repeatedly, but gradually Takeo opens up under Yona's care.
3 men fall in love with a woman. They change themselves to whom their love admires. The men become famous Japanese musician Yutaka Ozaki, popular American actor Brad Pitt and historical political figure Ryoma Sakamoto.
A couple's hospital tryst is caught on X-Ray. Thinking she and her boyfriend are the ones in the compromising radiograph, nurse Yoon-young goes in the next day to resign only to find that everyone has called in sick except the head doctor.
Quiet, intelligent, solemn and recently dumped by his girlfriend, graduate student Lee Weon-san takes a job at a literary magazine, ostensibly to supplement his income, but really to get close to the editor - the reason he’s now single. The editor, unaware of who Lee is, takes a shine to him and makes him his personal assistant.
A dreamlike drama produced by and starring Sugino Kiki, a rising star in the independent film world. Two women who meet on a mysterious resort island become captivated by its allure and venture into an ethereal realm. It is the second feature directed by Malaysian filmmaker Lim Kah Wai. Japanese Kiki (Sugino) and South Korean Kkobbi (Kim Kkobbi) arrive on Hong Kong's Lantau Island. They have both rented rooms at a hotel near the Mui Wo forest, but when they enter the lobby, the only other person around is a bellboy.
Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.
A story of three families living different but similar lives. They always fight and quarrel, but love is the common denominator for their relationship, making people think about what families are for.
A 30-year-old teacher at a private school in Seoul falls in love with a teenage student in one of her night classes.
Ji-Woo meets Sujin for the first time at a camp site and is immediately interested in her. But it is not easy to attract her attention.
Stas is a young third generation Koryo-saram, a member of the Korean minority in Central Asia that was deported from the Russian Far East by Stalin. He and his three friends Kasoy, Shin and Said try to escape from the grim life in Tashkent, the Uzbek capital, and one day, they also try heroin. Then, however, Kasoy gets killed by a gang. 6 years later, Shin has emigrated to South Korea, Said has become a drug addict and Stas is now a police officer. Said commits suicide by overdosing and Stas, who has has since then also become a drug addict, decides to turn over a new leaf. He follows Shin to South Korea, but can this be Hanaan for him, the Promised Land?
An omnibus film produced by Indie Forum. The directors made a short film of about five minutes under the theme of "self-reliance".