The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.
A tenant attacks the villainous landlord Jawaharlal Choudhry, injures his son Priyalal and abducts his daughter-in-law Sandhya. Sandhya escapes unharmed to her relative, the engineer Praksh, but her father-in-law refuses to take her back, believing her to be 'damaged goods'. Sheltered by the kindly Promode, her husband eventually accepts her back although she feels torn between affection for her savior and her marital obligations.
The story of an unemployed graduate who falls in love with a woman who ran away from her cruel husband.
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a tawaif.
Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.
A father worries for his younger son and asks his elder son to promise that he will do everthing in his power to ensure Arun does not go astray, educates himself and becomes an independent man. However, fate has other plans. When Arun commits an unthinkable crime, his brother fulfills the promise made to their father and shields his younger sibling from all harm.
Shiromoni, a village priest sends his son on an errand to the house of Mr. Mukherjee. On his return Kashinath discovers his father is no more. With no kin to support him Mr. Mukherjee suggests that Kashinath should move over to live with Mr. Pitambar Chakraborty, the zamindar [Landlord]. Kashinath however, is in no mood to leave Mr. Mukherjee's home as he has started to grow attached to Mukherjee's daughter Bindu.
Harish who's a poet who falls in love with Kusum, a singer he mentors. But Kusum sees him only as a guru and ends up marrying a wealthy admirer. Years later, misunderstandings resurface, leading to a bittersweet realization that love and respect don’t always mean the same thing.
Mansoor, a feared bandit who falls for Husn Pari, the sister of a tyrannical caliph. After taking shelter with a merchant, he’s pursued by the merchant’s daughter Meher. Torn between love and guilt, Mansoor faces betrayal, loss, and a final choice between his past and redemption.
This costume drama, adapted from Agha Hashar Kashmiri's classic Urdu play, unfolds a tale of rivalry, revenge, and love set against the backdrop of Roman persecution of Jews. The story centers on the Jewish merchant Prince Ezra, whose young son is tragically lost due to the cruel Roman Priest Brutus. In an act of vengeance, Ezra's slave kidnaps Brutus's infant daughter, Decia, bringing her to Ezra. Unable to harm her, Ezra raises Decia as his own, renaming her Hannah. Years later, Hannah falls in love with Marcus, a Roman prince (played by K. L. Saigal), leading to a complex web of mistaken identities, betrayal, and a dramatic confrontation that exposes the intertwined fates of both families and challenges notions of religion and lineage.
A tragic Muslim social drama. It tells the story of two close Pathan families torn apart when Motilal, initially engaged to Veena, falls for and demands to marry her cousin and best friend, Munawar Sultana, after seeing her by chance. This sudden change of heart creates a deep and painful rift between the once inseparable families.
Reformist melodrama about widow-remarriage. Jai Narain, owner of a colliery, forms a happy family with his wife, his daughter Saroj, son-in-law Kailash, an engineer at the colliery, and their son Nannha. Kailash dies in a colliery accident caused by Jai Narain. Nannha is sent to an orphanage and Saroj marries Ramesh, who loves her but is unaware of her previous marriage or of being a stepfather, while Saroj misses her dead husband and longs for her absent son. A former suitor, Ranjit appears, knowing her past history. Repeated scenes show Nannha pining for his mother.
Set in the early 20th C. Calcutta Theatres industry. Kamala (Kanan Devi) is the star of the Ruby Theatre owned by her guardian Maheshbabu. Narendra (Sanyal) is the equally popular star in the rival Bina Theatre, which he abandons to join the Ruby repertoire when he falls in love with Kamala. In a lyrical sequence in the countryside, they marry in a poor peasant setting. Narendra then shows his true colours and forbids Kamala to continue her acting career. She returns to the stage anyway while Narendra stays among the peasants. He later returns to the Bina Theatre and its success is intercut with the bankruptcy of the Ruby Theatre.