In 1917, the old rivalry between a prosecutor and a judge resurfaces during a police investigation into the murder of a child.
Anna, Joyce, Claude and Lucia are all students under the tutelage of Constance Dumas, a renowned film instructor. Lucia moves in with the other girls. Soon after, she is attacked on the street outside her home and saved by a mysterious stranger.
Antoine is forty years old. Happily married to a woman he loves, father to two beautiful children, a brilliant lawyer, one could say that he has made a success of his life. But one day Antoine has an unexpected, irrational, and earth-shattering encounter. One that is also a little scandalous as well. Antoine encounters God, something he just did not expect. Not at all ! Nor did his wife.
Hèdre is queen but doesn't love the king. She prefers his son Hippolytus, whom he had from a first marriage, to Theseus. A guilty love, hidden by feigned hatred, that makes her suffer and perish, and that she can't keep from confessing as soon as she hears of the king's death. But Hippolyte doesn't love her. And the monarch is only wounded. Ashamed, the queen can no longer look at him. Oenone, her confidante, tries to save her by making the king believe that the outrage comes from his son. Fanned by Theseus, the fury of the gods strikes Hippolytus. The adulteress kills herself.
Inès, Stella, Marion and Emilie are four young women who become friends and never leave each other. They band together during their teenage years. This film discusses their first meeting and what happens afterward.
This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.
Not long before World War I, in a French Alpine town near the Italian border, a pack of slaughtered wolves is delivered to local taxidermist Leon (Patrick Chesnais). A surviving black cub comes down from the mountains looking for his family, and is saved from discovery and certain death by Leon’s young daughter Angele, who releases him back into the wild. The Great War comes and goes, making local foundry owners the Garcins rich. Family patriarch Albert Garcin (Michel Galabru), who happens to be Angele’s godfather, has given a free lifetime’s lease of a shack in the hills to a gypsy woman (played in flashbacks by Elisa Tovati in which she’s seen, literally, having dances with wolves on stage). Her son Guiseppe (Stefano Accorsi), who appears to be slightly mentally handicapped, guards the wolves he’s befriended up there, especially the black pack leader he calls Carbone.
A staging of Valère Novarina's play "L'Acte inconnu" by himself.
Jérôme Bel's show features the memories of spectators at the Avignon Festival.
Vincent, a truck driver, picks up a young pregnant woman. She turns out to have an unstable temper… and an automatic pistol. She orders Vincent to continue driving, without stopping. When he's out of gas, she'll kill him.
Paris, today. 38 y.o. Inès, mother of teenage Adam whom she is raising alone, is threatened with eviction. She absolutely must get a stable job to find them a place to live. She is taken on 2 months trial at “Anti-Squat,” a start-up company offering temporary housing in empty suburban office buildings. But the rules are very strict and the tenants have no rights. As a manager, Inès must live and sleep in the building to monitor the residents. But children are forbidden... She has two months to go, two months to complete her trial period, two months to start a new life at the risk of losing her most cherished values.
Robert Zuchini is an actor in love with the words of Victor Hugo. Every evening, he goes to a Parisian theater to read and recount the novelist and poet's work before a large audience. Offstage, he carries a gentle melancholy, tinged with solitude. His wife, who is very busy with her career, goes on business trips to the United States; they love each other, but from a distance. He no longer has contact with his daughter, Lisbeth, whom he did not raise. When her mother dies, she reappears in Robert's life, but communication is difficult, even impossible: where he takes refuge in texts and the past, she demands his presence in the moment. Little by little, through contact with this modern and independent young woman, Robert Zuchini reconnects with his past, opens up to others, and relearns the practice of his art.