Motomu Ida movie
1962 Japanese movie
1962 Japanese movie
This is a factory area in downtown Tokyo, and Hikaru, nicknamed Pika-chan, is a nurse at the Mihara Clinic, a friend of the poor.
1962 Japanese movie
1962 Japanese movie
Gimme gimme gimme! Yusaku Matsuda and his gang are on the hunt for women, money and more money! Takeo Natsuki (Yusaku Matsuda) was just released from prison. He was the leader of three rascals; all they did was cause trouble. When they meet a girl whose father is resisting a forced eviction to make way for a construction site, they come up with their own plans to solve the problem.
1962 Japanese movie
Daisuke Honda, a war photographer in Vietnam, meets Yuriko Sawanouchi, a stewardess on his plane back to Japan. After drinking with her at a Tokyo bar, he becomes involved in saving Yuriko from assassination by stylish, female ninjas. When trying to rescue Yuriko from kidnappers, Daisuke discovers a group of foreigners are hunting for a WWII-era treasure hidden on an island by Yuriko's father.
The film tells the story of a group of high school boxing team members who spend their days drinking, sailing and chasing girls, and who more often than not spend their nights getting into brawls. In particular, it focuses upon Tatsuya, a sullen young man, who falls in love with Eiko, a proud upper-class girl.
Nikkatsu Roman Porno
1962 Japanese movie
1962 Japanese movie
When Yakuza decides to take avenge his brother, the war shall begin.
Nikkatsu Roman Porno
Ichijo Sayuri, once the legendary queen of Osaka strippers, has retired to run a sushi shop. She is awaiting her day in court after having been arrested for indecency at her farewell performance. While she was active, she was both the rival and the model for many young strippers. Harumi was one of them. Ichijo Sayuri was the real-life queen of Osaka strippers who was arrested on her final performance.
Oshichi (Setsuko Ogawa), the daughter of a green grocer, is only seventeen years old but is known as one of the most beautiful girls in Edo. She is betrothed to Sakubei (Tatsuya Hamaguchi) but does not love him. One day, the whole city is flooded by one of the worst rain storm in its history. Oshichi, and her parents are given shelter at a temple where she meets Kichisaburo (Ryuji Mori), a young priest. It is love at first sight for both of them. The storm finally abates. Oshichi's parents decide to return to their home on the following day. That night, Oshichi gladly gives herself to Kichisaburo but they are found by her mother who warns them never to divulge their secret. Learning that her plan to move up the date of her marriage to the rich pawnbroker's son, Oshichi feels that she can never be united with Kichisaburo unless she takes things into her own hands.
Masaaki Kagari (Akira Kobayashi) is the recruiter and protector of hostesses at the Club Rose. One day he visits Club Aron, to complain about attempts to lure hostesses from Club Rose. Aron's madam Hisayo reminds him of a tragic experience five years before, when a lovely girl named Kumi committed double suicide with a man in a hotel. For Aron's madam is Kumi's elder sister. Kagari's friend Hayazaki introduces him to Chie, the young sister of the man who died with Kumi, who has come to Tokyo to learn the truth about her brother's death. Kagari sends them both away. But he continues to be haunted by the warmed-over memories. When Club Aron is found selling bootleg whisky Kagari learns that Hisayo has been a tool in the hands of the Akune group who are also responsible for trying to steal his girls, and that Fujikura, the public prosecutor who presided over the case of Kumi's death and ruled it suicide, is now the personal lawyer of the Akune group...
It is the end of the Taisho era (1912-1926), and at the Hanazuki-tei theatre in Asakusa, the famous performance of storyteller Koiso Kikuji and performer Kataoka Koshin is reaching its climax when the Tawaraya family interferes... This is an entertaining action film bursting with righteousness and humanity, centred on men who try to live righteously against a corrupt boss who preys on the performers.
Strife between competing lumber mills.
After World War II life in Japan was hard. There was lawlessness, rapine, never enough food or money. One girl, raped by three men, called out the name of Kentaro before she died and this was something that people in this small section of downtown Tokyo remembered. Life went on, however, and local boss Hiramatsu Daizo decided to build a market, aided by his daughter Aya. They met opposition until one day a young man named Kentaro appears who it is rumored he was the vengeful lover of the murdered girl. He lives with Sabu and Yukari, the children the girl looked after before she died, and helps with the market, coming to the rescue with a bulldozer when Daizo is threatened by a rival group. When Daizo is finally killed, Kentaro carries on the work. Finally the market is completed, the rival group makes a last stand but is machine-gunned down by Kentaro who, after saying that he was not the one whose name the dying girl called out, leaves town for good.
In the late 1890s, coal is a precious new natural resource. During an era of rapid economic growth, dreams are instilled into the lives of many across Japan. A vigorous young man with a look of fearless determination, sets foot on the northern part of Kyushu, an area where Yakuza thrived. His name is Kingoro Tamai (Yujiro Ishihara). With plans to travel the world, Kingoro worked diligently at a coal mine. His loyalty and hard work earned the respect of his peers, his courage won the heart of the beautiful Mon (Ruriko Asaoka), and his success evoked jealousy in his enemies.
An unstable office lady imprisons her manager in her apartment and tries to seduce him.
A young wealthy widow becomes sexually involved with her father-in-law, while harboring a destructive obsession with the family gardener.
Tsuiseki is a 1961 crime film.
A 1970 crime film.
1962 Japanese movie
1962 Japanese movie
Koreyoshi Kurahara's ingeniously plotted, pocket-size noir concerns the intertwined fates of a desperate bank manager, blackmailed for book-cooking, and his resentful but timid underling, passed over for a promotion. The marvelously moody Intimidation is an elegantly stripped-down and carefully paced crime drama.
Goro (Tetsuya Watari) wants to put his dark past behind. He heads to Hirosaki City to offer his condolences to Yumeko and to reunite with Yukiko (Chieko Matsubara), but finds that Yumeko is fatally ill. Although Yukiko was taking care of her, she is pressed for money. Goro wants to help and knows that there is only one way to come up with fast money.
Shortly after arriving in Kobe, "Jiro the Lefty", a killer with a natural talent, witnesses a man die in a crane accident which turns out to be a cover-up for a murder. Jiro soon finds himself on the run, tailed by a determined cop.
On a cold winter day, Goro Fujikawa (Tetsuya Watari) and Masahiko murder the mob boss of Meishin-Kai. The deed costs them time in prison, but Goro had no shred of regret. When Goro is released 2 years later, Masahiko is dying in prison hospital and entrusts his last wish; "find my sister and take care of her." Goro leaves as a free man with a mission, but soon finds that he might have been better off in jail.
Akira, a young, jazz-obsessed drifter, returns to his squat, a ruined church, and finds Gill, a wounded African-American GI, on the run after the death of a white GI. Despite terrible misunderstandings and culture clash, Akira agrees to help Gill escape towards the sea, dodging military police along the way.
A melodrama about the life of a mentally disabled young man and his devoted sister after their famous novelist father and housewife mother go to Australia on a business trip.
Kazuko Shirakawa plays a girl who left home to satisfy her inner lust. Her passion turns to despair when she looks at her miserable life and sees the loss of her one true love and eventually becomes a prostitute. Everything is masterminded by her jealous sister, who hopes to bed her husband. She eventually gets her wish.
When his sister commits suicide as a result of his actions, Rokuheita, an enforcer for the Yagyu ninja clan, considers his choices and eventually deserts the organization. Hunted by an army of bizarre shadow warriors, the target turns on his pursuers when he finds something worth fighting for.
A young yakuza hitman named Goro does a job and needs to hideout away from Tokyo for a while. He hangs out with loose women and hard men and always manages to stay one step ahead of the law. In his exile, he comes under suspicion for a murder and meets the girlfriend of the murdered man. They develop a strange bond while unbeknown to Goro, another hitman is after him for the job he did in Tokyo.
A gang lord hires Kamimura, a hit man, to take out a rival boss who's gotten greedy.
Two semi-slackers with an ultra-intimate friendship work, slack and drink in a freezing Hokkaido town.
Akemi is a dragon tattooed leader of the Tachibana Yakuza clan. In a duel with a rival gang Akemi slashes the eyes of an opponent and a black cat appears, to lap the blood from the gushing wound. The cat along with the eye-victim go on to pursue Akemi’s gang in revenge, leaving a trail of dead Yakuza girls, their dragon tattoos skinned from their bodies.
Depicts the bloody siege of the fortress of Port Arthur, one of the most strongly fortified positions in the world, during the Russo-Japanese War of (1904 - 1905). In the story dominated the character Lt Takeshi Kogyo (Teruhiko Aoi), teachers, and a reserve officer who became commander of the platoon and later company. At the same time monitors the conduct of the army commander general Nogi (Tatsuya Nakadai), which was commissioned of the emperor Matsuhito (Toshirô Mifune) to the conquest of the fort.
A group of corrupt police detectives go on a manhunt for an ex-collogue who they believe could blow their whole rotten operation wide open.
The wife of a struggling artist is raped and begins painting a series of erotic images in an attempt to exorcise her demons. However the men in her paintings all have the same face as her rapist, and as her work becomes more popular the man begins to take on folk-hero status...
A newspaper reporter's search for his girlfriend's missing father lead him into heart of the criminal underworld of Yokohama's Chinatown.
Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.
A street war breaks loose between two rival gangs in the Kansai region of Japan. Goro is in the middle of action. Through a knife fight against Sueo, a high profile gangster from Busou-kai, Goro notices a familiar face approaching him from amidst the chaos - his girlfriend, Yuri. Goro had sent her to safety, but she had returned, aching to see him. Caught between Goro and his enemy knife, she reunites with her love - the price was her life.
The story of the silk industry and the young girls who worked as silk spinners in the early 1900s in Japan. The silk mills were located in Okaya which lies just beyond the Nomugi Pass. The women and girls worked in a hot, humid atmosphere without rest, and endured those conditions and sexual harassment to earn money for their poor families. Across the ocean, it was the great depression in America.
Goro has always been a lone wolf. When he arrives at an industrial city in Keihin, there is certain restlessness in the air. The Iriezaki family and the Kanto Touyu-kai were in the midst of a territorial dispute. Goro was quick to notice, but had no intent to take sides. At a department store nearby, he sees an elevator lady being harassed by a couple of hoodlums. Goro decides to intervene. Unbeknownst to him, the hoodlums are Touyu-kai members – and the girl has strong ties with the opposing family.
A high school science teacher is the butt of all his students' jokes, until their bus is hijacked on a school trip. But something more sinister lurks beneath the surface: he's building an atomic bomb in his apartment.
A married office lady is assaulted in the dark at a company outing. At work she doesn’t know who to suspect but thoughts of the attack strangely excite her.
A nanny, played by Sayuri Yoshinaga, who lives and works in a Tokyo family, causes all kinds of waves with her outspoken personality and behavior in this charming coming-of-age blockbuster.
An unprecedented, extravagant, passionate film set in Spain and Southern Europe. It depicts the passionate Yujiro who risks his life to invite bullfighting.
On his way back to Yokohama, a young boy named Kenji Hase encounters a girl named Yoshiko who is being harassed by the Kaminaryu gang. He rescues her and they head towards Yokohama in Yoshiko's car. In Yokohama, there is an uproar because Kenji's father, Shozo Hase, a customs officer, has been accused of stealing confiscated drugs. The story unfolds with thrilling action as Kenji bravely confronts the gang of villains who framed his father and kidnapped him, all while seeking justice and vindicating his father's innocence.
Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.
This movie depicts the confrontation between a man entangled in a despicable trap and the shadow of murderous intent, and the efforts of a journalist chasing after the truth. Due to the passage of time since the film's release, some scenes may be marred by visual and audio distortions. We apologize for any inconvenience and appreciate your understanding.
1961 Japanese movie
One day, a lone horseman rides into town with a wounded man strapped behind him. Joe, the Ace, had captured one of the bandits who had held up the armored payroll car headed for the dam construction site, takes the wounded man to the police and claims the reward offered. He is told to wait until the driver of the armored car returns to identify the bandit and goes over to the Blue Star where he is introduced to Mishima, the owner of the cabaret, who is highly respected in the town. Joe then meets Saburo, while fishing, and his lovely sister, who seem to sense the real man beneath the rough appearance and take him into their home. Word reaches Joe that the bandit he'd captured had been shot and he hurries over to the hospital.
Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.
From a true incident that happened in 1960's Japan. This drama is contemporary in setting but medieval in its characters and emotions as it focuses on a tangled web of murder and deceit encountered by a beautiful woman, Kayo after her abusive husband is murdered.