A 15-year-old boy murders his mother and sister. The father, Nin Yuen, returns to his cafe, haunted by memories of a once-happy family: his wife preparing breakfast, his son playing video games, and his daughter caring for their calico cat. Yuen finds himself unable to hate the living or forget the dead. As they confront life’s cruelty, will Yuen and his son’s strained relationship ever find redemption?
The premise of the film is that a meteor has been projected to destroy Hong Kong after 33 years (i.e., in 2047). The storyline details the subsequent reaction of local residents and the transformation Hong Kong undergoes leading up to the date of destruction.
Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.
The Incredible family helps their powerless younger sister prepare for her first-grade admission interview, using telepathy to tackle the challenges. Unexpectedly, their efforts only make things worse.