Three gangsters on the run break into a rehabilitation center for delinquent teenagers run by the couple Roger and Irène. The residents are divided over how to deal with the three bad guys, who want to take over the home.
Gerard, a young man from a "good family" dreams of becoming an actor. To do this, he follows everywhere his sister Frédérique who is infatuated with cinéma vérité.
An old count hides just before he dies to annoy his heirs. The heirs search a manor for the count's body and are killed off one by one. Jean-Marie, his fiancée Micheline, and Edwige investigate the deaths and search for the count's body.
Story of a young, inexperienced ship captain named Marlow, who struggles in solitude during the voyage with disease, insubordinate crew and vagaries of weather.
Two enigmatic women, Leni and Viva, separately arrive in Paris, each with a hidden but shared motive. As they navigate the city and their search progresses, various characters become entangled in their conflict, one which increasingly comes to take a fantastical turn. These characters too, driven by their own desires, strive to assert their influence in the struggle. In Paris, drenched in an otherworldly ambiance, an opaque tale of desire and power emerges through mystery and secrets.
This documentary consists mainly of archive interviews of Jean Cocteau, and it features interesting contributions by Jean Marais and especially Jean-Luc Godard, who discusses Cocteau's foray into cinema. The film documents all the artistic media explored by a man who defined himself, first and foremost, as a poet.
This film of interviews with the film director Jacques Rivette was produced in collaboration with Serge Daney, film critic from “Cahiers du cinéma”, then of “Liberation”. In the course of their conversations, the two speakers discuss Rivette’s career, his relationships with the other film makers of the new wave, his use of “mise en scene” and his working with actors.
The portrait of an extraordinary French dancer-choreographer: Jean Babilée (1923-2014) is filmed at home, in the streets of Paris, at the Opera Garnier or at the Champs-Élysées Theater, “always caught, even in his kitchen, in full body work”.
The vagaries of love are often tragic, as Amelie ou le Temps d'Aimer seems to say. Directed by Michel Drach in his second try at a feature-length film, the well-wrought romance revolves around the love that develops between Amelie (Marie-Jose Nat) and her cousin Alain (Jean Sorel). Amelie is an orphan who lives with Alain and his family on an island off the coast of France. Alain has dreams of working as a seaman, while Amelie works for Alain's father. The budding romance between the two takes a nose-dive when Alain falls for a glamorous actress who shows up on the island one day. Not mature enough yet to make a wise choice, Alain's betrayal of Amelie turns out to be a grievous mistake.