Con artist Lawrence Jamieson is a longtime resident of a luxurious coastal resort, where he enjoys the lavish fruits of his deceptions -- that is, until a competitor, Freddy Benson, shows up. When the new guy's lowbrow tactics impinge on his own sophisticated work and believing him to be the infamous conman 'The Jackal', Lawrence resolves to get rid of him. Confident of his own duplicitous talents, he challenges Freddy to a winner-takes-all competition: whoever swindles their latest mark, American heiress Janet Colgate, out of $50,000 first can stay, while the other must leave town.
At her 25th high school reunion, Peggy Sue faints and awakens in 1960—back in her senior year, before her marriage and all her regrets. Given a second chance to relive her youth, she must decide whether to change the choices that shaped her life or embrace the past that made her who she is.
The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress—connect to the music business in Nashville, Tennessee.
Spiritualist Blanche Tyler and her cab-driving boyfriend encounter a pair of serial kidnappers while trailing a missing heir in California.
Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention and help save their failing marriage. In the second, brash film producer Jesse Kiplinger tries to seduce his former one-time flame Muriel. In the third, Roy Hubley and his wife Norma try and persuade their daughter, a bride to-be with cold feet, out of the bathroom before her approaching wedding ceremony.
A woman brings her son and husband to a tropical vacation spot for a little rest and relaxation. The only problem is that the husband has been dead for quite some time, and his wife had him stuffed and carries him everywhere with her. Complications ensue.
Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.
School girl Annabel is hassled by her mother, and Mrs. Andrews is annoyed with her daughter, Annabel. They both think that the other has an easy life. On a normal Friday morning, both complain about each other and wish they could have the easy life of their daughter/mother for just one day and their wishes come true as a bit of magic puts Annabel in Mrs. Andrews' body and vice versa. They both have a Freaky Friday.
When crooks set up operations in a traditional town, a minister and a group of church ladies are willing to do anything, no matter how wacky, to get them out.
Respected liberal Senator Joe Tynan is asked to to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as well as further straining his already part-time family life. But it could be a big boost to his career, so he takes it on. Helping him prepare the case is pretty southern researcher Karen Traynor, and their developing relationship further complicates and compromises his life.
Hugely successful but impossibly neurotic songwriter Georgie Soloway is sliding into a mid-life crisis. He believes that all of his past romantic relationships have been destroyed not by his own failings but by the interference of the mysterious Harry Kellerman. Family, friends, and his psychiatrist cannot give him the help he seeks. When his father is diagnosed with a terminal illness, Georgie begins spending more and more time flying his personal aircraft, distancing himself physically, emotionally, and mentally from the real world.
April has a problem. Whenever she gets anything like passionate with a guy all sorts of things seem to spontaneously combust. The only men she meets more then once are firefighters. Actually, it's Mom's way of trying to keep her little girl to herself, but new boyfriend Andy is having none of such nonsense. So the heat's on. Unfortunately it's Fluffy the cat who keeps getting caught in the middle.
A sarcastic near-sighted cartoonist, averse to commitment, falls for a single mother of three — the only woman who can stand his strong anti-feminist opinions.
A boozy drifter tries to get to know the widow he married while on a bender.
Kathy Morrison (Harris), mother of three, who helps run a "color-blind" adoption program, wants to have another biological child. Her husband, Pete (Bologna), the head coach of the Phoenix Suns, finds out he can't produce another child. Kathy thinks about adopting a boy, Frederic "Freddie" Wilcox, and Pete does not want to adopt a boy who happens to be black. When he relents, Freddie's arrival causes an upheaval in the Morrison's neighborhood, their school, and family. Kathy's answer is to adopt another child, in this case two, a war-traumatized half-Vietnamese girl, Quan Tran, and a Hopi boy, Joe. The new extended family must now learn to live together.
Hitman Martin Blank becomes a moving target after he rebuffs a fellow assassin's invitation to form a union. On the advice of his quirky assistant and neurotic psychiatrist, Martin begrudgingly heads out to Grosse Pointe, Michigan for his ten-year high school reunion, where he soon comes across the woman he jilted on prom night.
Film noir parody with a private eye trying to solve the murder of his milkman.
Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.
Hosted by Cyril Ritchard, with performances by Florence Henderson, Barbara Harris, Stanley Holloway, John Cullum, Patricia McBride and Edward Villella. Songs include; On A Clear Day, The Heather On The Hill, Wait Till Were Sixty-Five, Wouldnt It Be Loverly?, Camelot, Why Cant A Woman Be More Like A Man?, How Could You Believe Me?, I Remember It Well, Without You, Gigi, Im Getting Married In The Morning, Hurry, Its Lovely Up Here, Melinda, On The S.S. Bernard Cohn, What Did I have That I Dont Have?, Ive Grown Accustomed To Her Face, Its Almost Like Being In Love, Bonnie Jean, Waltz At Maxims (She Is Not Thinking Of Me), I Could Have Danced All Night, On The Street Where You Live, and Come Back To Me.
The golden age of the annual Tony Awards ceremony lasted from 1967 to 1986 — the period during which Alexander H. Cohen and his wife, Hildy Parks, were the producers of the show. This film offers a compilation of performances from Tony Award broadcasts during those years. They are presented with color-corrected footage and digitally re-mastered sound.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.