Shuvo and Purnima fled to Dhaka standing against the society and starts their own family. Mousumi tries to sustain her family anyhow. Mousumi wants a baby badly but Maruf is not interested. Rojina was tolerating torture of her drunk husband regularly, decides not to continue it anymore and to start a new beginning with CNG driver Ilyas. But one night, everything goes haphazard, three couples meet with one another just like an act of fate.
Roya is a middle-class Muslim woman that struggles to find herself in the sprawl of urban Bangladesh. When she discovers that she will be replaced by a younger actor for the role of Nandini —a central character of Rabindranath Tagore’s political play Red Oleanders —she battles to reconstruct the part, reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factory in Dhaka, her journey to establish her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the industrial workforce.
Ayna is an actor and the prison is his stage. He slips into the characters of the powerful convicted in exchange of money and take their place in prison. This strange profession is borne out of a society that doesn't give him a chance to follow his passion of acting, but forces him to act in the real life. Falling in love with the girl next door changes his life equation and he decides to end this career with one last performance. But this one takes him too deep in the rabbit hole. The story unfolds on how an underdog survives in a society that is merciless and struggles his way out from the clutch of crime game which he is a part too.
The secret service and underworld figures race to find the person who holds the information they need.
When the ill tempered Mr. Kabir and the rest of his family are having an extraordinarily terrible day, a game of cricket stands as their only hope of coming together.
A petty criminal, who loves a whore and wants to run away with her savings, meets a laid-off factory worker who is desperate to stop his wife from working as a housemaid.
When eight sailors onboard their fishing trawler find a mysterious girl mid-sea, ill fortune falls upon the boat as they don't catch any fish the next few days. The fishermen try to make it back home, although the sea has other plans for them.
Rashed and Abani- Two lovers living the life as they dreamt. But fate plays a tragic turn when a past mistake transforms into vengeance. Could Rashed and Abani survive this storm and make it to the end?
The story revolves around a man named Azad. In the midst of his post-divorce depression, Azad contemplates suicide but is saved by Shyama during a trip to the Sundarbans. Their connection leads to a tumultuous marriage where Azad becomes a victim of a family curse, seemingly affecting his sanity and trust in Shyama. However, a startling revelation by their mutual acquaintance, Osman, unveils the true nature of Azad's psychological torment.
Biju, who lives abroad, calls her father in Bangladesh in the middle of the night and pleads with him to talk over the phone for a long time as she tries to escape the stalker.
A power station clerk maneuvers a blackout every night for a secret rendezvous; a businessman caught in a limbo beside an up-class escort; a travel agent deliberately delays his client’s visa; a girl clandestinely trains herself for a race; a plumber gets entry into a private chamber of an actress he is obsessed with– all are interwoven in a thread of love and lust.
Several newcomers in the film industry who fall victim to deception.
First anthological short from Pett Kata Shaw. Based on the popular myth that witches can visit when one is cooking fish.