At the age of 74, many people retire themselves or go and spend the rest of their life in elderly’s house. But Kim Dong-Ho has made the decision to live like a young and energetic man until the end of his life. He gets up early around 4 am every morning. He does his exercise for an hour. Then he checks the news and respond to his emails. After that, he takes the bus to his work. He is currently working in a university of film and media, which he has launched himself two years ago. KIM is the same man whom established the largest Asian Film Festival when he was almost 60 years old. Now that he is 74 years old, he has just decided to make his first film as a director.
Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.
KIM Dong-ho is the founder of the Busan International Film Festival and one of the key figures in the rise of Korean cinema. Starting his career as a civil servant, he dedicated his whole life to the sheer passion for films. With his deep commitment and instinctive creativity, he will keep “walking in the movies.”
Young is a nameless actor who dreams of becoming a big movie star. Then one day, he makes his breakthrough with a film and becomes a star overnight.
Low-ranking civil servant Pil Yong (Park Joong Hoon) has things hard looking after his disabled wife(Ye Ji Won). He takes charge of a hanji project in hopes it will bring him a promotion. His wife comes from a family of hanji masters. One of his tasks include working with quarrelsome filmmaker Ji Won (Kang Su Yeon), who is shooting a documentary about hanji. Though he knows little about the subject to begin with, the more he learns about hanji, the more it takes on a new significance for him and the world around him.
The first feature documentary directed by Kim Dong-ho, former festival director of the Busan International Film Festival, this film captures the present landscape of theaters and films across Asia through the eyes of a seasoned film professional. Now retired from public service, Kim travels with his camera to document the post-pandemic cinematic ecosystem, visiting theaters and film festivals in Korea, Japan, Taiwan, Indonesia, and beyond, and gathering memories and concerns from filmmakers along the way. Prominent figures like Lee Chang-dong, Park Chan-wook, Bong Joon-ho, Kore-eda Hirokazu, Tsai Ming-Liang, and Garin Nugroho eagerly share their thoughts on the fate of theaters and the future of cinema. What begins as a survey of the current state of theaters evolves into an emotional chronicle and an opportunity to reflect on the essence and sustainability of cinema.