Yuko, who was about to marry Tatsuo, lost Tatsuo in a car accident. Yuko is left injured and works for the debt left by her parents and her sister's school fees. Yuko who worked as a high-class club hostess. It was the most popular because of its appearance and cheerful customer service that keeps smiling. It is Akemi, a colleague, who glances at Yuko with a grudge. She was jealous of Yuko's popularity and had a strong hatred for being robbed of her customers ...
A story surrounding a statue built in 1600 called the Haunted Jizo. An evil ghost is eliminated by the power of the Haunted Jizo.
Midsummer, a housewife in a rural town, was asked by a passing movie director, Wada, to "become an actress!" And made a big decision to move to Tokyo. On the other hand, Wada, who had forgotten about such a thing, read the script written by the unsold scriptwriter Ippei and supported it. Ippei is depressed. It was midsummer who visited there, but Wada, who was not in the corner of her memory, was not so happy, and midsummer who lost her place was living together for a while with Ippei and her acting special training and script cooperation of love affairs. To start. The two of them try to make Wada blow a bubble, but Ippei gets out of touch with the sex appeal of midsummer.
[Showa Edition] Ozaki, who is in the 10th year of the university ronin, came to the boarding house introduced at the boarding house, but there is a boarding house where the widow Yuko (Kaoru Kira), who has a large amount of debt, is working alone. So ... [Heisei edition] Ozaki heads for the exam, but the perpetrator is Miyuki (Reno Aihira), who runs a boarding house, and shakes the stick for a year ... [Reiwa] Disappointed to find out that the widow's boarding house has disappeared, Ozaki finds a share house run by a woman named Alisa (Chisa Hasegawa)... Fourth film in the "Widows Boarding House?" series directed by Daikei Shimizu.
A Japanese giallo about a murderous driver roaming the street in search of prey.
Pink film directed by Yutaka Ikejima.
The relationship between Maakoand her husband Michio, who runs a printing company, has become cold. Maako repeatedly visits the home of novelist Makoto and has an affair with him, and he frequently tells her to get a divorce, but she hesitates, thinking that Michio's financial situation means he can't even pay alimony. Meanwhile, while passionately making love to Makoto, Maako makes a terrifying proposal to him: kill Michio and get the insurance money... She thought it would be easy with Makoto, a mystery writer, but...
Nana, who aims to be an actress, has no buds. Nagasaki calls out to Nana as she walks through her town. She is curtly treated by her, but invites her to a nearby cafe and asks for her Nana and Yori back. But Nana has another target. He even threatened to break up with her wife, but she insisted she wasn't interested. Unable to allow her Nagasaki to treat her unkindly and in the end be taken away by her other man, he hit her from behind. Nana is photographed naked by female photographer Chigusa. She was her next target. While teaching Nana, who has a poor expression, Chigusa inadvertently kisses her. Nana accepts Chigusa and she embraces him. She said after the fact that Nana wanted her to lend money to Chigusa. She was being chased by her apartment landlord because she was behind on her rent. Chigusa said she would send the pictures together when they were done and she said she would also introduce the producer of the film.
The Sex Detectives have got a new request from Kasumi Lovecraft, a detective from New York. Hatenashi’s manager, Maebari, tells him that he has been offered a job as an actor. Hatenashi gets in a good mood with Miona, a production staff member, during a commercial shooting and asks Miona out on a date. The date goes well and the two make love at Hatenashi’s apartment. However, on the way back from investigating the case with Kasumi to track down the missing Kido, the Director-General of the Police Agency, Hatenashi witnesses Miona secretly meeting with Harigata, a client of the commercial.
Ninomiya Hikari's movie debut. Masao, a middle-aged man who feels pain in his work, is leading a rutted married life with his wife, Yasuko. In front of Masao, his first love, Kirie, appears as she was at the time. Masao becomes able to go back and forth between the real world and another world...
A father gets angry at his daughter because, instead of going to school, she wants to become a stripper. He goes out and learns about the magic of striptease.
Realtor Eguchi has a strange encounter with a female ghost when he shows an old house to a client and later learns about a couple murdered by a robber there. Soon after this, he loses everything; his wife leaves him and ends up working at a building demolition company, where he becomes attracted to a colleague called Fujiko. However, the more he wants her, the more the female ghost that rocked the core of his peaceful life returns to haunt him.
Contemplative and almost without dialogues, the film shows the routine of inhabitants in a city: a young woman who lives alone; an eldery that lives in the street, next to the river; a police officer; customers in a bar; two students. Little by little, through flashbacks, the plot connects these characters.
A manga artist and a minion who is desperate for life before his wife. Under him, Maya, a different-dimensional person who looks just like his wife, appears. Meanwhile, the Bizarre Case Investigation Institute considers Maya to be an invader ...
The married woman, Suzu, was hiding behind her husband, Yuichi, who was assigned to work alone, and had an affair with her colleague Tobe. However, as Yuichi returned to Tokyo, Suzu and Tobe had a quarrel, and Tobe pondered and grabbed Suzu's arm and jumped out onto the road to measure his heart. Upon hearing the news, Yuichi rushes to the hospital where the bell was brought in, but is shocked to hear the story of the matter from the managing director who had come earlier. Meanwhile, he meets Tobe's wife, Manami, who wears mourning clothes, and her daughter, Akane.
51-year-old Sakurako Sato is a single, poor woman who works for a home care service. When she was young, her father failed in business and evaporated, leaving her with a large debt. She has raised her younger sister, Umeko and has reached this age without a single happy memory of love or fun. In addition, Sakurako has a very poor appearance, and children in the neighborhood make fun of her, calling her "Frankenwoman," which makes her despicable to others. While taking care of Tamura, a wealthy old man she is visiting, Sakurako meets a handsome boy named Ryuji. Sakurako falls in love with him at first sight. When it is eventually discovered that Ryuji is in debt and is being threatened by yakuza gangsters, Sakurako struggles to raise money to help him by working at night at a cabaret club for mature women.
Fourth and final film in the series "True Legend of the Night King". Hirona has become the No. 1 hostess in Kabukicho, but new hostess Reika lures away her customers. Reika is also plotting revenge against Kurosaki, the King of the Night, who turned her mother into a "host addict" and then abandoned her.
After a messy affair, Anri's career as a pastry chef is cut short, and she returns to her hometown in despair. She visits her old favorite Chinese restaurant, but the owner, Koichi, is old and no longer able to cook, so his son, Goro, who has trained in Italy, fills in as a pinch hitter. When Koichi asks Anri to take over the restaurant, she tries to find a recipe for gyoza with Goro, a flavor that holds special memories for her, and the two quickly become close as they spend day and night working together in the kitchen. However, the ties of a past relationship stand in the way of their future...
Kurako, Reiko, and Miki, three office ladies who work at Banshu Ako Bussan, a company run by Asano, and Yoko, a widowed cleaning lady, have been good friends since they were in the dance club in high school, and they still dance to this day. One day, Kira, the president of Kira General Trading Company, appears at the company and asks Reiko to become his secretary, and makes his way to her body...
Widow Yuko is struggling to run the boarding house left behind by her husband Takeo. Meanwhile, Yuko's brother-in-law, Shinya, proposes selling it. However, the boarding house is haunted by Takeo, who has not yet been able to rest in peace. Third film in the "Widow's Boarding House?" series.
Yuko's lover, Takeo, dies in the womb during an affair, and his wife kicks her out of their apartment. Left homeless, she is picked up by Niyama, the president of a printing company, who comes to deliver flyers, and begins working for him as a live-in employee.
Haruto is a freshman and a loner high school student until the arrival of the new teacher Aoyama. Aoyama cares for Haruto and starts to exchange letters with him, as something more grows inside both of them. But one night, an unexpected kiss ends their beautiful relationship. Three years later, Haruto has become a male prostitute in order to pay back his debts, when he reunites with Aoyama by chance.
Yuko is a member of a small talent agency. She puts her all into every job in order to pursue her dream of studying dance abroad. Meanwhile, a detective agency receives a request from a wife to search for her missing husband, who is an accountant.
Yuko and Hiromi are sisters who run a jack-of-all-trades business. Their father, Takeo, a film director, is in debt after his previous film failed commercially. The two sisters work hard to pay off the debt and get Takeo to make a new film, but...