1975, Swiss Alps: In a remote mountain village, a beautiful and mysterious woman shows up. Only the village policeman takes care of the strange woman and tries to find out who she is. There are hints that she came from the Höhenalp Alp, where herdsmen do unthinkable things to get the company of women. Many dark truths are revealed that should better have remained hidden. A tragedy of lust, insanity and murder is brought to a seemlingly pure and perfect world. It is the beginning of a nightmare of religious insanity, hypocrisy, abuse and belief in demons, who destroys a young family and brings a whole village to destruction.
The courageous young midwife Christine makes a pact with the devil to save her village from the brutal terror of the Teutonic Knights. Punished by a spider plague, Christine goes from savior to hunted.
The psychiatrist Simon embarks with his newly wed Paula on a wedding trip to Marmorera, the home of his ancestors. The body of a young woman is found on the shore of the reservoir. A little later, the same woman - alive but without an identity - was taken to the Psychiatric University Clinic Burgholzli in Zurich, where Simon works. The idea of the film is based on a true story: in 1954 the entire old Marmorera was demolished and flooded to prevent protests against the planned dam above the village. Only the cemetery with the bones of the dead was moved.
Enquiries into the murder of a young woman take the private investigator Peter Keller to the idyllic village of Schwant in Emmental. But, the more entangled Keller gets in the treads of the apparently clearcut case of sex murder, the more obvious the flaws in the village idyll become. Keller's quest turns into a deadly mission.
A newly retired couple embarks on a cruise, but they find themselves drifting further apart. When things don’t go as planned, they learn to evolve their relationship in this affectionate comedy about self-discovery and developing new ways to spend one’s golden years.
A young teacher in Zurich in the 1950s falls in love with a transvestite star but is torn between his bourgeois existence and his commitment to homosexuality. He joins a gay organization that is eventually seen as the pioneer of gay emancipation in Europe.
Feuerreiter is an elegant period drama that begins in Frankfurt in 1796. Through his friend, Baron von Sinclair, romantic and rebellious poet Friedrich Hölderlin secures the position of a private tutor in the home of a banker named Gontard. He is soon torn between his passion for poetry and his love for Susette, the lady of the house. To top it all off, Baron von Sinclair is in love with him. Hölderlin's most beautiful poems are written during this trying time. However, he becomes a total recluse when he loses Susette. The film examines the effects of conflicting demands, both emotional and sensual, that may inspire art. Feuerreiter was screened as part of the New German Films at the 49th International Berlin Film Festival, 1999.
Two beautiful young women kill men in a villa in Tuscany: Maya and Cora have been friends since childhood. Maya has an alcoholic artist father who deserted the family, a mentally disturbed mother and a violent brother, Carlo. Cora is from a wealthy middle-class family. Cora helps Maya to poison Carlo's friend Detlef, who is threatening to blackmail her. They then kill Carlo when he tries to rape Cora. Cora's family takes Maya in, and a happy time begins for her, particularly when they spend the summer in Italy.
An intimate documentary about the life and times of Swiss poet and folk singer Mani Matter (1936-1972), seen from his friends' perspective.
An unusually hot summer. Fourteen year-old Wanda moves with her family from Berlin to Switzerland. Everything will be better here. The move is meant to heal the open wounds of the family. Anna, the mother, has lost her self-confidence due to an affair her husband Joachim had in Berlin. The big house with the overgrown garden and the pretty small town all seems like one big promise. But the new beginning is difficult for everyone. Joachim, 40, throws himself into family activism while Anna, also 40, tries to strengthen the family with new rituals.
Zurich in 1519: The young widow Anna Reinhart lives a barren life between fear of the church and worries about the future of her three children, when the arrival of a man in the city causes turmoil: The young priest Ulrich Zwingli takes up his new position at the Grossmünster in Zurich and sparks fierce discussions with his sermons against the grievances of the Catholic Church. Zwingli's revolutionary thoughts frighten Anna. But when she sees how Zwingli lives charity and not just preaches, she increasingly becomes fascinated by him. But Zwingli's success quickly becomes dangerous. His ideas almost trigger a civil war, and at the same time a struggle for power and interpretive sovereignty breaks out in the inner circle of the movement. When the Catholic forces begin to form internationally, the relationship between Zwingli and Anna is put to a hard test.
Teacher Anna and plumber Clau are in love and expecting a baby. The happy birth is followed by a nasty surprise: Anna's child has dark skin. Everyone can see that Clau cannot be the father. The idyll of the small mountain village and the couple's relationship begin to falter.
Mysterious deaths are occurring in Basel: people are dying out of the blue in public with no apparent cause of death. The coroner, Professor Rüegg, the cantonal doctor Zäslin, and politicians are at a loss and becoming fearful. There are even serious considerations to cancel the upcoming carnival. Rüegg's assistant Andreas Zinstag, who is also dealing with the deaths, lives with his uncle, Jean-Jacques Zinstag, a retired doctor. The latter begins to take an interest in the mysterious deaths. Among his friends, Zinstag develops the theory that people are not dying from a specific disease, but from "death" itself. The Grim Reaper himself is making his presence felt in Basel, as he once did in the Dance of Death.
At the latest when Helga crashes through the floor of her living room, she realizes that she is stuck. It's been two years since her husband left her for another woman, but she's still angry and hurt. Everything changes when her cleaning lady goes on vacation and sends Polish worker Ryszard to replace her. Initially the target of Helga's resentment himself, Ryszard soon becomes her confidant. Although they don't speak the same language, Helga feels understood. In the safety of their own four walls, the two grow closer. But when Helga's family and friends find out about her secret, she finds it difficult to admit her feelings for Ryszard, who doesn't fit in at all with the usual image of masculinity in her milieu. Will Helga sacrifice her young, late happiness to social conventions?
Birthday boy Julian has holed up in the living room with his headphones and video game and doesn't hear that Grandma and Grandpa are standing at the door. But Grandma doesn't give up so easily and rallies the residents of the high-rise building. Together, they manage to launch a red balloon. The balloon is passed from balcony to balcony, from resident to resident, until it reaches Julian on the 19th floor.
In 1956, advertising copywriter Emmi Creola invents the fictional character Betty Bossi, who quickly becomes a Swiss culinary icon. But as her creation rises to fame, Emmi finds herself caught between growing professional expectations and her own personal struggles — a tension that threatens to consume her.