Julie, a teen who died from a PCP overdose in the early '70s, searches from beyond the grave for her younger brother Bob, who now in the '90s is an obese watch seller suffering with sucrose intolerance.
Thad Vassmer documents the making of Damon Packard's Reflections of Evil for his short-lived series "The Independents".
An epic, 20-minute, completely fabricated theatrical trailer for a crypto-Vestron Video cheapie (by way of Willow-era Ron Howard)—a supposedly 18-hour movie about a Jeff Daniels lookalike demon sent to destroy the planet (and possibly the universe) with his "Turbo-power!" Olds dragster. There are shades of John Carpenter's They Live, caffeinated Evil Dead speed-freakery, a cameo by Miles O'Keeffe, and uncanny movie preview clichés, such as sentence prepositions that never reach a resolution: "On an alien planet…the beauty and wisdom of a sorceress…." Sometimes the liner note blurbs speak for themselves: "Damon Packard is to Stephen Spielberg what George Kuchar is to Douglas Sirk."
Damon Packard parodies the making of Star Wars: Attack of the Clones
A bunch of really cool stuff happens, just watch it. Trust me.
Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the vitreous fluid of her victims' eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.
Frankie in Blunderland tells the story of Frank Bellini, played by Aramis Sartorio (also known as adult film star Tommy Pistol). Frank's life is a mess. After a series of questionable events, Frank embarks on a surreal journey to find his wife after she is kidnapped. You've never seen anything like this dark comedic drama from the twisted mind of Caleb Emerson
In this horror anthology film, three girls pledge the most popular - and cruelest - sorority on campus. For their final task, they must tell the scariest story they know. Containing three distinct stories - one featuring a murderous doll, one a has-been actress and her run in with a film crew of the undead and, finally, a hunt-and-kill fright-fest.
When two strange men are thrown out of a mansion party, they take revenge on the socialites with a roll of duct tape and a switchblade.
A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles. Pulp-serial snippets, industrial-film imagery, and B- (and Z-) fiction clips are intercut with newly shot live-action material, powering a playful, allegorical trajectory through the now-mythic occult matrix of Jack Parsons (Crowleyite founder of the Jet Propulsion Lab), L.Ron Hubbard (sci-fi author turned cult-leader), and Marjorie Cameron (bohemian artist and "mother of the New Age movement"). Their intertwined tales spin out into a speculative farce on the militarization of space, and the corporate take-over of spiritual fulfillment and leisure-time.
A failed cartoonist scores a dangerous win at a high-stakes poker game, and flees the criminal underworld of Los Angeles with his resilient sex worker fiancé.
A surreal meditation on hopelessness and pointlessness as guided by the Arthur Frain/Merlin character from Boorman’s “Zardoz”.
An argument while driving results in a confrontation with the spirit of christmas.
Damon Packard’s re-work of William Girdler’s JAWS rip-off GRIZZLY is truly a labor of love. Expanding on the original with alternate cuts, added footage, and an “enhanced” mix, Packard adds a huge dose of hilarity and gore – most notably with a much louder guttural bear groan every time the classic Bear-POV cam appears, making its unnoticed approach on helpless campers even more hilarious. Whether you’re a fan of the original or a newcomer to GRIZZLY, you’ll find something to love here. Crack a cold one, sharpen your pencils and don your camo for this “extra scary” redux.
A collection of short experimental horror films, some well-known, some not.