A poignant moral dilemma unfolding against lush mountainous landscapes, The Albino’s Trees follows Yuku (Ryohei Matsuoka), an animal control hunter who takes on a lucrative job to kill a rare white deer considered to be a god of the forest by a nearby village. Though Yuku initially steps up to the task in order to support his mother’s medical bills, his will begins to falter as he gets to know the villagers and the reasons behind their difficult choice to live as outsiders.
In the middle of the Meiji era, Japanese painter Rogin goes on a trip to draw a bijin-ga, and he accidentally rescues a salt merchant. The salt merchant describes an out-of-this-world beauty he once loved. This is the prologue to the drama “Suiko,” a tale of humans and nature.
In central Tokyo, a young man, Sosuke, aspires to be a manga artist. His current work is about a battle between a hunter and a Japanese wolf. He can’t draw the extinct wolf well and struggles to develop the story. One winter’s day, Sosuke finds an animal’s skull while digging foundations at a construction site and takes it home. Is it a Japanese wolf’s skull?
Oda Nobunaga and Nōhime were originally married to mend a hostile relationship between neighbouring regions. Unfortunately, they were like oil and water, making for a somewhat unhappy marriage. When Oda's enemy, Imagawa Yoshimoto, attacks Owari with his vast army, Oda is devastated by the overwhelming gap in military strength. However, Nohime encourages him not to despair, and the pair draw up a tactical plan that will allow them to overcome the odds.
Workers at the Fukushima Daiichi facility in Japan risk their lives and stay at the nuclear power plant to prevent total destruction after the region is devastated by an earthquake and tsunami in 2011.
Adaptation of a light novel.
The manger of cabaret club "Hanibani" named Shū, a worker at the club named Koji, and one of the patrons named Ken succeed in robbing a bank. They agree to divide the stolen money equally into three, but they become consumed by greed and try to get more than their share. In addition, a renowned figure is after their money.
Under the influence of his delinquent friend, a former model student eschews schoolwork and joins a gang of school kids who do nothing but fight.
A month has passed since both the Kyowakai and Marugami-kai lost their leaders, yet silence reigns between the two syndicates. With Chairman Mita (Shun Sugata) gone, the Marugami-kai remains leaderless, while the Kyowakai reels not only from the loss of Kawatani (Hitoshi Ozawa), but also from Himuro (Yasukaze Motomiya) and Tamura (Yoshiyuki Yamaguchi), both lying in critical condition. Even the police keep watch nervously, and Kuroiwa (Susumu Terajima) is left uneasy, with no word on Himuro’s survival. Inside the Kyowakai, unease grows as the executive ranks clash over their next move. Meanwhile, Marugami’s Shinjo (Masanobu Sakata) and Komiya (Ryoichi Inaba) see their chance—determined to crush the Kyowakai, now weakened with Nakajima (Yoshimi Tachi), Ryuji (Tatsuya Kishida), and their top three all absent. Amidst this turmoil, Tamura finally regains consciousness. But with both syndicates on shaky ground—can a miracle save Himuro and Kawatani?
Kawatani (Hitoshi Ozawa) leaves Kyowakai, naming Himuro (Yasukaze Motomiya) as the 4th Chairman. But with Himuro hospitalized and Tamura (Yoshiyuki Yamaguchi) stuck in Kobe, the leadership seat remains empty. Unease spreads among the executives, and tensions rise between Baba and Hirakawa. The Special Investigation Unit intensifies its crackdown on Kyowakai and Marugami-kai, arresting Kawakami for the hospital attack. Learning the police still can’t reach Shinjo and Komiya, Nakajima heads to the Fujishiro-gumi, but struggles with his failing physical condition. Meanwhile, a new scheme emerges, and drugs once again flood Yokohama. Amid growing chaos, Nakajima makes a critical decision—