In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.
Salomea remembers the day her beloved brothers, Max and Karl, disfigured her and themselves for life. The Day of Tragedy, is what their mother called it, and blamed it on the fate of her children. Though fate and tragedy have a different meaning by the end of her tale. A tragicomedy about sibling rivalry, disfigurement and the pain that binds us.
The life of artist Astrid is completely disrupted by her father, who suffers from dementia. His monologues and constantly repeating stories from another time get on her last nerve. Only when Astrid begins to listen to him and engage with his world, which has been distorted by dementia, do the two become closer again and Astrid begins to record his and their shared history as a comic.
Eva Jensen is a female carpenter form Hamburg who wants to make a new start on the Baltic Sea coast in eastern Germany. She tries to buy a workshop with a view of the sea offered for sale by Heide, who rents out beach chairs. Unfortunately, Heide’s ex-husband vetoes the sale. In trying to understand his reasons, Eva comes across a painful family secret from the days of the GDR. And in other respects too, the newcomer from the West faces prejudice in the village, although her skills are urgently needed. Fish-seller Christian is also interested in the workshop, which Eva just sees as fair competition. Then they discover a common passion, kite-surfing, and unexpectedly grow closer.
Life of Greta Bücking and Paul Markwart seems to be in perfect order. Both are happily married - until they find out that their spouse died in a plane crash. But increasingly compacted suspected that Lutz Bücking and Karin Markwart were not traveling on business, but on the way to their common love nest, is a cozy hotel on Amrum.
Anna, a young photojournalist from Berlin, travels to Serbia to make a photo documentary about refugees. Upon her arrival to Belgrade, Serbia's capital, Anna finds out that she can't go about her task the way she had planned. Through the cabdriver Dzeki, she meets the distrustful but interesting young refugee Maja who works at a nearby fast food restaurant. Miserable with her life in Serbia, Maja dreams of a new beginning somewhere abroad. In an attempt to successfully finish her project, Anna starts photographing Maja, secretly making a documentary about her. Blinded by the wish to change her life, Maja doesn't realize Anna's true intentions.
On a cold, wintry night, Lena shows up on the doorstep of the Rossberg family mansion. She claims her car has broken down, but her arrival is intentional. Lena is in pursuit of Anselm Rossberg, an aged Auschwitz guard who lives with his daughter, Maria. Anselm and Maria both deny Anselm's past, but Lena is determined to get him to confess, even as her own weapon is turned on her and she is forced into a moral dilemma.
Anja and Christop Bremermann have been married for 24 years and have to admit that their love for each other is slowly fading. They decide to divorce by mutual agreement. But the whole thing doesn't go as smoothly in practice as they initially thought. By the time it gets down to the nitty-gritty and involves money and mutual recognition, the serenity is over. While the couple's lawyers fight a bitter duel, the unique dynamics of the mud fight suddenly make Anja and Christoph's lives exciting again. The unexpectedly sparked passion even leads to feelings long thought lost flaring up again...
During Pinochet's military dictatorship in Chile, a father strives to free his daughter from the German religious sect, Colonia Dignidad.
Rebecca and Bruno meet in a bar, in a not particularly happy moment of their life, and they start dating. They consider themselves just friends and talk to each other about everything. But if Rebecca stops being so worried about what the bourgeoisie might think and say, and if Bruno realizes he can't live without Rebecca, they will both understand reality.
Georg Weiser has learned all his life not to feel emotions, to ignore the opinions and rights of others and to give free rein to his resentment. When he loses his wife, it seems as if he is not particularly affected. But his children will not rest.
