For John Cuttin it all started with the first sip of the wine of her life. A "Marzemino", a typical wine of the province of Trento, quoted by Lorenzo Da Ponte in his libretto for "Don Giovanni" by Mozart. The instant he tasted the blood-red drop of nectar John felt a sort of pleasant and mysterious explosion of the senses, and from that moment on, his nature is transformed. In just three years, from shy bank clerk and faithful husband became director, tombeur de femmes and the most revered and respected expert on wine in Italy. Just as he had predicted the enigmatic "Professor" who had convinced him to taste his first glass of wine. The only event that the "Professor" with his accent and his piercing blue eyes, had not predicted was that he would soon be charged with the murder of his wife Adele. While being put under pressure by the Commissioner Sanfelice, John is to reflect on the last three years of his life, dominated by a single and mad passion: wine.
Alex is a trans girl searching for her identity. Alex removed her male side, that of his childhood, because he lived a very painful adolescence...discrimination...harassment and bullying. Thanks to an analytical and introspective pathshe regains the memory and awareness of herself, boy, recovering that part male had completely erased.
The film is about two worlds, different and parallel, living together in the same territory: the Gran Sasso of Italy. The contact between the two realities occurs through the characters of Max, a nuclear physics researcher who works tirelessly in the laboratory located in the belly of the mountain, and the shepherd Bajram. In fact, the shepherd walks on the physicist's head but neither of them knows it. Inside the laboratory the most advanced craft of mankind is being developed, above the mountain, on the other hand, there are poor immigrants doing the oldest work in the world. Gran Sasso is, according to the director, the synthetic image of globalization.
Two young film authors, Angelo and Lillo, the former a screenwriter, the latter a director, try in every way to present their works to Mr Piras, a successful producer now converted to television production. The faithful secretary filters all appointments, therefore for Angelo and Lillo it is impossible to make contact with the producer. Nothing is left to do but take up arms.
Enea chases after the myth he bears in his name; he does so to feel alive in a dead and decadent age. He does so together with Valentino, a newly baptized aviator. The two, in addition to dealing and partying, share youth. Lifelong friends, victims and perpetrators of a corrupt world, but moved by an incorruptible vitality. Beyond the boundaries of rules, on the other side of morality, there is a sea full of humanity and symbols to be discovered. Enea and Valentino will fly over it to the furthest extremes. However, drugs and the underworld are the invisible shadow of a story about something else: a melancholy father, a brother fighting at school, a mother defeated by love and a beautiful girl, a happy ending and a happy death, a palm tree falling on a glass world.
Some people say that school days are the best day of our lives... but there are plenty of exceptions. When chronically bored student Alex seems to have no future, two of his teachers take the challenge to help him discover the motivation he lacks. The teachers, a couple in the middle of their divorce, will fight to impose the best way to make Alex a promising student.
Two brothers kidnap a has-been actress who makes a living doing TV commercials for a fur-clothing company and demands that all animals be freed and businesses be closed. The problem is that everyone thinks the kidnapping is only a publicity-stunt set up by the attention-hungry actress...
Lizzie McGuire has graduated from middle school and takes a trip to Rome, Italy with her class. And what was supposed to be only a normal trip, becomes a teenager's dream come true.
Two couples are enjoying their summer at the beach, but when the grown son of one couple arrives, it surprisingly stirs something in the husband of the other couple, will the forbidden feelings end badly?
The tumultuous and adventurous life of Michelangelo Merisi, controversial artist, called by Fate to become the immortal Caravaggio. A violent genius that will dare to defy the ideal vision of the world imposed by the Renaissance painters. A provoker that scandalized patrons and institutions, raising the altars the outcast figures he knew so well: drunkards, vagrants and prostitutes.
Enrico is 30 years old, unemployed, and spends his life between public competitions and his friends at the bar. But one day, Silvana, his beautiful girlfriend, suddenly leaves him without explanation. His life falls apart, and Enrico even attempts suicide, albeit half-heartedly. Elvira, a sweet girl who has also recently suffered a heartbreak, mends his broken heart. Everything seems to be fine when Silvana returns forcefully to the forefront. Enrico has no choice but to divide his time between the two. Martha, a beautiful foreigner with children, will take him far away, dragging him to Uruguay. But Silvana will always be in his heart.
A look at the controversial riot cops unit, told through the stories of three veteran cops and a young recruit.
On July 19–21, 2001, over 200,000 people took to the streets of Genoa to protest against the ongoing G8 summit. Anti-globalization activists clashed with the police, with 23-year-old protester Carlo Giuliani shot dead after confronting a police vehicle. In the aftermath, the police organized a night raid on the Diaz high school, where around a hundred people between unarmed protesters—mostly students—and independent reporters who documented the police brutality during the protests had took shelter. What happened next was called by Amnesty International "the most serious breach of civil liberties in a democratic Western country since World War II."
Story of Enzo Ferrari's rise from a successful race driver to one of the most famous entrepreneurs of all time. Being interviewed by a fictitious, intrusive young journalist he recalls his setbacks and personal losses.
Simone Segre, a renowned surgeon of Jewish origins, lives in a city in the north-east of Italy. A quiet life, an elegant apartment and no connection with his past. One day he finds himself assisting a man victim of a hit and run accident. But when he discovers a nazi tattoo on his chest, Simone abandons him to his destiny. Filled with guilt, he ends up tracing the man’s family: Marica, the eldest daughter; Marcello, a teenager plagued with racial hate; and little Paolo. The night will come when Marica knocks at Simone’s door and unknowingly asks for payback.
Sabrina goes to Rome, with Salem stowaway-ed in her backpack, to free her 16th-century aunt Sophia who was banished for divulging her powers to a non-witch.
Is art useful to man? The actors are suited to society. Passers-by are people who want to dream but have now lost confidence, laziness on the one hand, conditioning and deschooling on the other, require you to lower your sights and everyone is content to pursue modest cheap expectations. Reality and art are not in communication, impoverished by individualism, the actors and artists dance to the rhythm imposed by power, they slaughter each other, they abuse each other without realizing the possibilities of communication that open up by moving outside the choir. Rome is occupied by every step, the foot walking lightly occupies the public land. But this occupation is not news because it is lightning fast. The criteria of employment mark the time.
