1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.
Just out of jail, rumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up.
Malu — a mercurial, unemployed actress living with her conservative mother in a precarious house in a Rio de Janeiro slum — tries to deal with her strained relationship with her own adult daughter while surviving on memories of her glorious artistic past.
Rio de Janeiro, Brazil, 1950. In the conservative home of the Gusmão family, Eurídice and Guida are two inseparable sisters who support each other. While Guida can share with her younger sister the details of her romantic adventures, Eurídice finds in her older sister the encouragement she needs to pursue her dream of becoming a professional pianist.
The Earth post-pandemic.
Eva, a mysterious woman who lives in the forest, sets a field of sunflowers on fire. She tells the police commissioner who arrests her that she did it because the children are in danger and must be protected. Eva believes she has a mission and she talks like a preacher, a sort of Joan of Arc. She sees strange blue lights in the sky. Her case is associated with the mysterious disappearance of children that have been occurring in the area, even if the youngsters seem to gladly follow her around. In the meantime, in China, a woman is exasperated because her daughter is sick.