Amirreza Ranjbaran

Until Tomorrow

Student Fereshteh has to hide her illegitimate baby for one night from her parents who turn up for a surprise visit. Her friend Atefeh helps her. They embark on an odyssey through Tehran during which they must carefully weigh up who their allies are.

Titanic, Suitable Version for Iranian Families

A complex and sometimes combative exchange at an Iranian broadcaster over a certain Hollywood blockbuster disguises deeper ruptures, in Farnoosh Samadi’s wry and subtly provocative drama.

Disappearance

During a dramatic night, two young lovers run from hospital to hospital seeking for an help for some complications after their first time. They'll have to confront with the indifference of some doctors and avoid them to call their parents.

Gaze

On her way back from work, a woman witnesses something happening in the bus. She must decide if she will reveal it or not.

The Role

A woman accompanies her husband for an audition. The thing that happens there leads her for an important decision...

Drowning in Holy Water

Rona and Hamed are two young Afghans who are in love with each other. Searching for a better life, they have decided to immigrate to Europe but they have to make a big decision to make it happen, a decision that relates to their religion and beliefs.

180 Degree Rule

A school teacher from Tehran is preparing to attend a wedding in northern Iran. When her husband suddenly forbids her to go, she makes a choice that will place her on a painful path to atonement.

Lantouri

Lantouri is the name of a gang that mugs people in broad daylight on the streets of Tehran and breaks into homes in the city’s rich northern district. The gang also kidnaps children from families who have become wealthy through corruption and embezzlement of state funds. The film begins with the confessions of individual gang members. Sociologists, human rights activists and political hardliners also have their say. Gang member Pasha runs amok because Maryam, a socially committed, self-confident journalist, does not reciprocate his feelings. The badly injured young woman demands lex talionis – the law, applicable in Iran, of ‘an eye for an eye’.

Divine Comedy

Bahram is a 40-year-old filmmaker who’s spent his entire career making films in Turkish-Azeri, none of which have ever been screened in Iran. His latest work, once again denied permission by the Ministry of culture, pushes him to the edge of defiance. With his sharp-tongued, Vespa-riding producer Sadaf by his side, he embarks on an underground mission to showcase his film to an Iranian audience, dodging government censors, absurd bureaucracy, and his own self- doubts.

Between Dreams and Hope

A trans man and his partner travel to a remote Iranian village to face his estranged father and obtain documents that would permit them to live authentically, in visionary director Farnoosh Samadi’s bold queer love story.