1964, a village in Galilee. The Mukhtar collaborates with Israeli military rule. Someone is forging work permits, and the Mukhtar's son and a steady metalsmith, Mahmud, want to marry the same woman. These story lines cross when the village teacher is arrested and jailed for the forgeries, with the Mukhtar's approval. Mahmoud discovers who the real forger is and goes to the Mukhtar, whose son assumes Mahmud has come to denounce him. He sets off to burn down Mahmoud's house; tragedy follows. At Mahmud's side through his troubles is Mabruq, the village fool who, like others, particularly a young woman named Jamilah, still suffers from witnessing horrors in the 1948 war.
Eight women, Arab and Jewish, take part in a video workshop hosted by Rona, young filmmaker. With each camera take, the group dynamic forces the women to challenge their beliefs as they get to know one other.
In 2001, twelve singing divas from all over the world gathered in Taormina, in the world-famous Greek amphitheater. Under the direction of André Heller, they let their unique voices ring out in the magically illuminated venue. This "festival of the last prima donnas" included, among others, the American star soprano Jessye Norman, the "Voice of Africa" Ami Koita, the jazz singer Dee Dee Bridgewater, hailed as the "new Ella Fitzgerald," as well as the highly successful Israeli pop singer Noa and her Arab-Palestinian counterpart Amal Murkus, the "Piaf of the Gypsies" Esma Redzepova, and the reincarnation of Naples music, Lina Sastri.
Jonathan Demme helms this musical documentary that shines a light on the eclectic sounds of songwriter-musician Enzo Avitabile.
Upon arriving Israel on her first foreign assignment, American photojournalist Faye Milano is greeted by David, an Israeli officer and writer who's also the nephew of Jerusalem's mayor