Joolia Cappleman

Who's Who

Slice-of-life look at class divisions among employees of a brokerage house. Alan, with his portrait of the Queen and love of the peerage; his wife April, who raises cats; youthful and pretentious friends Nigel, Giles, and Anthony, who gather for a wine-soaked dinner party with the chatty and risque Samantha and the mousy Caroline; the plummy Lord and Lady Crouchurst, in a spot of bother needing the help of Francis, a senior partner, to assist with the family's cash flow. Alan comes home from work to find Mr. Shakespeare doing a photo shoot of one of April's cats and a wealthy stranger, Miss Hunt, waiting to purchase one. His instincts for sycophantic palaver kick in.

The Accountant

London middle class Jewish accountant Lionel is preparing for his son's bar mitzvah when he does a little favour for a friend, and ends up getting mixed up with the Mafia.

Bleak Moments

Moments from the uncompromisingly bleak existence of a secretary, her intellectually disabled sister, aloof and uneasy teacher boyfriend, bizarre neighbor and irritating workmate.

The Tall Guy

An American actor in England tries to find love and work.

All's Well That Ends Well

Helena loves Bertram, but he's of noble birth, while she's just a doctor's daughter. But Bertram is at the court of the King of France, who is ill, and Helena has a remedy that might cure him and win her the right to marry Bertram. But does Bertram want to marry her?

Uliisses

Director Werner Nekes has created this experimental film in the mode of James Joyce's Ulysses to the extent that human interactions are represented by poetic, symbolic images and language, with a certain amount of nudity added in.

Singles

Set on the international tennis circuit, tension mounts in the dressing room as a major quarter-final approaches.