A flat in Ladbroke Grove, West London. 1952. When Hester Collyer is found by her neighbours in the aftermath of a failed suicide attempt, the story of her tempestuous affair with a former RAF pilot and the breakdown of her marriage to a High Court judge begins to emerge. With it comes a portrait of need, loneliness and long-repressed passion. Behind the fragile veneer of post-war civility burns a brutal sense of loss and longing.
In Henrik Ibsen’s A Doll’s House, Nora Helmer, having fraudulently borrowed money to save her husband, is forced to reveal her secret and, in doing so, reassess her life as it stands. This production, directed by Carrie Cracknell, was captured by Digital Theatre live at London’s Young Vic theatre.
A bohemian artist travels from London to Italy with his estranged son to sell the house they inherited from his late wife.
Jennifer Saint finally receives validation that she’s not delusional when her late father reaches out from beyond the grave to confirm that their dark family secret is in fact the disturbing & sinister truth.
Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth - the dashing one she once sent away - crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.
A BBC schools programme broadcast about Tom Stoppard’s abridged version of the play which was performed by the National Youth Theatre at the Royal Opera House in London. The televised recording of the performance is preceded by comments on the work in progress from stage director Paul Roseby and writer Tom Stoppard. Jeremy Irons, who played Antonio in the film version of The Merchant of Venice (2004), comments on the merits of producing a play with young actors.