The story of a woman who has tried to have a child several times, but each time her baby was aborted, and now she succeeded and gave birth to a child. During her trip with her husband, she faces philosophical challenges with herself as if she has confused her in life.
Forced out of their apartment due to dangerous works on a neighboring building, Emad and Rana move into a new flat in the center of Tehran. An incident linked to the previous tenant will dramatically change the young couple’s life.
Azim, an afghan refugee, who works at the municipality at night, lives in Tehran along with his family. Being the head of entire family, he has to choose between his own life and his mother’s whom he has always claimed as the most important one in his life.
Twelve stories, one per month, from April to March. They all take place in the same place—inside vehicles—and during the “magic hour.” The characters also experience similar situations: they are hesitating to make an important decision in their lives, a moment that will mark them forever.
Davood bets his entire earning from a factory job on online soccer gambling; without ever losing on any game, he bets till he loses his life and love.
A young homeless girl supports herself as a surrogate mother for money. A human rights attorney tries to help her change her life, but ithe challenges seem insurmountable. This is a rarely seen side of Iranian society.
Naeem, who has endured 15 years in prison for his daughter's love, faces a major crisis after his release to see her.
There is a place in the dark that we do not know about. Where they watch us.
Set in early‑1980s Abadan under siege during the Iran–Iraq war, the film centers on a group striving to keep alive the Metropol Cinema, a beloved local theater now in ruins. Against the backdrop of conflict and nostalgia, characters recall their youth, childhood memories in the cinema, and cling to hope through the survival of this cultural landmark.