The story of Martin Shkreli, the pharmaceutical tycoon known for raising the price of an AIDS drug 5500% overnight, buying the sole copy of a Wu-Tang Clan album for $2 million dollars and being convicted of securities fraud.
An insider's look at the fake news phenomenon and the consequences of media misinformation. Interviews from those who have been accused of spreading it themselves are featured in variety throughout the film.
American Milo is a documentary about British journalist Milo Yiannopoulos as he spends a week in Los Angeles on a media tour. As much provocateur as journalist Milo is a unique figure in the media landscape. A flamboyant gay man with a lust for life and the limelight, he is also religious and thoughtful in his unapologetic conservative views. He is either loved or hated by those who know him and his work. He has a point of view and he forces you to have one as well, which is why he was interesting to me as a film subject. He has an honest opinion and he's not afraid to say it, and then defend it. This is becoming an increasingly rare quality in both people and the media and I wanted to capture him and this moment in the cultural zeitgeist.
“Silenced” is a film about the state of free speech in America.
This film documents political commentator, media personality and author Milo Yiannopoulous on his sold-out speaking tour of Australia, with pieced-together highlights from his tour stops in Adelaide, Perth, Melbourne, Sydney, and Gold Coast.
This is a story of how the lips of America became sealed. How we stood by and let our minds be censored. How countless lives were lost in the name of comfort and correctness. This is how we killed fourteen people in San Bernardino, CA on December 2nd, 2015 without saying a single word.
Drs. Bernard Nathanson and Mildred Jefferson square off in a national battle in this untold conspiracy that led to the most famous and controversial court case in history.
A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?