A dynamic woman who aspires to be a writer, living a wild life in constant search of freedom while indulging in lust with four men.
This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.
Zatoichi treks to a village that has always been a favorite spot of his, only to discover that it’s become a living hell, plagued by feuding father and son yakuza as well as the younger crime boss’s bodyguard, scruffy, smart-mouthed, cash-hungry Yojimbo of legend.
When a local gambling house kidnaps some peasants because they failed to pay their debts, a rival gambling house pays their debts and sets them free.
Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s students researching Osugi's theories.
A love story written by an ordinary housewife is going to be broadcast as a radio drama and almost everyone among the crew insists on changing various parts of the play to their liking.
A young woman undergoes psychiatric treatment after she no longer hears music and develops sexual hang-ups.
Yataro Tanigawa, a one-eyed hired assassin, impresses yakuza boss Gomyo Kiyoemon with his skill. Gomyo hires Tanigawa as his bodyguard, or yojimbo, to protect him during an inter-clan conflict. Tanigawa quickly rises in stature in the clan, but finds his boss's enemies almost overwhelming.
The daughter of a Prime Minister turns down the proposal of a young teacher when she falls for the wrong man. Despite the continual degradation by the man she loves, she is unwilling to leave her awful relationship.
Takeshi Nanjo, a junior lieutenant in the navy whose father, the head of the Nanjo-gumi yakuza family, was killed, is forced to leave the army and become the head of the Nanjo-gumi in the second generation. He brutally chivalrously avenges the death of his father by a vicious yakuza linked to extremists within the army through the courage and swordsmanship of naval training!
Shingo and Ritsuko have a baby: Takashi. They happen to be a happy couple, but soon Ritsuko wants to know who is the true father of Takashi, born by artificial insemination.
In the 19th century Edo period, sisters Oshizu and Otaka have sacrificed their personal happiness to work and care for their ailing father. Otaka falls in love, but can’t accept a marriage proposal since her older sister needs to marry first. When Oshizu learns of this decision, she takes matters in her own hands.
Nami is once again on the run from the law but is saved by an old classmate who works at a strip club. Through a subsequent conversation they discover they both have a score to settle with a particular crooked cop. However, Nami has doubts about ever trusting a man.
In this intricately layered Japanese film, the nature of actresses and what they gain from acting is explored. The lives of three actresses are laid bare, and scenes from their lives are woven in and out of interviews with each of them. Each of them has experienced a traumatic event which contributes to their particular enjoyment of becoming someone else in dramatic roles.
A man in a hospital starts having a sexual conversation with a woman he cannot see. After that, they keep meeting, and something about her keeps changing.
All the protagonists move about in a Tokyo Bar that has an entire wall taken up with a black-and-white reproduction of a photo of Monument Valley. The action starts as Billy the Kid, in full living color, walks out of the photo and gets a job as a waiter. Along with him on the working staff are a samurai straight out of the history books, a G.I. from World War II, and several other anachronistic characters. The plot (as such) revolves around keeping away the brutal mobsters and thugs who dominate the city streets outside of the bar, making the tavern safe for its easily recognized facsimiles of well-known characters.
An abridged remake of the first Ashita no Joe TV series, released in 1980 to provide back-story for the second TV series to new fans who were not familiar with the first TV series or the manga.
The last film in the series brings the tale to the doorstep of Pacific War, with the planning of the bombing of Pearl Harbor dominant in Nakano Spy School.
In Part I we see the young would-be swordsman setting out to achieve greatness in war, achieving nothing because fighting on the losing side, & then beginning his long period of wandering & training, with the goal always in mind of his duel with Kojiro. Part II builds toward that great duel on Ganryu Island, with considerable focus on Musashi's planning & forethought as to how to gain an advantage.
A young intellectual conscientious objector is forced to serve with the Japanese army in Manchuria. He joins with a dim-witted former gangster in an effort to desert by stealing a train.
Two Kyushu based yakuza groups are desperate for domaination of the area. When more powerful yakuza groups get involved in their power struggle, a group of childhood friends, belonging to different yakuza families, are caught in the middle. Lies, deceit, and backstabbing are in play resulting in a bloodbath and a quest for revenge...
Young man and woman experience changes in their worldview and question the meaning of life after meeting a dying grandfather.
This film is about a train departing Osaka Station at midnight to an unknown destination. The people on this train all have some difficulties in their lives, and they end up on this train. Hanoko is suicidal, Yuka has caught her boyfriend with another woman, Michiru is aimless, Mr. Wakabayashi has just been fired, and one other man just lost his wife. They take the train to Kazumachi, a small village. They decide to stay and enter a small world of discovery about themselves, courtesy of the inhabitants of the village, all of whom are engaging.
A story of childhood life during wartime Japan. Takeshi, the intelligent son of a fisherman, is the schoolyard bully. When his cousin comes to stay with his family to avoid bombing raids, Takeshi at first treats him well, then begins bullying him too. Takeshi eventually loses his position of leadership.
It has been six months since the tragic accident in Joe and Rikiishi's fight. Joe believes he has overcome Rikiishi's death and decides to make a comeback. Joe does make a successful comeback by scoring 5 KO's by body blows. Joe is then given a shot at the national title as a means by the boxing commission to put him down. The champion, Tiger Ozaki makes use of Joe's habits and ends up making Joe's corner throw in the towel. Joe is afraid to throw punches at the face because of what happened to Rikiishi. Youko, Joe's love interest and the owner of the gym where Rikiishi trained at recruits a world ranked boxer from Venezuela, Carlos Rivera, to get Joe back on his feet and pursue his boxing career to the regional and world ranks.
Follows a female Japanese television producer and a young man in Guam, touching on suicide and romance.
In this direct continuation of the earlier special, Godai tries to figure out what to do with his life after college while competing with Kyoko's impossibly perfect tennis coach for her affection.
This story depicts the relentless determination of a wife seeking revenge after her husband is drawn into a conspiracy and murdered. Based on the novel of the same name by Giichi Fujimoto.