A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
A man obsessed over two things, the theater and a childhood friend, recounts his life story to his new bride.
A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.
The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.
"Moti Ka Haar" (1937), also known as "Pearl Necklace," is an early Hindi film directed by Jaddanbai, a pioneering woman in Indian cinema. Classified as both a fantasy and a social film, its plot likely explores the significance of a pearl necklace within a narrative that touches upon societal themes of the era. Featuring actors like Mehtab and a young Nargis, this film is a notable example from the nascent stages of Indian talkies.
An ego clash between two friends, Madhav Pandit and Pande, over cultural differences shatters their families' happiness, leading to broken engagements, forced marriages, and a daughter's disappearance, all designed to teach Pandit a crucial lesson.
Pardanasheen is a movie directed by I. A. Hafizji featuring Ram Dulari, Nargis.
A 1945 Bollywood film starring Motilal and Nargis
At the behest of his father, Raj writes letters to Chandra, a prospective bride. However, unbeknownst to him, it is Neelu, Chandra's sister, who responds to his letters and falls in love with him.
Nina is a rich and spoiled girl. Dilip accidentally meets her and starts liking her, not knowing that she is already engaged.
This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.
The film follows Humayun’s rise to the throne, his struggles to maintain the empire, and his conflicts with rivals—especially Sher Shah Suri, who defeats him and forces him into exile. Amid political upheaval and personal loss, the story also explores Humayun’s relationships, particularly with his noble wife Hamida Banu. Eventually, with Persian support, he regains his empire, but his triumph is short-lived, as his reign ends with a fatal accident.
Raju (Raj Kapoor) and Gaura (Nargis) are childhood lovers and promise to be with each other no matter what. Jeevan (Iftekhar) keeps bullying Gaura and is jealous of Raju. He overhears them professing their love for each other and conspires to separate them.
A classic love story focusing on the emotional trials and obstacles faced by the two individuals in their journey toward finding true love.
Two friends with opposite personalities, the rich but sensitive Pran and the womanizing Gopal both have affairs with two mountain girls while holidaying in the valley of Kashmir. While Pran and Reshma's love is true and reciprocated, Gopal is a womanizing villain, who disregards the faithful Neela and condemns her to wait faithfully for his return with the barsaat (rainy season).
Film starring Shabnam and Rehman
Film starring Karan Dewan and Nargis.
Rejected by a proud Princess Nadira, a reckless Prince Badar vows revenge, setting out on a quest disguised as a common peasant to humble her, unaware that her own perilous situation will force them both into unexpected circumstances.
Director I.S. Johar Writers I.S. Johar G.L. Rawal Stars Nargis Pradeep Kumar Pran Sikand
Directed by Akhtar Hussein.
Two fathers, one poor and the other rich, hope that a wealthy postmaster will wed one of their daughters.
A traumatized and blind young man makes a living singing, and searching for his childhood sweetheart.
Kammo lives a very wealthy lifestyle with her widowed multi-millionaire dad, Girhdarilal, who would like her to get married to someone who is not after their wealth. To his dismay, she chooses to marry a Pilot named Sumankumar, who is known to womanize, and for his greed, so when he disapproves, she runs away. He advertises for her safe return and offers to pay Rs.1.25 Lakhs to the finder. Four days later, Kammo returns and she is not the same anymore, she is more humble, sober, and respectful. Fully appreciative of this, Girdharilal agrees to get her married to Sumankumar. Just before the marriage, a man named Sagar approaches them - and it is this visit that will change their lives forever.
A fiery, forbidden romance ignites a conflict between the daughter of a powerful clan leader and a man from a poor family, escalating into a bitter feud that brings her father's wrath and merciless torture upon her beloved.
An atheist falls in love with a married devout woman who has forsaken materialistic life.
A convicted murderer is released from prison. His only possession is a broken figurine - the last token of his love. The tragic story of how he came to be incarcerated and the significance of the figurine is the subject of this tale of star-crossed lovers whose destiny is moulded by society's rigid rules and the villainy of a scoundrel.
A vengeful princess waits for the right moment to kill her foster father - the Emperor.
An impoverished advocate faces challenges after he falls in love with a wealthy woman who has a look-alike courtesan sister.
On the run from the police, an atheist masquerades as a religious icon.
Dhoon (Tune or Passion) is a 1953 Bollywood film directed by M. Kumar. The film was produced by Silver Kings, a production company formed by Kumar and his then wife, actress Pramila.[1] The film stars Raj Kapoor, Nargis, Motilal, Kumar, Pramila,[2] E. Bilmoria, Leela Mishra and Kamal Mehra. Mehra was a lesser known comedian who started his career in 1951 with Naujawan. He went on to act in several films before starting his own production company Pride Of India under which he made films like Kismat (1968), Mahal (1969) and Naami Chor (1977).[3] The music was by Madan Mohan.
Anil, an artist, comes to stay in a village with his friend Jeevan. While there he meets Asha and asks her to model for his statue. The two fall in love. They marry secretly but Anil must leave as his father is dying. While on the way back his car crashes and he is disfigured. Anil is now reluctant to go to Asha in case she no longer loves him, while meanwhile Asha is pregnant and being shamed by the villagers.
Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.
A wealthy heiress's life is tragically upturned when she discovers her illegitimate, look-alike sister—a street-wise courtesan—who quickly falls for her fiancé, forcing a crisis of identity, love, and sacrifice.
Talashe Haq is a 1935 Indian film directed by C. M. Luhar.
Ramayani is a 1945 Hindi mythological film directed by Sarvottam Badami for Purnima Productions. The music direction was by S. N. Tripathi with lyrics written by Bekal Several films were made in that era based on the Ramayana. Vijay Bhatt made his famous Ram Rajya (1943), and Purnima Productions made their version of the epic, titling it Ramayani The film starred Pahari Sanyal, Nargis, Chandra Mohan, Rose, Kanhaiyalal and Amirbai Karnataki [Wikipedia]
In between his more ambitious Najma (1943) and Humayun (1945), Mehboob made this lightweight comedy about Justice Gangaprasad (Chandramohan) and theatre-owner Seth Badriprasad (Charlie) who lose their daughter and son respectively in the Kumbh Mela.
Mystery about a wife who appears to be leading a double life
Two ambitious young employees land a job at the small store of an avaricious man, intending to stay there no more than a few months. But, fate has other plans in store for them. How many dreams must one sacrifice to find happiness?
About the modern girl of India. Fashion, fast cars, luxury and sexual freedom.
Having been unjustly accused of having an affair, a dutiful and loving wife is thrown out of the house by her husband and forced to abandon her baby. When mother and child are eventually reunited, the mother faces an uphill struggle to regain the love of her daughter.
Upon graduating from college, Nirmala (Nargis) takes a job in a dancing school which turns out to be a front for a brothel. When her family discovers this, they cast her out of the family.
Love triangle has a flowerseller and a doctor's daughter both in love with a struggling writer.
The film brings to the screen the determination of the common man of Bangladesh to stand up to tyranny and win his priceless liberty back.
Kishore loves Asha, whose father raised him like a son, and sets out to earn money to wed her in great pomp. However, fate has other plans as it lands him in jail under a false charge.
Set in the deepest moments of midnight, a desperate individual races against the clock to expose a dark secret, where every tick brings a dramatic revelation that threatens to shatter an intense, forbidden romance.
A dramatic countdown begins for a famous poet facing the gallows for a crime he may not have committed, as a doctor attempts to unravel the dark truth behind a beautiful, complex woman and a mysterious book, hoping to find the salvation in his final Night of Separation (Birha Ki Raat).
Amidst the vastness of the sea, two souls from radically different worlds find their fates intertwined like the unpredictable tides, only to discover that the ocean of life demands a sacrifice deeper than any love.