T. Dianiška's documentary fiction from behind the scenes of the assassination of R. Heydrich, in which the real story is intertwined with comic exaggeration, pop culture references, and harsh humor. 294 Brave Men was written by Tomáš Dianiška for the Divadlo po Palmovkou theater, where he also staged it with the local ensemble. As the title of the play suggests, the protagonists of Operation Anthropoid are not the main heroes in this case. 294 Brave Men refers to the people from the domestic resistance who paid with their lives for helping the paratroopers and whose names are now borne by streets in Libeň and the surrounding Prague districts. T. Dianiška treats historical facts with respect, but at the same time quite freely, and he depicts the background of "the greatest heroic deed in our history" with the help of humor, often very dark humor.
Two neighboring clans and two different approaches to life. What happens when the strained relationship of two domineering fathers interferes with the love of their own children?
When the son of Ukrainian immigrant Irina is attacked, the whole city stands up in solidarity with her family and condemns their Roma neighbors, who allegedly committed the crime. But soon another truth starts to emerge.
A loose adaption of Bára Nesvadbová's novel of the same name. A novel that lacks a dramatic line and concentrates on the flow of emotions and feelings of two injured and beloved women, two women that the aging lothario Mára came between. The theme of the entire book is the degree and limit of love, a right and ability to love several people simultaneously while hurting them at the same time. Written by Czech Film Center
Romi, a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz, the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew". He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her workmates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.
Johanka and Matyáš have an unusual home. The two live among the animals and plants of an enchanted botanical garden in the middle of the city, but this idyll is under threat. To the children’s horror, the mayor wants to build a theme park on the same spot. The Blue Tiger, an animal with magic powers, comes to their aid. Only he can protect the garden, but Johanka and Matyáš must now stop the mayor from capturing their newfound friend. MODRY TYGR is a colourful, atmospheric and imaginatively told animated fairytale that inspires the viewer to reflect on natural resources and habitats.
An exciting drama from a detective history. In 1899 a dead girl - seamstress Anežka Hrůzová - was found between the village of Věžnička and the town of Polná. She was 19 and she had a cutting wound on the throat. There was no sexual violence involved and since the local doctors thought that there was not enough blood on the crime scene, everyone jumped to the conclusion that Jews must have killed her and added her blood to their passover matzot. There was a potential murderer at hand too - a cheeky, not very bright young Jewish rover, Leopold Hilsner…
The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.
An unemployed farmer convinces a geologist friend to quit his university job to seek fortune illegally mining moldavite.
Sisters whose husbands were arrested by the Gestapo struggle to get by with their children during WWII, while one grows close to a selfless doctor.
In 1940s Prague, a former Nazi prisoner returns to run his posh hair salon and struggles with family, the rise of communism and his past.
A recording of a production by Divadlo Komedie. A shocking drama full of pain, whose heroine, an abused girl, seeks the only possible path to tragic liberation. The last play by Austrian playwright Werner Schwab is a shocking drama full of pain and abuse. The story of Antiklimax can be easily reconstructed. It can also be perceived as one of those occasional sad news stories: in a socially disadvantaged family, a daughter who had been abused by her father for years killed her parents and then herself. After such an event, people ponder for a while what life was like in such a family. Why did no one report the abuse? What was the mother doing? It is a topic on the fringes of our social consciousness, which we effectively suppress. And when we want to indulge in a little unease, we reach for the tabloids, which put it right before our eyes. Little Marjánka is threatened by electrical appliances, brass band music, and family upbringing. As if madness were the last of man's pleasures.
Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
Captain Vašátko of the criminal police and Horác, a painter, bohemian, and amateur detective, are searching for the murderer of Daniela Jásková, an emancipated young woman who excelled at her job and also excelled at changing lovers. When she is found strangled in her apartment, Vašátko's team begins an investigation. They also focus on the victim's sister, Alena Kášová, who did not like Daniela very much and resented her ability to win over every man. Suspicion also falls on Alena's ex-husband, the sculptor Káš, whom Horác has known since his studies at the academy.
In 1964, the discovery of secret Nazi documents in the bottom of a lake in the Šumava hits the press worldwide. Years later, it is revealed that the sensational event was orchestrated by the communist regime in a campaign against West Germany, code-named Neptune. Revisiting recent political past of the Cold War in a noir pastiche, this docufiction contributes to the process of myth-making as a necessary construction of our perception of the history.
A story about what ordinary internet browsing can do for kids. And parents change their lives.
What was the iconic theater scene and its creators like? The final stage of the Prague Chamber Theater, which provoked, shocked, and fascinated audiences for ten seasons at the Komedie Theater.
Flexible, powerful, and naive. The fates of three men intersect at the launch of Czechoslovak television broadcasting. Ambitious actor František Filipovský has no idea that his casual improvisation on the theme of "the miser" will go down in history. For Minister of Information Václav Kopecký, it is a moment of great nervousness: will he convince his comrades that television broadcasting is the golden goose of communist propaganda? A young television technician is fascinated by the "remote transmission of images and sound" – he has a job he never dreamed of. But can a person fulfill their dreams in communist Czechoslovakia in the 1950s without getting involved with the regime?
Three brothers leave their home to see the world. During their journey, young men as by miracle enter into famous fairy tales (Little Riding Hood, Sleeping Beauty, Twelve Months) and face traps, unexpected moments and even love in a story full of humor and songs.
Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.
Three friends from a small town - František, a doctor; Oskar, the director of the local museum; and Robert, a physical education teacher - are faced with an unexpected task. They have only fourteen days to save their children's traditional summer camp, which was unexpectedly destroyed by a storm. Their last hope is a meadow below Tramberk Castle. However, the castle's caretaker is the eccentric Evžen, who is happiest when no tourists come to the castle. But when Kudláková from the Heritage Preservation Department puts pressure on Evžen, saying that if he doesn't reach three thousand visitors in two weeks, she will hold a competition for a new caretaker, Evžen agrees to František's proposal and allows the camp to take place. However, on the condition that they help him with the visitor numbers... The situation is further complicated by František's animosity towards the new teacher Lenka.
A small town somewhere in the north. The body of a brutally murdered young girl, Anna, is found by the river. The investigation is taken up by the determined criminalist Laura Linhartová (Kristýna Ryška), and her old colleague Adam Beneš (Kryštof Hádek) is assigned to her. The main suspect is a recently convicted perpetrator who is responsible for a similar murder. Just when it seems that the search for Anna's murderer is over, new evidence appears that brings the whole case back to the beginning. The criminalists thus embark on a complicated investigation full of unexpected twists and turns. The circle of suspects in the small town expands dramatically. The tension between Laura and Adam rises, not to mention their different characters and shared past. And the question still hangs in the air: Who killed Anna Pittnerová?
In late-1950s Czechoslovakia, a young couple's new love is tested by their parents' expectations and the toll of the Communist regime.