In an apartment building in Beirut, on the last day of the year, seven characters start their day by visiting their psychologist as part of the weekly ritual. On that couch in their psychologist's office, they face themselves and their loved ones in trying to define what is most important to them. Each of them, from the patients to the residents of the building, has a different story to share, inner secrets and hidden wishes. All keep to themselves, except for the porter Abou Karim, who extends his presence and allows himself to interfere in the lives of others and in their destinies.
After surviving a car crash in the middle of Lebanon's isolated Beqaa Valley, an amnesiac man finds himself held hostage on a local farm that doubles as an illegal drug-production facility.
On the outskirts of the city, right by the water, lies an arterial road that leads to Beirut’s international airport. Most of the houses standing there are illegal constructions, quickly erected for a life alongside the road. Karam Ghossein, who also works as a cameraman for other video artists from Lebanon, combines pictures from a commissioned production he shot on the occasion of a friend’s wedding in 2004 with street impressions from the present day. Past events can’t be told apart from the observations of today: a kaleidoscope of stories that take place on this highway.