Politician Aadu Kägu goes to the mushroom forest with his wife Viivi to rest his nerves from the reputation campaign. They are joined by a voter, penniless rock star Zäk. In order to avoid common mushroom forests, they drive to some countryside at random. Soon the trio discovers that they are lost, at the same time a media scandal breaks out - the investigative press suspects that Kägu has misused state money. The fight for honor, life and death begins, both in the forest and in the city.
Despite peaceful speeches, the army of the Soviet Russian is attacking Estonia, and the country's government is declaring a mobilization for all. Henn Ahas, the son of a poor family, hesitates to go to war.
"Love for Three Oranges" is the first play by Carlo Gozzi (December 13, 1720 - April 4, 1806). He wrote it in 1761. The play is based on a parody of the fairy tale "Love Against Three Oranges". It was originally written as canovaccio (the explanation of the content on which commedia dell'arte actors improvise the text), but later Gozzi also added some dialogue instructions and critical explanations.
War in Abkhazia, 1992. An Estonian man Ivo has stayed behind to harvest his crops of tangerines. In a bloody conflict at his door, a wounded man is left behind, and Ivo is forced to take him in.
Aliide experienced The Great Terror under Stalin’s regime, and decades after her hometown people were deported to Siberia, she lives alone in an isolated house. One night, she finds a young woman in her yard – Zara has just escaped from the claws of the Russian mafia that held her as a sex slave. Survivors both, Aliide and Zara engage in unearthing each other’s motives and gradually their stories merge into one, revealing the tragedy of a family during the cruelest years in Estonian history.
A short film about an old actress Leida Rammo who tries to complete an unfinished theatre house project.
When Joko, Ants and Reeda, all in their own good reasons, first enter a casino, they can't possibly be aware of the very existence of the demons inside them. Soon enough, they will know. But then it is already too late and their lives are suddenly caught in a fatal vortex.
The Old Woman lives in a deep Estonian forest, alone and isolated. Her parents came here to settle to raise and educate their children in the right way. They all died long ago. The Old Woman leads her farm, until one day her world almost collapses due to the intrusion of a lost stranger.
Kari Syysmäki, a Finnish Businessman is on a vacation with his wife in Tallinn. When his wife is away a young man enters their hotel room with a gun. He tells to the businessman that he has just tried to rob a bank, but accidentally shot one of the clerks. Now he's hiding from the cops. But when the bank robber forgets his gun on the table, Syysmäki grabs it and shoots him in the back. After that Syysmäki refuses to travel back to Finland with his wife. He stays in Tallinn and soon he's about to face both the cops and the mob of Estonia.
Karina and Martin are in a pleasent relation where everyday life flows in an effortlessly accustomed way and no small misbehaviours can shake it’s rush. Life is good. Perhaps it’s this perfection and frequent patterns that make them finally pose a question – is everything to be expected in life? This is a story about following the yearning of your soul. Longing for something other than the present and having the courage to be deliberately lost.
A historical spy-thriller set in 1939 about an Estonian intelligence agent tasked with uncovering the Soviet double agent in their ranks.
The last film directed by Kaljo Kiisk has been dedicated to theatre and the people in theatre. You are entering the hectic world of musicians, zanies and jesters - and don't expect to hear a symphony but a single delicate sound of a flute.
50s quiet Estonian town. After a long separation, two brothers met in their parents' house. The younger one, Ilmar, a formerly capable artist, has just been released under an amnesty from a camp where he ended up for some youthful prank. Older brother Alex, by nature a more reserved person who prefers to find compromise solutions, is the complete opposite of Ilmar. The meeting of the brothers develops into a conflict, complicated by the fact that Ilmar got in touch with repeat offenders in the camp, and now they are threatening him with violence.
A young man is taken to a small town hospital after a suicide attempt. Rita is a beautiful married Russian nurse taking care of him.
Alar Sudak alias Elaan is the don Quijote of Estonian theatre - predestined to eternal loneliness. Sudak's dream to become an officially acknowledged actor has never come true. He has failed the entrace exams to the Drama School of Estonian Academy of Music and Theatre and other schools. The documentary tells a story related to the Old Testament - including good-hearted Satan, water wars, unrequited love of theatre, jurisprudence, community's revenge that lasts over several generations and regimes. Elaan's life and destiny includes so much drama that he is unable to let go of it - as his actor's spirit cannot live without it.
Raul's father Viktor, a Soviet-era Estonian militia officer, shaped his son with communist ideology. Raul was raised in a violent and pathological attitude of the despotic father, blindly driven by the ideology. Driven by his jealousy of his wife and her bohemian lifestyle, Viktor, being a high ranking KGB officer, stated her as a predator against the Soviet nation, and one early morning she is taken by KGB agents to an unknown destination.
Jaan Tootsen’s documentary follows President Toomas Hendrik Ilves in the last year and a half of his term in office – as he grapples with the complexities of world politics and his private life. Tootsen’s keen camera eye follows Ilves at his most difficult moments, showing no mercy, but creating a gripping, rather harsh and at the same time very human portrait of the President.
In a 1960s Soviet psychiatric hospital, Serafima, a traumatized woman bearing both physical and mental scars, struggles to reclaim her lost memories. Under the care of Dr. Vasar, a disheveled yet dedicated psychiatrist, fragments of her harrowing past begin to emerge. Serafima’s father, Arhip, was a Russian Orthodox sect leader. The clash between her family’s adherence to these traditions and the encroaching influence of Soviet authority set the stage for Serafima’s ill-fated marriage to Raimond—once seen as an escape from her strict village but ultimately becoming a nightmare of suffering. As her memories resurface, Raimond's brutality comes to light, drawing Vasar further into Serafima’s fight. Torn between duty and morality, he risks his career to assist her.