In New York, an absurd coincidence links the lives of a Yugoslavian hitman, his ex-wife and her new partner, a policeman whose father was a criminal. His code name is "Uncle Vanya". He grew up in Bosnia, an orphan of both parents and, having never met them, he does not know whether he is a Serb, a Croat or a Muslim. A victim of his fate and his past in war-torn Bosnia, he has become a hitman. He would like to stop killing but he can't.
A horror anthology with three stories connected by the thread of alienation and confusion within the seemingly ideal backdrop of suburban America.
The story of sex, violence, race and rock and roll in 1950s Chicago, and the exciting but turbulent lives of some of America's musical legends, including Muddy Waters, Leonard Chess, Little Walter, Howlin' Wolf, Etta James and Chuck Berry.
John Wick is forced out of retirement by a former associate looking to seize control of a shadowy international assassins’ guild. Bound by a blood oath to aid him, Wick travels to Rome and does battle against some of the world’s most dangerous killers.
When a lonely accountant reluctantly agrees to fight a sword duel, he is thrown into a world of intrigue and romance as he faces a scheming heiress, a deadly opponent, vengeful Gypsies and secrets from the past.
Jordan relies on his ability to recall information to get good grades, but he still needs someone else to do his homework. Nigel is this someone else. He also gets high marks but unlike Jordan, Nigel understands the mathematical equations.
Steven, a white teen who moves from the suburbs to Harlem New York . Yummy, a smart and witty teen seizes the opportunity of having a new friend at the forefront of his everyday business transactions. Their friendship is ultimately tested by Steven's attraction to Harlem, Yummy's girlfriend. Steven later betrays Yummy's trust for a shot at true love with Harlem.
Hilarious re-dubbed sci-fi spoof features "fabulous" aliens "turning" the military gay with their space beam! "A Zany Comedy!" says The New York Times.
A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.