The true story of Andres Bonifacio, a man who rose as a leader in the fight against the Spanish oppressors, and would gain the enmity of even those fighting for the same cause.
Laruang Lalake is a realist film that portrays the workers within the Filipino gay film industry and their personal stories - from the naughty to the gritty, from the horny to the hopeful. The film weaves the journey of ambitious probinsyano actor Samuel, Marc the idealistic film crew member who is secretly in love with Samuel and Wilredo a filmmaker on the brink of bankruptcy. And then there is also Peejay who is determined to steal a name for himeslf. As the camera grinds between naked bodies in homerotic play, its all in a day's work for eveyone living in a society that is yet to acept the Filipino gay man.
Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.
Single-mom Esme gives her daughter for adoption to her elder brother who immediately goes to America. Twenty-seven years later, daughter Abby goes back to the Philippines to meet her real mom. But Abby's excitement is foiled upon knowing that Esme is loud mouthed and worst nightmare. Days spelled hell for Abby, as she discovers that she and her horrific mother are complete polar opposites.
After the tragic fate of her mother and her sister, a girl named Nina is taken into custody and given a new identity as Melissa who grows up to be a nurse. At the hospital where Melissa works, a series of mysterious deaths of male patients occurs.
Two years after she was raped, a woman agrees to meet with her rapist in the beautiful ruins of Intramuros. As they have the same blood type, her rapist asks her to donate blood for his operation claiming this will lengthen his life and will give him ample time to seek redemption. The woman refuses to do so as she rediscovers she is still a victim of unrequited love towards her rapist. Told in two separate perspectives, the story revolves around how the woman and man pick the pieces of their broken lives after the rape, meeting every so often at places that remind them of their past. They are confronted by the fact that they are both victims of each other: THE WOMAN struggles with loving no one but the man; THE MAN, struggles with his guilt knowing he can't love the woman the way she wants him to.
An urban legend in Western Visayas about a captain with a hair-raising secret.
A group of government workers: their happy-go-lucky circumstance, failed responsibilities, and reckless work ethic. It delves into the world of a government agency where non-stop discussion of intrigues and personal frailties is the order of the day.
A happy marriage goes wrong when the husband is accused of raping his stepdaughter who eventually died. The wife, feeling hopeless from the courts, takes justice into her own hands.
A Filipino worker is on the death row for killing his employer. Because of a lady reporter who is bent on doing a full story about him, government officials are now trying to help him. But Fidel insisted that he killed his employer on purpose. Vega learned about his past- a boy-next-door type of person who grew up with a loving family. His profile doesn't fit the picture of a killer. Sister Lourdes, the Filipino nun who visits Fidel regularly wants to know the truth too.
Angelo (Eigenmann) is an orphan who turns into a serial killer. Despite the efforts of rehabilitation, psychological turmoil still haunts and prevents him from living a peaceful and ordinary life. Faced with this reality, Angelo searches for a way to exorcise his personal demons. In the end, he gets his just reward when he crosses paths with a demon that he himself created.
Pastry chef Macky has struggled with his weight for most of his life. It's not easy being fat, especially when you're secretly admiring a young socialite columnist named Ninia who gets the shock of her life when she sees Macky in his 300-pound glory. Macky hires Aira as personal trailer and in the process of losing weight, the two gained love and affection for each other. But soon after Aira agrees to accept an offer to work abroad, being the breadwinner of the family. Two years pass and the Macky who was once laughed at is now one of the most sought-after bachelors in town. Macky now has to choose who really is his big love: the woman he dreamed of all his life or the woman who loved him unconditionally?
A young hustler takes advantage of the love of a gay man, and pays consequences for it in the form of a demonic possession.
A prepubescent boy slowly learns of his special role in the impending apocalypse during a religious camp. As he participates in the camp activities, he gets confused between constantly emerging fantasies and his divine calling.
Tucked away in a remote forest, the convent of Adoration is inhabited by a group of nuns seeking a peaceful life of devotion and discipline, filling their days with nothing but mundane chores and prayers. But the wish for a life in isolation is threatened when President Ferdinand Marcos declares martial law, and political protests and chaos begin to infiltrate every corner of the archipelago. Suddenly, the nuns find themselves engulfed in violence and unrest that will eventually put their faith and conscience to the test.
Two elderly women bear the consequences of a crime involving their respective grandsons. One is the victim, the other is the suspect. Both weak and poor, they laboriously solicit money in the midst of a storm, one for the victim's burial, the other for the suspect's bail bond.