An experimental film that attempts a lyrical interpretation of the concepts of love and anxiety. The two concepts meet as two people, separated by a wire mesh. The separation is sought to be annulled from both sides. Sound and image express an abstract mood experience around the two concepts. The film experiments with polarizing colors. (DFI)
A boy explores the hidden depths of his bathtub in a grey world dominated by boring adults.
Hans Christian Andersen, from early age, regards himself as being different. Soon he discovers he has a shadow which takes over and behaves differently from it's master?
Atmospheres from Poul Dissing, Benny Andersen and their group's journey from place to place to perform, seen through the painter Søren Hansen's gaze. The film is typically an experimental film and has no intention of reporting from Dissing's tour. It makes use of e.g. double exposures (multiple images copied on top of each other) and fragmentary sound clips to capture the moods of the traveling musicians.
Oswald and his monkey chums leap from tree to tree, chattering away in the sunshine. Life would be wonderful indeed but for the big, bad ape constantly on their backs. One day Oswald has had enough. He says "No!" In a colourful explosion of swaying monkeys and creeping vines accompanied by a jazzy soundtrack, the monkeys' tale is narrated by a singing troubadour.