1901, Balangiga. Eight-year-old Kulas flees town with his grandfather and their carabao to escape General Smith's Kill & Burn order. He finds a toddler amid a sea of corpses and together, the two boys struggle to survive the American occupation.
A story about a ten-year-old boy whose dream is to become a movie star. Pepot, the dreamer, is surrounded by people who are equally dazzled by the movie world from his own mother to the principal in his school to the impersonators in the neighborhood carnival. Coming from a poor family, Pepot overcomes adversity to have a chance at fulfilling his dream. He tackles school bullies, a strict teacher, and an unwelcoming world that fail to comprehend his intense desire to become a star. The story happens in the '70s when superstars brightened the film world in Pepot's country.
Depicting the struggles of Filipinos in rural areas under the brutal Marcos regime, a family of poor farmers tries to overcome the challenges brought on by corruption and greed for power spanning 1971 to 1987.
Black-and-white sequence of contemporary urban life, jittery images recorded by a 1940s motion-picture camera, and a sleepy narration of words, written by Filipino poet and singer Lourd De Veyra.
"ANG MGA KIDNAPER NI RONNIE LAZARO" is about a group of down and out-of-luck men who decided to make a film starring Ronnie Lazaro, the most sought-after indie actor in the Philippines. Things get complicated when Lazaro decides to beg-off from acting on their supposed "indie film" and the guys were forced to abduct the actor." - Agimat Project
In 1989, Rody ruled the wrestling ring as Max Buwaya—a fierce heel who captivated the Pinoy wrestling scene. Decades later, he drifts through obscurity, his daily ritual of donning the mask offering fleeting comfort against a world quietly closing in. Wrestling with a fading sense of purpose, he prepares for a triumphant return: a final match that could earn him the belt he’s longed for his entire life. But as past and present blur, questions arise—about who he is, and what’s real.