Concerned about the outbreak of plague in a distant rural village in India, Dr. D.D. Sinha asks a number of prominent doctors to go there and treat the ailing and prevent the disease from spreading. No one except his protégé, Dr. Paras, is prepared to go there. Dr. Paras travels there, works with the villagers to prevent the disease and treats the ailing, and is successful in preventing it's spreading to other communities. He meets with village belle, Lajwanti alias Lajjo, and both fall in love with each other.
A lonely girl faces several odds in society after her mother's death. Later, she gets attracted to a witty man, who decides to marry her.
The film tells of the adventures of Prince Padam who is fascinated with discovering the mysteries of outer space. He falls in love with a beautiful maiden from the moon and travels in a rocket to the moon to bring his lady love back to earth
1950 bollywood film.
1947 bollywood film.
Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.
Jail Yatra is an Indian Hindi-language drama film released in 1947. It was directed by Gajanan Jagirdar.
A rich blind man who falls for a poor girl, regains his sight and is forced to marry a wealthy girl whom his father has chosen.
They are in love - have grown up together. Circumstances lead her to get married to a older man with a small child who does not accept her physically after having seen her face for the first time - he feels guilty that she has been cheated upon and her youth has been snatched away. One day she returns home to meet her childhood friend.
Encountering a young couple on the road, an elderly lady tells them her story
A car mechanic falls in love with a girl but discovers her father has a large debt, leading him to gamble and marry another to pay off the debt.
A man loses his memory after a train accident. Unsure about who his family is and what religion he follows, he reacts with kindness and openess towards anyone who shows him love and makes friends across religious communities which eventually leads to problems.
A chance meeting between an Assistant Scientist, Shekar, and an established stage dancer and singer, Anjana, results in love. While Shekar has a mother who lives separately, Anjana has been orphaned at an early age. Shekar's mom approves of Anjana, and both get married. Anjana stops her involvement in dancig and singing, and both spent the next several months on relative harmony. Then Anjana finds that Shekar is spending more and more time in the laboratory than with her, and she decides to take up dancing and singing, which does not auger well with Shekar. Arguments ensue, and both decide to live separately. When Shekar's mom comes to visit Shekar, both he and Anjana compromise to live together to fool his mother. Will they succeed in pulling wool over her eyes?
Abandoned in the forest by their father, King Rama, the twin sons Lav and Kush are raised by a sage and train as fierce warriors, only to unknowingly challenge their father's army in a pivotal battle that forces the exiled queen, Sita, to finally confront her past.
Artist Pyarelal lives a poor lifestyle in Bombay with his parents, sister, brother and sister-in-law. After a family argument, Pyarelal is asked to leave, and he swears only to return when he becomes a famous, wealthy man. He meets actress Asha and they fall in love. After Pyarelal starts acting in the theater, he sends money and gifts to his family, hoping that they will be pleased. Then one day he feels that he has achieved success and goes home...
In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.
Following Bhagwan Shri Ram's 14 year exile, whereby he demolishes the evil empire of Lord Ravan, rescues his wife, Sita, and returns triumphantly home to Ayodhya to be crowned the King. Bhagwan Ram arranges for Sita to be placed on top a funeral pyre, and when she comes out unscathed with the Lord of Fire himself appearing and asking Bhagwan Ram to take Sita back as she is pure, and her presence has not only purified Ayodhya, but also Sri Lanka, as well as himself.
When Vishnu, a reputed judge, is mistakenly assumed as Anil, who is the murderer of Dhanraj, he decides to travel to Anil's home town and unravel the mystery behind it.
Deedar is a movie directed by Jugal Kishore featuring Anjana, Premendra.
A timeless romance of two souls intertwined, Laila (Nutan) and Qais (Shammi Kapoor), whose bond transcends all societal barriers. Though fate drives them apart, their love endures, resisting separation and sacrifice in this classic 1953 Hindi drama based on the legendary tale of Layla and Majnun.
Two jobless men become entangled in a series of chases and conflicts when they try to hang on to an extremely valuable coat that a fleeing criminal dropped in their apartment.
Bollywood 1954
After her widower dad, Kedarnath, passes away, Shobha goes to live with his friend, Charandas, and his wife, Shanta, who had their son go missing as a child. Years later Shobha is now matured and Charandas scouts for a suitable groom. A wealthy man, Sunder, would like to marry Shobha, but the family detests him.
The charming Mr. Sampat weaves his way into theatrical company with his moneymaking schemes, only to cause the everyone involved to go bankrupt, including Malini, the young actress who has fallen in love with him.
Three love stories that take place simultaneously but do not intersect, because the characters do not interact with each other, even though they all live in the same neighborhood. Govinda, a gloomy Airai boy who was cruelly separated from his beloved girlfriend, Chalvi, who was expelled from the village. Johnny Braganza, a waiter who has just been released from prison after being unjustly accused of falsifying the accounts of the hotel owner, Ferrara, who successfully seduces Johnny's girlfriend, Stella. Now he is setting up a car garage at the same intersection.
Sahara is a 1958 Indian Bollywood film directed by Lekhraj Bhakri. The film stars Meena Kumari in the lead role of Leela and relates her life story.
The film has been described as an example of a "soft romantic movie" and a "women oriented film" with Dharmendra in one of his "strong, romantic supporting lead roles." Kiran Kumar wrote that it was not a commercial hit but a good movie"
A historical drama about the conflict between Magadha and Vaishali. When Vaishali refuses Magadha's suzerainty, its commander Abhayaraj is released. Abhayaraj seeks to marry Pali, the Chief Minister's daughter, but she falls for the disguised King Bimbisar of Magadha. Abhayaraj subsequently declares Pali a public woman. Pali, now pregnant, lives as a public woman until her son grows up, leading to a philosophical resolution of the central conflict.
Rajendra makes a meager existence supporting his younger brother and sister and vows not to marry until they have settled. However, when his sister loses her sight, his grand plan is threatened.
A social drama centered on a character embodying strong moral or spiritual virtues, a narrative exploring themes of faith, sacrifice, and righteousness within an Indian context
An idealistic Kusum writes a play celebrating modernization, produced by her lover Ramesh, drawing the ire of the villainous Madhav. A local Raja also seeks Kusum's hand, offering to settle her father's debts. This complex situation escalates into kidnappings and murders before a happy ending. Known for its musical numbers, this big-budget drama ultimately led to the demise of Krishna Film Studio.
Feudal melodrama: Veena (Jamuna), daughter of an exploitative landlord and wife of the drunkard Chunilal (Shivdasani), defies her family and fights for the exploited peasantry. In the process she falls in love with the poor Madhu (Nandrekar). When her evil husband cannot undermine the peasants' unity he commits suicide. The heroine is disinherited by her father, but remains committed to nationalism. The film prominently deploys Gandhian symbols (e.g. the spinning wheel), and contrasts an idyllic notion of erstwhile India to the penury of its people today.
The story of two carefree men who use every trick in the book to make a comfortable living.
A social drama revolves around two lovers striving to reach their shared "destination" in life—be it marriage, success, or acceptance—despite significant challenges like class differences, parental opposition, or tragic misunderstandings.
An impecunious poet, Parwana, runs away from home in company with his pal Jagu to join a theatrical company. On the way they come across a gypsy camp and Jagu succeeds in picking up Koel, a
Shekhar falls in love with Lilly D'Souza, a performer, only to discover she is a British spy. He hands over Lilly and her sister, Dolly, to the INA, which sentences both to death.
Against a backdrop of social conservatism, a pure-hearted woman's life becomes a sacrifice to others' rigid traditions and deceitful plots, as she struggles to prove that true integrity—like a Lotus Flower—can bloom untouched even in the deepest mud.
A man's pursuit of a luxurious life and creative ambition leads to a mysterious death, forcing him to face the dark consequences of his divided loyalties.
The intense events of a single, fateful four-day period forever change the destiny of two lovers, proving that a lifetime of happiness or sorrow can be decided in just a few, fleeting moments.
A comic tale of a poet and his fan both in love with each other and relentless efforts by his would be father in law to not let them marry each other. Instead, he wants his daughter to be married to the poet's friend.