Brings together two cultural economies that normally have little overlap – the Western art world, and the West African popular film industry.
Peter Bechtle is a man in his mid-thirties. He is a manager of a large company and wants to try a project in Africa. The work will be led by the industrial magnate Brasser, but strange surprises await him. The IPO is rigged and some murders are committed.
What price must a man pay to provide education? What sacrifice must a man make to bring enlightenment to his community when the people he fights for are bent on continuing with their way of life?
Love collides with social class and colonialism when Aba Appiah, born to privilege, falls in love with Joe Quansah, son of a fisherman. Her father, retired civil servant Kofi Appiah, has other plans for her, and seeks to block their marriage. The resulting conflict has complex and unexpected consequences.
A narcotics agent goes on a mission to stamp out drug trafficking in Ghana.
The story of Quincy Bosomfield who is the product of colonial education and has risen to become the district commissioner. In the process, he abandons his African heritage and all that has real meaning to him.
Asante, a hearse driver in Ghana, wants a wife. His profession puts most women off. He falls in love with a client whose mother has died, and manages to win her over. But her father forbids marriage to a hearse driver. Asante persists and becomes the first hearse driver in Accra to get married.
Set in an African slum, an ambitious market girl meets and falls in love with a boy from the other side of town and tries to cross the class divide, but the social gap is over powering and starts a chain of event that neither of them is prepared for.
When junior (John Apea) accidentally comes across a suitcase full of cocaine, he sells it and keeps the money. the owners of the drugs catch up with him, resulting in a high speed chase around London and Africa