Feature film located at the beginning of the 20th-century which tells the story of the town "La Esperanza", whose dying mining boom receives a fatal blow.
No one could ever imagine that one day La Chingada Vieja would fall in love. Because she is always alone, because no one has ever turn to see her, because everyone is always closing the door at her nose, because when they feel her coming they cross themselves, but most of all because no one could ever fall in love with death. But El Hombre sin nombre, has appeared in her life for good. Only the confusion of an avenging town and the desire of four men to arrive to heaven could change the plans of these two beings. Of whom the purist feelings alive have resurrected them.
Mexican feature film
The human and divine justice are exposed through five real life stories related to the legal processes of a prison. The cases presented are: "I want to stay in jail", "Blood between women", "The raped prostitute", "The kidnapped policeman", and "Euthanasia or murder?"
The film narrates the discovery of the last great Mayan city, which occurred during the spring of 1946. It is the story of Charles Frey, a smuggler of archaeological pieces who upon hearing some legends about the immense riches that the jungle regions of southeastern Mexico keep, decides to go looking for him. After several months and a point of giving up, Frey detects some archaeological evidence of the Mayan culture, so he continues his explorations until he finds the majestic city of Bonampak.
Jacqueline (Bonilla) and Nicolas (Echanove) are so in love that they decide to get married "until death takes them apart". When love dies and infidelity takes its place, Jacqueline decides there's no time to fulfill the promise of their votes. She begins to plot her husband's murder, but destiny is committed to surprise her in many ways.
Rodrigo Zaracho, once a promising boxer, is in decline. While fleeing from a gang that is chasing him, he remembers his past.
After breaking out from jail and being rescued by an enigmatic driver, Maria begins a journey through Mexico City's nocturnal life
Luz is in jail, accused of murdering her own children. Her husband and her mother-in-law say she killed them in cold blood. Dr. Rebollar tries to help the woman, but she refuses to remember anything. Luz thinks of jail as the purgatory: it's only one step to reach the Heaven.
Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
A senior official of the Mexican political system decides to fake the capture and death of The Coyote, public enemy number one in Mexico, to make this happen, he cuts a deal with his family, who require a dead body to pose as a double. Topillero is responsible of executing the plan. But on this journey he is reunited with his wife and son, whom he abandoned years ago.
The film got its inspiration from a real life character that killed policemen in the streets. The film narrates just how this man was pushed to committing crime.
A group of punk chicks living in the sleazy streets of Mexico City. They mess around with a Santa Claus, listen to bands play live, rob people and even kill them.
Two reformatory kids grow up and become movers in the drug trade.
Lolo lives in a poor neighborhood on the outskirts of Mexico City. One day he is assaulted and injured out of the factory where he works. After a week of hospitalization, Lolo loses his job and is forced to seek sustenance. The accidental death of an elderly woman, whom Lolo trying to steal a watch that his mother had insisted, facing the young people in your neighborhood and forces him to flee, full of guilt and shame.
In this film festival favourite, every day is magical in the tiny logging town of San Miguel de Cruces, Mexico, thanks to director Juan Antonio de la Riva, who captures the rhythms of small-town life through the stories of its inhabitants. From a young couple facing separation as the husband prepares to seek work in the United States to a pair of teens on the cusp of adulthood to the local movie theatre operator struggling to stay open after the introduction of satellite dishes, Pueblo de madera portrays a town—and a people—in transition.
Adapted by writer/director Fernando Sariñana from the stories by Juan Madrid, Ciudades Oscuras (Dark Cities) tells a story of interwoven lives in the seedy underbelly of Mexico City. The several different story lines concern hooker Lola (Dolores Heredia); her drug addict son Fede (Diego Luna); her friend Zeze (Zaide Silvia Gutierrez); Zeze's daughter Susana (Jimena Ayala); and junkie Vicente (Roberto Sosa). Also on the scene are two corrupt cops (Alejandro Tommasi and Jesus Ochoa) and one good cop (Odiseo Bichir), while Chicken (Hector Suarez) and Casimiro (Alonso Echanove) each tell their separate stories to the same bartender (Demian Bichir). ~ Andrea LeVasseur, Rovi
William Benton, a rich British landowner and cattle baron was murdered, creating one of the most bizarre and sensational international scandals in history. Thomas Canning, an inexperienced photo journalist from London, is sent to Mexico seeking fame and glory but eventually he reaches the camp of Pancho Villa to be told several conflicting versions of Benton's murder.
Set in Mexico City, Mentiras Piadosas is the doomed love story of Clara and Israel. She is a health inspector and he is an herb merchant, who is obsessed with the construction of an enormous model of the ancient city of Tenochtitlan. They both decide to leave their respective partners to live together, however, jealousy, blackmail and guilt will become unbreakable patterns destroying their tragic relationship
Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it's no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?
In 2033, Mexico City is a hot, mechanical and chaotic megacity ruled by the military and a tyrannical government. It is an oppressed society with its religious faith and liberty of expression stolen. Pablo, the main character, is a young finantial yuppie that gets shelter in drugs and alcohol. He leaves his privileged life in order to help the unprotected and destroy the system that controls the population.
Claudio, a womanizer, contracts AIDS due to his promiscuous lifestyle, and, in the hospital, he meets Mauricio, a homosexual Evangelist who is also infected and will discover Jesus to Claudio.
Rodrigo and Mariano plot a robbery; Rodrigo's station wagon will be the get away car. They dream of their wealth to be. A triangle is established when a whore appears, creating a relation of treason and mistrust amongst them. The prostitute and the drunkard rob Rodrigo and Mariano, leaving them without their dream and everything else.
A retired union leader runs a restaurant by the highway with the help of his wife and his young son. One day a wounded criminal, his lover and his brother, all fugitives from law and being pursued by the woman's husband, forcefully seek out a hiding place. They take the family hostage until the delinquents are confronted.
When his father passes away, Juan Pablo inherits his guitar. Decided to continue his father's legacy, he abandons his career and becomes a mariachi.
Between chargers, noise and improvisedly placed furniture, a couple experiences a violent marital crisis, ignoring that they are observed by many characters that will soon face them with their own demons. Inspired by a work by Vicente Leñero, Gabriel Retes orchestrates a portrait without concessions of the hell of the marriage institution and love chaos, made in video format in 1990 and completed by the filmmaker more than a decade later.
Virginia and Nacho, is a poor marriage, living precariously on their meager salaries, insufficient to support his child nine years of age. Until fortune smiles and Nacho wins a late model car. But sometimes it's better that luck will smile.
The Mexican painter Francisco Goitia, feeling his death approaching, manages to make a memory of his life: the reunion with his country and his people, his permanent search for identity as a man and as an artist and his struggle against the demons of the body and his subsequent religious conversion.
In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)
Life unravels when famous radio talk-show host Carmen (Sylvia Pinal) discovers she has just months to live. To tie up the loose ends of her life, she hires a chauffeur to drive her around Mexico City and visit her old haunts. But he does far more than that; instead, he gives her life a much-needed spark and shows her the road to happiness. Alonso Echanove and Raul Araiza Jr. co-star.
The film tells the story of the Boteros, a middle-class Mexican family struggling against poverty after their father's death. Ignacia (Egurrola) is the Boteros mother, a desperate woman who chooses to sacrifice the destiny of her three older children, in order to protect Gabriel (Laguardia) the youngest one. She believes Gabriel will climb the social structure and bring back the lost fortune to the family. But destiny has other plans for the Boteros and tragedy will overcome eventually. Based on the novel of Nobel Prize winner Naguib Mahfouz.
After a long exile, Gabriela returns to her family’s land to care for her ailing father and make peace with her painful past. Upon her return, she is faced with Diego, the reason why she left, and the new owner of the land.
A naïve rookie in the Mexican highway patrol must adapt in order to survive as he contends with widespread corruption, dangerous drug runners and the consequences of his often morally gray actions.
Drugs won’t solve your problems, but they might help. At least that’s what Memo, a artist tortured by his own failure, thinks. About to turn 30, and in a troubled relationship with his girlfriend, Memo decides to try LSD for the first time in hopes that a psychedelic trip provides him with the answers he so desperately needs. Through the use of this hallucinogenic substance, Memo will access parts of his psyche previously unknown even to him. Come along for the ride.
La Güera is the director of the "El Amanecer" rehabilitation center, where she is responsible for providing support to young people with drug addiction problems, following the "Twelve Steps" model. One day, La Güera's cousin asks her for help in admitting her young son Samuel to the center; La Güera goes to invite him to join the rehabilitation center. Samuel refuses and is taken there by force, which complicates his adjustment to the place. La Güera tries to encourage him and give him attention so that he can get used to his new surroundings. Everything seems to be going well when an armed group bursts in and takes several inmates, including Samuel. La Güera is forced to turn to one of her associates to get him back, revealing a dark secret.
A talented rural student struggles with his teacher and fellow students.
At one last attempt to get back together, a separated couple discovers just how far apart they’ve grown. He still clings to the idea of a conventional family, while she has already stepped into another life: living on her own, committed to her work, and unwilling to give up control over her body or her convictions.