What do you picture when you think of King’s Road? The swinging 60s? Vivienne Westwood pioneering punk fashion? One notable establishment in this enclave of history that’s often forgotten about is Gateways, London’s longest-surviving lesbian club. Alongside a host of its patrons over the years, Sandi Toksvig highlights the legacy of the club from its original owner, who won it in a poker game, to its blossoming into a hotspot and safe space for lesbian life. From its signature green door to the risqué dance move that gives this film its name, Gateways was a crucial part of London’s queer history. In this charming and informative film, it’s celebrated in all its glory.
WYRDOES is a comedy inspired by 'Macbeth', written and directed by Nat Luurtsema and produced by Jennifer Eriksson and Iona Westlake. Three sisters - Elsab, Magrit and Merope - battle through poverty and rumours that they're witches just because they're a little 'wyrd'. Through accidental tragedy, murder and war, the downtrodden Wyrdoes finally fight back
Miranda and her adult-ish daughters, Hester and Rose, are crammed in a rotting little caravan to be near their irascible Gramps in his final days. They love him but his care bills are mounting and when they discover that he’s hidden his savings and doesn’t remember where... they could bloody kill him.
On the other side of the Vertic Sea where things are distinctly fishier.
An artist turns to his android muse for help when trying to sell his newest paintings, but events take a dark and disturbing turn when the android learns what has inspired the work.
Interspersed with a commentary by a female narrator,who at times assumes their roles,the father,mother and daughter and son of a black,South London family commence their day and we follow them through it in all its mundanity until it climaxes in a random act of violence,killing one of the family and taking up the after-math.
In 1955, 60-year-old Marcel Pagnol is a well-known and acclaimed playwright and filmmaker. When the editor-in-chief of ELLE magazine commissions a weekly column about Pagnol's childhood, he sees this as a great opportunity to go back to his artistic roots: writing. Realizing his memory is failing him and deeply affected by the disappointing results of his last two plays, Pagnol starts doubting his ability to pursue his work. That is until Little Marcel - the young boy he used to be - appears to him as if by magic. Together, they will explore Marcel Pagnol's incredible life and bring back to life his most cherished encounters and memories...