A delicate portrait of Mei Shigenobu, daughter of the founder of the Japanese Red Army in Beirut, Fusako Shigenobu.
Inspired by the student revolutions of 1968, two women in Germany and Japan set out to plot world revolution as leaders of the Baader Meinhof Group and the Japanese Red Army. What were they fighting for and what have we learned?
A film that reconsiders the modern state of Japan in relation to the 9/11 terrorist attacks in the U.S.
A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.
This is a documentary produced for Al Jazeera Documentary by May Shigenobu. May revisits the Japanese leftist activism in the 60s and the 70s, to understand why some Japanese students decided to dedicate their lives to the Palestinian cause by talking to the then leaders and visiting iconic locations of the time. It includes exclusive interviews with some leaders in the students' movements in Japan, Adachi Masao, as well as PFLP leaders such as Layla Khaled and Abu Ahmed Fouad. The documentary also talks about the Japanese Red Army members and their families living underground.