Juvenile court judge Marlene Neubach relies on strictness out of conviction. When she visits her son Jakob in Athens, who is currently studying there for a semester abroad, Marlene has a surprise. Jakob has disappeared from the face of the earth and is wanted by Inspector Vergas in connection with crimes. The lawyer cannot imagine that her beloved son could be involved in illegal activities. But can Marlene trust the local police? Together with her random acquaintance Alexandros, who offers to be a lawyer, the judge begins to investigate in the Greek metropolis. As she finds out, her son belongs to an allegedly criminal activist group. Through Jakob's friend Eleni, the worried mother learns about the double life of her son, who hasn't studied for months but has committed himself to political activism with conviction. In order to find him and help him, the courageous lawyer begins to rely on means that she would have to punish in the courtroom.
An ancient Greek philosopher, Epicurus, wrote in the first century AD, a letter to Thodorakis the neo-Greek. When Thodorakis learn about it, he travels to Italy and specifically in the area that the letter where found along with 2000 other ancient Greek texts, in order to receive it from the Italian archaeologists.
On the day of her birthday, eleven-year-old Angeliki jumps off the balcony and falls to her death with a smile on her face. While the police and Social Services try to discover the reason for this apparent suicide, Angeliki's family keep insisting that it was an accident. What is the secret that young Angeliki took with her? Why does her family persist in trying to "forget" her and to move on with its life?
In a hazy landscape, an allegorical journey begins for Alexis with people - stations that affect a young person's life, by the crisis of days to create dead ends in his path.
Demosthenes Taxiarchis, a sandalmaker by profession, is handsome, fickle and a troublemaker. Together with his friend Spyros Gyras, the Police Commander, they ride around on their bicycles, searching for the ideal love and the meaning of life. A romantic comedy set in Athens, which still retains magical moments from its glorious past, a story with heroes who rescue the ancestral ethos and the genuine soul of the Greek, a hymn to life, love and beauty.
A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them.
Johannes has a comfortable life and stands to inherit the family-run hotel. Unfortunately, however, he is an inveterate people-pleaser and avoids conflict at any cost. His father’s last will and testament sparks a tragi-comic journey to sunny Greece – and the realisation that it is time to take control of his own life.
Having just arrived at his new post at the Athens homicide division, Chief Inspector Max Richter is immediately called to duty: a young musician has been found shot dead in her apartment. Together with his Greek colleague Petros Makropoulos, he immediately begins the investigation. The two are initially very skeptical of each other, but together they manage to identify a suspect. However, the more information they uncover, the more obscure the case becomes, and they soon find themselves in the middle of a transnational corruption scandal.
Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)
Set in the world of Greece's urban-folk music scene of the 90s, the film depicts the fatal relationship between a young singer and an elder songwriter and her mentor.
In the near future, when Athens is in danger of ecological catastrophe, a mysterious man, a young hacker and a washed out singer become entangled in a dark web of radioactive waste and suspected maritime shipwrecks.
In the wake of a disaster, Alice and her husband Petros take their young son Panagiotis to a provincial seaside town, seeking refuge. Working temporary jobs, Alice and Petros try to put their lives back together so they can return home to Athens. When Alice begins to realise the plan is not working – or worse, that it may not even exist – the distance between her and Petros begins to grow.
A random explosion connects three stories, where strangers are trying to find some way to live on the edge of legality.
On a beautiful remote island in Greece, young and spirited Alex joins the team of a boutique seaside restaurant as their new waitress. Despite her femme-fatale charm quickly winning the heart of the charismatic Enrico, she instead falls for the enigmatic restaurant manager Max, a reclusive American who settled on the island decades ago. As the seasons pass, sexual tensions rise, and tourists come and go, Enrico begins to unearth disturbing clues about Max's dark and mysterious past.
In a prison cell two lifers meet, a former truck driver and the other one a "volunteer" who entered the prison because he believes that life as an inmate prisoner is better than outside.