Maryada was a Bengali drama film directed by Digambar Chattopadhyay. This movie was released on 15 December 1950 under the banner of Bhabani Kalamandir Limited. This is the third and first movie in which legendary Bengali actors Uttam Kumar and Bibhu Bhattacharya appeared respectively. In this movie, Uttam Kumar leaps on a song for the first time in his career.
Bou Thakuranir Haat is a Bengali drama film directed by Naresh Mitra based on a novel of Rabindranath Tagore in the same name, published in 1883. The film is based on the real-life story of Jessore Raj Pratapaditya. Pratapaditya is described as an antagonist more than a protagonist in this film.
Bollywood 1968
Suparna is distraught on seeing her sister getting close to her husband, Amitabha. Things take a turn for the worse when Amitabha's sister dies and the suspicion falls on Suparna.
Four friends from Calcutta who have very different personalities make a holiday excursion into the country, to a tiny village in the state of Bihar where they set themselves up in a bungalow. A series of minor events, all connected to their respective reactions to their new environment, reveals their characters more deeply.
Indra catches a thief Kaanta in the night and tricks him into believing he's a famous thief himself who has made away with large sums of money in high-profile heists and thefts. Later, Indra enters a bet with his friends who bait him into pulling off a theft and he seeks Kaanta's help.
Vandana's husband, Arun, gets killed in an air crash after they secretly get married but no one accepts their marriage. Thereafter, she is forced to put her child up for adoption and later work as his nanny to stay by his side.
Maya (Jamuna) is the poor cousin of rich socialite Shanta (Azoorie). Shanta is supposed to marry the equally rich Pratap (P. Sanyal), but he falls in love with Maya and fathers her child before going abroad. Shanta causes a seperation by intercepting Pratap's letters to Maya. When he returns, a successful lawyer, he us unable to trace her, while her efforts to meet him are foiled.
The story of an unemployed graduate who falls in love with a woman who ran away from her cruel husband.
The simple-minded Rajat (Barua) loves neighbour Jayanti (Menaka Devi). He is advised on how to court her by his streetsmart cousin Bishwanath (Sanyal) and Bishwanath's friend Samir (Bannerjee). Bishwanath and Samir try to get Rajat's miserly guardian Bagalcharan (Choudhury) to loan them money so that Samir can make a 'European-style art film'. The guardian is admitted to the clinic of a doctor Gajanan where he falls into the clutches of two professional crooks Natoraj (Indu Mukherjee) and Supta (Molina Devi). Supta wants Rajat and they try to kidnap her...
Jagannath, the Lord of Universe's journey towards home from his aunt's house.
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
An amnesiac man escapes the hospital he has been admitted to and is aided by doctor Roma Banerjee, who takes him to her father's country house. While treating him she falls for him and he for her. They marry, but an accident makes him remember his life as a rich man in Calcutta and completely forget the time spent with Roma. Roma follows him to Calcutta.
With his hard-work and patience, a virtuous boy overcomes the harshness of the world.
The all-time favourite on-screen couple of the Bengali cinema not just created many memorable romantic moments but also shattered many taboos around romance, just like in the 1956 classic ‘Sagarika’. Made by the directorial group Agragami, its story follows a young talented lad Arun (Uttam Kumar) with a big dream of studying medicine abroad and the women he comes across. Arun, after being blind for a period, finally reunites with his love and life becomes all good.
Dr. Ravi returns from abroad and takes up position as Chief Surgeon in a hospital. He then meets with Nurse Shanti, who lives an impoverished lifestyle with her ailing mother, and decides to perform surgery, but she passes away, and a guilt-ridden Ravi marries Shanti much to the chagrin of his mentor, Kaka, who had hoped that he would marry his daughter, Rajni. The couple then travel to Kashmir for their honey-moon, and then settle down to a harmonious relationship. Hoping to travel even more, their plans are interrupted by the hospital's head doctor, who wants Ravi to focus on cancer research. The couple drop all travel plans and immerse themselves in research so much so that Shanti herself becomes ill.
A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.
The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.
Against all odds, love finds its voice in a tale of forbidden romance, resilience, and the power of truth. Manju's mother keeps her very strictly disciplined. What happens when she falls in love with Nirmal?
A nurse at a psychiatric ward gets a bit too involved in the well-being of a patient.
A father worries for his younger son and asks his elder son to promise that he will do everthing in his power to ensure Arun does not go astray, educates himself and becomes an independent man. However, fate has other plans. When Arun commits an unthinkable crime, his brother fulfills the promise made to their father and shields his younger sibling from all harm.
Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king.
It was 1943. Burma was under Japanese control. In Pegu, a small place near Burma lived two Indian families. They were neighbors Kumar and Lata loved each other. Their parents were also willing to see them engaged. Suddenly one day, it came out in the news paper the Netaji Subhas Chandra Bose had called on the people to give him blood so that he could give them freedom. Kumar was reluctant but later on he decided to join the INA.
Trouble ensues when an eccentric but simple-minded villager discovers he is the only living heir of a royal estate.
A 1957 Indian film about an aspiring singer and the son of a reputed businessman. His stepmother accuses him of indecency and throws him out of his house to inherit all the property of her husband. The female protagonist suffers a similar fate as her stepmother forces her to leave. They both decide to commit suicide and go to a riverbank where they meet and the cupid strikes.
The film explores the tragic fall of feudalism in Bengal during the British Raj. The title of the movie and the story is a reference to the plot simultaneously exploring a platonic relationship between a beautiful, forlorn wife of an aristocrat and a career-driven clerk.
This film revolves with miscommunication and misunderstanding of two couples and their family which cause series of laughter. Sushavan Dutta and his wife, Anita, were invited at their relative Digbijay babu's house. While in journey Anita misses train and Sushavan has to journey with another lady Santana. Santana is the wife of famous political leader Shailesh. At night they take shelter as husband and wife in Gosaiji's hotel, Harimatar Panthashala because Gosaiji allows married couples only. Santana carries a puppy with her, which run away from the garden of the hotel and Sushovan has to chase it at night. When Anita's mother comes to know that Sushavan is untraced, she becomes angry and make chaotic situation.
The story revolves around Pratima who pledges to destroy the relationship between Neera and Binu, as she loves Binu.
Bharat (Rajendra Kumar) is a patriotic young man for whom patritism does not stop anywhere. He comes to know of the tyrancy of the present ruler's Diwan (Ajit) and he and his colleagues (Soodesh Kumar, Rajendra Nath) rebel. They kidnap Princess Chitralekha (Waheeda Rehman) unknowingly, and call her Jwala. Meanwhile, Bharat's dad (Balraj Sahni) who is the Inspector General, does not approve of Bharat's rebellious nature and decides to arrest him on sight. Bharat's mom (Kamini Kaushal) is torn between the love for her husband and her son. Bharat determination against the Diwan is so strong that he decides to bomb-blast a railway train transporting the Diwan, knowingly that his own dad is also travelling on that train. Will Bharat break his mom's heart by killing his dad and the Diwan? Good acting scores by the entire caste make this movie worth watching. Lyrics by Indivar.
The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchability and the hypocrisy of society, as he falls in love with a washer woman.
A 1974 Byomkesh Bakshi film based on the novel of the same name by Sharadindu Bandyopadhyay.
Shankar was a young lawyer in pursuit of making it big in the professional world. However, his world is turned upside down when he comes to know that his father, who he knew went missing, was in real life spending his lifetime in jail as he was incorrectly accused of murdering a lady named Hemangini. His mother urges him to reinvestigate the case and save his father. He goes to Krishnanagar in search of the people and the pieces of evidence that would help him to prove his father’s innocence. He meets Rita, a young and charming lady who assists him. They fall in love. Shankar faces a lot of roadblocks while trying to collect clues, most of them which were imposed by the actual murderer. However, he solves the mystery in the end and his father is thus released from prison.
While on their way to Hinglaj, Maharaj and his companions meet Kunti, who was raped by dacoits, and Thirumal, whom she left her family for. Together, they set out to seek the blessings of God.
Widower Sudhangsu is going to be married to Soma, daughter of Sir Haraprasad. Sudhangsu declares that his first wife Kalpana committed suicide on a railway track in Burma, stating that she was mentally challenged. At the time of the marriage rituals a local advocate, Suren Banerjee, comes with a lady who claims that she is Kalpana and that Sudhangshu is committing bigamy. Sudhangsu strongly denies and claims that she is an imposter. In the meantime a mysterious person named Samadder invaded Sudhangsu's house and stole some ornaments of the deceased Kalpana.
A young law student is forced into an arranged marriage though he is in love with somebody else. Following the wedding the drama focuses on the bride's mistaken identity and the search for her husband.
A man mistakenly invites a family, whose girl was (and is still) betrothed to the groom. It was he who set up the cousin's alliance, would the girl forgive him, whom he had fallen in love? How to prevent her from attending the marriage?
A philanderer, the only son of a wealthy doctor, is attracted to a poor orphaned artist. Her stepbrother loathes rich people, and would go to any extent to get money off them. What would happen if the roles reversed?
The plot revolves around a series of flashbacks that reveal a judge's past and hidden secrets. Gyanendra, a judge, lives with his wife Sarama. Being the Judge, every time he has a trial of similar cases he remembers his past, the truth about his questionable actions. Gyanendra always recalls when he was a popular lawyer, married to Sumoti, a suspicious and rude lady. But he had a weak feeling for his professor's daughter Sarama. One day Gyanendra's house was burnt and his first wife Sumoti died. Gyanendra could not make any attempt to save her, perhaps he was unable to bear Sumati further. Thereafter he marries Sarama and becomes a judge but he realizes his crime and his past haunts him much.
Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.
Prem, a young school teacher, is arranged married and begins the journey of learning the roles and responsibilities required of him.
An ego clash between two friends, Madhav Pandit and Pande, over cultural differences shatters their families' happiness, leading to broken engagements, forced marriages, and a daughter's disappearance, all designed to teach Pandit a crucial lesson.
Ramayani is a 1945 Hindi mythological film directed by Sarvottam Badami for Purnima Productions. The music direction was by S. N. Tripathi with lyrics written by Bekal Several films were made in that era based on the Ramayana. Vijay Bhatt made his famous Ram Rajya (1943), and Purnima Productions made their version of the epic, titling it Ramayani The film starred Pahari Sanyal, Nargis, Chandra Mohan, Rose, Kanhaiyalal and Amirbai Karnataki [Wikipedia]
Running away from an early marriage Suresh elopes with his coy girlfriend Niru and stays away from his uncle Jagannath and lives in a rented house adding to it is a lot of chaos.
Ghetu, a young woman with a dark complexion, is always compared to her beautiful sister (Sharmila Tagore). Her life changes for the worse after her lover dies and she has to face society's disdain.
Yashomati runs away from home in search of freedom and travels to Ahmedabad, Gujarat. When her bags get stolen, Shankar helps her. However, when he takes her home to her parents, she feels betrayed.
Sadananda, a wanderer, brings about a positive change in the lives of everyone around him when he starts living in a renowned man's unoccupied mansion along with the family of a little girl, Runu.
A job in the jute mill drive Sitesh away from his brother Nitesh and sister-in-law and lands him into a stream of marriage proposals and attempts by colleagues to make him their son-in-law. What will happen when he falls in love and is not accepted by the father of the girl?
The son of a wealthy industrialist aspires to be a singer against the wishes of his father.
A run-of-the-mill girl.
Hiru Ganguly is unable to marry Kumudini, his lover, after her father rejects his marriage proposal. Years later, although married to another woman, he once again desires to win her back. As old feelings are rekindled, will they take any steps to go against the social customs?
Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.
A film directed by Chitta Basu. Mithu Mukherjee made her film debut in Sesh Parba.
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a tawaif.
A young girl, Archana, falls in love with Sukhendu, an educated young man. Her father gladly accepts Sukhendu as his son-in-law. But Sukhendu’s income and nature come in way of this marriage.
Sarama develops a close bond with her sickly classmate, Abinash, but fate takes her to Bipin and they get married. However, things turn awry when Bipin commits suicide after an irrational suspicion.
Prabir, a rich and selfish man who does not realise the value of love and relationships, ruins the life of Mallika, a beautiful woman who loves him.
A living human being's funny adventure in hell. The film focuses on the Hindi mythology of the God of Death and how his messengers snatches the life of any living being who has supposedly completed his days on the Earth. The story focuses on the mistake of two messengers who mistakenly pronounce a man dead even before he was supposed to be. Knowing of this goof-up, the god of death gets scared as no living person is supposed to enter 'Hell". Nevertheless, due to the good deeds performed by this human being while he was alive, he is given permission to travel to Heaven where he begins searching for his wife who had passed away sometime back.
The story of Shri Chaitanya Mahaprabhu .
A poor guy named Dhiman (Uttam Kumar) found a shelter in a rich man house but eventually fell in love with his daughter, Anjana (Suchitra Sen). Despite trying to make a name for himself by painting and sculpting, Dhiman and Anjana went through all kinds of turmoil to be together.
Adapted from a story by Kazi Nazrul Islam this film concerns love and revenge among a tribe of snake charmers led by Jahar (Nawab) who is searching for his 100th poisonous snake so as to show how he can magically cure its deadly bite.
Melodrama about lineage and property questions. Nikhilesh (Barua) loves heiress Indira (Jamuna). A poor orphan girl, Radha (Menaka Devi), arrives claiming to be Indira's stepsister and therefore part inheritor of the family estate. Indira agrees to share her inheritance but then Radha makes a play for Nikhilesh. Ultimately, Radha turns out to be the real and sole heir. Love proves to be stronger than material possession as Indira and Nikhilesh get married and Radha finds happiness with Ratan, a man she had known and loved during her days of poverty. As each character returns to the class of his/her birth, the message hammered home is a warning to people never to transcend their social status.
The son of a wealthy family, Monish falls in love with Deviyani, a girl from a considerably less privileged background. When Monish leaves to study abroad, the lovers plan to reunite, but desperate financial straits force Deviyani into a marriage with a philandering drunk instead. Deeply unhappy, she flees, taking her infant daughter with her and vanishing into thin air. Does fate have more than misery in store for the unfortunate Deviyani?
When a bride vanishes on her wedding day, a web of secrets and forbidden love is exposed. Caught in the crossfire are two young women, each battling against the constraints of caste and tradition. As their lives intertwine, a powerful story unfolds about the enduring power of love and the devastating consequences of societal expectations.
Suren, prevented by his family from pursuing a university career, leaves home and becomes a tutor to Pramila. He falls in love with her widowed elder sister Madhavi who, although returning his love, has him sacked to save the situation.
A 1954 Bengali Romantic Drama Film directed by Ajoy Kar, featuring Mahanayak Uttam Kumar & Mahanayika Suchitra Sen.
Young Mahendra belongs to a family of musicians, but once the family is cursed by their teacher. Mahendra's elder brother becomes blind and to avoid the same fate he goes to Kolkata and lives in the house of his father's friend Umeshchandra. He gets romantically involved with Umeshchandra's daughter Madhuri. Madhuri tries to make Mahendra modern and pursue his musical career. Despite his good singing ability, Mahendra refuses to accept this due to his family values. He leaves their home and takes shelter in Kolkata. But the curse strikes him also and he falls seriously ill.
Suren, the son of a zamindar of Bangladesh, lives his life in his own way. He takes up the private tutor job for a girl whose elder sister is Madhabi, an ill-fated widow. But after a few days, he returns to his rich family and marries. But he cannot forget Madhabi who loves him like an elder and caring sister. In the meantime, when Madhabi's sister-in-law drives her out of the house, Suren hears that and arranges to return the property to her.
A 1957 Bengali Romantic Drama Film directed by Chitta Bose, featuring Uttam Kumar & Mala Sinha in lead roles.
Rajat and Dhiren are at odds with each other when the board decides to replace the latter with the former. Things take a turn when Dhiren decides to seek revenge for his humiliation.
A jobless man reaches a village where he finds work in a doctor's office. Later, he learns that the doctor has murdered many people and cons them of their wealth on false pretenses. He decides to expose the doctor and save the villagers.
Shipra is a poor woman who is molested and killed as she witnesses corruption. The police and lawyer Somnath take up the case and slowly dig into it. He traces the corrupted policeman and comes to know that Karuna, the head lady of the orphanage where Shipra used to live is equally involved in female trafficking. However, when he sees Karuna his world is turned upside down. Karuna is Shukla, Somnath’s long-lost wife. Circumstances had led her to become a puppet in the hands of the gangsters. However, she is to keep mum about the entire conspiracy, lest they kill her only daughter. Somnath gives assurance to Karuna to speak the truth. She does that and, in the end, the entire gangster network is caught. Karuna’s daughter is proved to be Somnath’s daughter. They get together again.
Another call on "I Married a Dead Man" but with a change- the family hated the DIL and didn't want her, but wanted the child, the heir. The woman and the child had been attacked and couldn't live apart. Aditya's grandparents mistake Kanak for being the other woman in his life and blame her for his death. Kanak develops a strong bond with Aditya's son and everyone accepts her in the family.
Being an unwed mother, Kamal Lata had no option but to abort the child and move on with life. The man who left her comes back into her life, but she decides to stay in Vrindavan.
After her father’s death, Anuradha Chowdhury became very upset. In such circumstances, Mr. Mallik, the general manager of Chowdhury Mines, tried to manage every property of their family. He convinced everyone that Anuradha was a mental patient. Suddenly she got a chance and flew away from Rachi to Kolkata. Accidentally Anuradha met Raja Banerjee, a journalist, and requested shelter. As a result, she started to stay at Raja’s house. In such a situation, Mr. Mallik came to Kolkata and asked for help from Raja. This complex situation really confused him and later Raja decided to help Anuradha. At the same time, Mr. Mallik requested a notorious criminal Rohanlal to find Anuradha. Just to save Anuradha Raja put her at his grandmother’s house in Tarakeshwar. Later Anuradha felt that she had a soft corner for Raja. Therefore, without hesitation, she decided to come back to Raja’s place and fixed him as his life partner.
An underpaid middle-aged clerk finds a stone that changes iron to gold on touch. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
A writer meets five widows on a train to Puri. As the six lives begin to intertwine, the theme of the taboos of widowhood emerge; but so, too, does a philosophy of life and hope for the future. The performers collectively won Best Actress at India's National Film Awards in 1964.
This movie is based on the life of a famous Bengali philosopher, academic educator, writer, translator, printer, publisher, entrepreneur, reformer, and philanthropist named Ishwar Chandra Vidyasagar.
Rani Rashmoni is a Bengali Movie by kali Prasad Ghosh
Mahakavi Girish Chandra is a 1957 movie by Modhu Bose
Difficulties erupt between a married couple when their relationship gets hit by societal pressures, norms, and deep-rooted patriarchy.
A story about a young man, who had to quit his studies as a doctor due to difficult circumstances, coming back and saving a young lady by performing a very difficult surgery.
Bipasha and Dibyendu are in love, and the two decide to marry. However, on their wedding night upon receiving a letter, Dibyendu leaves Bipasha before the ceremony to locate his birth parents.
Heeru, Naren, and Chandranath were friends. From his college days, Chandranath had been aspiring and ambitious. He is also a man of strict principles in life. He leaves his brother and sister-in-law and goes away to gain immense power and knowledge. In the meantime, he marries and is blessed with a kid. However, Chandranath's quest to learn more drives him to leave his new family as well as he sets off to achieve new goals in life. He not only fails to fulfill his request but ends up losing his family too. On the other hand, Naren hails from a rich family and is a happy-go-lucky-natured man. He appreciates the finer aspects of life. He falls in love with a courtesan and brings her home. Caught between the two friends who have opposite ambitions in life, Heeru wonders which path would bring contentment in one's life. However, Heeru loses control of his life and slowly realizes that his life has become a mirror of Chandranath's life.
A writer, to avoid the natural demands of domestic mundanes, almost deliberately pushes his wife towards adultery, would the lonely woman succumb? What would be the effect on their marriage?
Pranbir goes to war where he meets his doppelganger, Rateshwar, who eventually dies in combat. Pranbir decides to visit Rateshwar's family to inform them about his death but the family mistake him for Rateshwar.
Sarbari and Saibal are both successful doctors and in love. However, Saibal comes from an affluent family, while Sarbari has to provide for her poverty stricken family, including her invalid father.
A film by Mrinal Sen.
Synopsis::: The movie narrates the tragic life story of Roshanbai and how she triumphs over the insensitive society. Roshanbai used to visit the bathing ghat every morning where she could hear the prayers of a brahmin. Roshan fell for him and decided to leave her profession. She wished to start a fresh life with the brahmin. She showered Sohanlal, the agent with money so that he would free her from the profession. One day Roshan pretending to be a destitute brahmin girl won the brahmin’s attention and he gave her shelter. She was content with her new life at the brahmin’s place.
A 1957 Bengali Drama Film directed by Santosh Gangopadhyay.
Ajay is a musician by hobby and also runs a business. His younger brother Arun wants to become a doctor. After his mother’s death, Ajay becomes the head of the family however, he falls into debt. He decides to take singing lessons to earn money. Bandana is a good singer and she starts taking classes from Ajay. Ajay starts liking Bandana because she is a charming lady and sings well. Arun and Bandana meet and they fall in love. Ajay is forced to sell his inherited property to pay Arun’s fees. His poverty is only short-lived as his popularity spreads and he becomes wealthy. In the meantime, Arun comes to know that Ajay has sold their family property but does not know the reason behind the act. This creates a misunderstanding between the two brothers. However, it is soon cleared and Ajay transfers his wealth to his brother. Arun and Bandana got married.
A 1965 Bengali Romantic Comedy Film directed by Tarun Majumdar, featuring Soumitra Chattopadhyay and Sandhya Ray.
Hathat Dekha is a 1967 Bengali comedy-drama film directed by Nityananda Datta. The film featured Soumitra Chatterjee, Sandhya Roy, and Jahor Roy in the lead roles.
A 1973 Bengali Drama Film directed by Ajit Gangopadhyay.
A 1948 Indian Bengali Drama Film directed by Pashupati Chattopadhyay.
It's a story based on friendship and love. In this movie, there are three friends Satya, Shankar, and Manimohan. Satya is in love with a girl named Srimoti. After a few years, Srimoti gets pregnant. Satya shoots himself after an argument with her. Manimohan reaches the spot and takes Srimoti away to a distant place and settles down with her. Shankar thinks that Manimohan killed Satya. But the police arrested Shankar for the crime. Srimoti gives birth to a girl named Niyoti. After Shankar is released from jail, he learns about Manimohan's whereabouts. He goes there to take revenge. But after he finds out the truth, he forgives them. (Source: Angel Digital)
A Lost Uttam Kumar Film.
Manik is mentally and physically abused by the manager of the orphanage he lives in. However, when he runs away to Calcutta, he finds himself in deeper trouble in a far more dangerous world.
Sashibhushan who is the orthodox patriarch, has a tough time dealing with the youngsters who want to live life on their own.
A 1949 Indian Bengali Film directed by Pashupati Chattopadhyay.
A 1949 Indian Bengali Drama Film directed by Chhabi Biswas. This film was Chhabi Biswas's second and last directorial film.
Indrani Mukherjee the only daughter of a staunch brahmin in a village studies at Kolkata and stays in a girls' hostel. She meets Sudarshan Dutta, who had a brilliant career as a student and is doing his PhD. They fall in love, and Indrani wants to get married with him as soon as possible. She goes back to her village and informs her father of her intention to get married, Indrani's father takes umbrage as Sudarshan is not a Brahmin and also unemployed. Sudarshan too warns Indrani that he won't be able to provide for her. Indrani marries Sudarshan and is tormented at Sudarshan's house by his mother and sisters in law because of several emotional strains at play. To avoid further complications at home, Indrani gets a job as a teacher in Dinajpur. One day, after a heated exchange between two people that started their journey fiercely loving and trusting one another, Sudarshan leaves Indrani and goes in search of a job elsewhere.
An amnesiac after a train accident, Alok Mukherjee (Uttam Kumar) is rescued on escaping from the asylum where he is admitted by Doctor Roma Banerjee (Suchitra Sen) who takes him to her father's (Pahadi Sanyal) country house in a village called Palaspur. There, while treating him she falls for him and he for her. They marry but a second accident makes him recall his life as a rich businessman in Calcutta and forget the memories spent with Roma. Roma follows him to Calcutta and meets him there, but he doesn't recognise her. He hires her as governess to his niece instead. Roma keeps trying to simulate Alok's memory but is looked at suspiciously by Lata, Alok's fiancée in Calcutta who thinks Roma is snatching Alok away from her and who complains to Alok's mother. The latter has Roma kicked out. Alok realizing she is from Palaspur and that is where he got back his memory goes there and regains his memory of times spent with Roma there.
Mansoor, a feared bandit who falls for Husn Pari, the sister of a tyrannical caliph. After taking shelter with a merchant, he’s pursued by the merchant’s daughter Meher. Torn between love and guilt, Mansoor faces betrayal, loss, and a final choice between his past and redemption.
This costume drama, adapted from Agha Hashar Kashmiri's classic Urdu play, unfolds a tale of rivalry, revenge, and love set against the backdrop of Roman persecution of Jews. The story centers on the Jewish merchant Prince Ezra, whose young son is tragically lost due to the cruel Roman Priest Brutus. In an act of vengeance, Ezra's slave kidnaps Brutus's infant daughter, Decia, bringing her to Ezra. Unable to harm her, Ezra raises Decia as his own, renaming her Hannah. Years later, Hannah falls in love with Marcus, a Roman prince (played by K. L. Saigal), leading to a complex web of mistaken identities, betrayal, and a dramatic confrontation that exposes the intertwined fates of both families and challenges notions of religion and lineage.
Meera is immersed in her love and devotion to Lord Krishna since a young age. When she grows older, her family get her married to the Rana of Mewar. Misunderstandings occur when her devotional poetry is thought to be love songs for someone. Several hardships are inflicted on her by her husband and her in-laws. She takes to sitting in the temple and singing bhajans (sacred songs) composed by her. Her brother-in-law tries to have her killed many times, but fails. She finally renounces her life in the palace and wanders from place to place singing devotional songs.
A Muslim social film that explored themes of aristocracy, family dynamics, and societal norms within a Muslim community, focusing on the life and challenges of a "Great Nawab" (Bade Nawab Saheb
A timeless tale of fated love and reincarnation. Two cursed ascetics are reborn as Chandrapid and Mahasweta, destined to navigate trials, past lives, and celestial intrigues to finally unite in a love that transcends time and death. It's a grand drama where destiny, desire, and divine intervention intertwine!
A romantic drama exploring the various facets of love
Set in the early 20th C. Calcutta Theatres industry. Kamala (Kanan Devi) is the star of the Ruby Theatre owned by her guardian Maheshbabu. Narendra (Sanyal) is the equally popular star in the rival Bina Theatre, which he abandons to join the Ruby repertoire when he falls in love with Kamala. In a lyrical sequence in the countryside, they marry in a poor peasant setting. Narendra then shows his true colours and forbids Kamala to continue her acting career. She returns to the stage anyway while Narendra stays among the peasants. He later returns to the Bina Theatre and its success is intercut with the bankruptcy of the Ruby Theatre.
Babla, a young boy who is forced to grow up too quickly when tragedy strikes his poor family, leading him into the harsh world of Calcutta as a newspaper hawker who must rely on his fierce integrity to survive.