Since his mother wants to watch TV, Axel, a young auto-mechanic, must recover her remote control, accidentally taken by his punk sister Maja. During his quest, he becomes involved in the conflict between Moli, the liquor smuggler, and Aggi, a night club owner who wants to be Iceland's first mafia boss.
Ashamed for being a debt-collecting thug, David believes that he is an ugly duckling waiting to become a swan. Through an unlikely mentor he finds out that life has indeed something very special in store for him.
Fúsi finds comfort in the familiarity of his routines, until an involuntary dance class forces him to encounter the real world.
In search of kicks in Reykjavik in the year 2000, a pretty teenager, Stella, teams up with a handsome alcoholic, Robbi, and in a stolen car careers through Iceland with unexpected and bizarre consequences.
A new kind of beauty contest, Miss Iceland.is, was established in Iceland in 2000. Hrönn Sveinsdóttir joined the contest to make a film.
A business man and weekend dad is getting worn down by family trouble, business failure and the continuous loss of his favorite football team. He decides to start importing Bulgarian energy cigarettes in a last ditch attempt at success ... his best friend soon advises that suicide might be his best option.
A young woman rushes to work after she crashes the car of a mysterious man in a leather coat.
Latibær is full of colourful characters who have a very negative attitude towards physical activity, healthy food and so on. They prefer to stuff themselves with sweets and watch television all day. As a result they are all weak and flabby. To change this, the Sports-Elf arrives, and through his positive attitude, driving magnetism and by not taking no for an answer, he persuades the inhabitants to change their destructive lifestyle.
About Icelandic composer Jon Leifs (1899-1968) who spent much of his life in Germany before WWII. The film begins in the 1930s after he has married the daughter of an industrialist, Annie, who is also a concert pianist. This era was frustrating for Leifs because his works were seldom performed. Iceland's submission for the Academy Award for Best Foreign Language Film in 1995