The ongoing relationship between the worlds of punk rock and animal rights and how the music became a breeding ground for vegan activism.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.
Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.
Bad Brains are one of the most important and influential American bands still working today. They melded punk and reggae into an innovative style that has yet to be copied. Their impact and influence can be heard in groups like Beastie Boys, No Doubt, Nirvana, Jane's Addiction and countless more. Despite the troubles of an eccentric front man they have stayed together for 30 years without ever reaching the level of success so many think they deserve. Using rare archival footage and original comic illustrations the film re-constructs Bad Brains' rich and complicated history.
Documentary on doom metal band The Obsessed. Featuring members of: White Zombie, Fugazi, Pantera, Henry Rollins, L7, The Melvins and more.
"The DVD is a live performance of me at the National Geographic Theater in Washington DC on February 13th, 2011, when I turned fifty. Ian MacKaye introduces me and I take it from there. It was a good night in a good theater with a fantastic audience. One of the parts I like about it is that we did some non performance footage of me going back to some of my old haunts in DC like the classic venue Madams Organ as well as a tour through my old job that I left in 1981. We are very happy to be able to bring this to all of you who were not able to go to the tour and pick it up there." -- Henry
A documentary about the singer/songwriter Vic Chesnutt
Breadcrumb Trail focuses on Slint's seminal album, Spiderland, and the Louisville music scene from which the band originated.
Another State of Mind is a documentary film made in the summer of 1982 chronicling the adventure (and misadventure) of two punk bands – Social Distortion and Youth Brigade – as they embark on their first international tour. Along the way they meet up with another progressive punk band, Minor Threat, whom they hang out with at the Dischord house for about a week near the end of their ill-fated tour.
Follows the story of the groundbreaking Texas-based art-punk band founded by frontman Gibby Haynes and guitarist Paul Leary.
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
Join Mike Vallely as he traverses the country on an epic road trip, and presents for you his in-depth philosophies on skating, past, present and future. Still taking time out from the sport to teach youngsters new tips and tricks, Mike is one of the hottest - and most down to earth - stars of skating around.
A feature-length documentary chronicling early '80s punk rock band the Minutemen, from their beginnings in San Pedro, California, to their demise after the death of singer D. Boon in 1985.
"Salad Days: A Decade of Punk in Washington, DC (1980-90)" examines the early DIY punk scene in the Nation's Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows-without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry's subsequent implosion). Thirty years later, DC's original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction.
The life and career of rock n' roll icon Joan Jett from her early years ripping it up onstage as the founder and backbone of hard-rock legends The Runaways, to her long time collaboration with Kenny Laguna as Joan Jett & the Blackhearts, and her enduring presence in pop culture as a rock pioneer and mentor. With her inimitable singles "I Love Rock n Roll," and "Bad Reputation" Joan Jett inspired a generation of young women to rock.
Cassette inventor Lou Ottens digs through his past to figure out why the audiotape won't die. Rock veterans join a legion of young bands releasing music on tape to push Lou along on his journey to remember.
Fugazi perfoming at the Fabrik in Hamburg, Germany, on September 18 1999.
An hour-long documentary filmed by the band, Superchunk, on its 2001 tour of Japan, Europe and the US
Punk activist collective Positive Force emerged in 1985, rising from the ashes of Revolution Summer. This feature-length film by Robin Bell skillfully mixes rare archival footage (including electrifying live performances from Fugazi, Bikini Kill, Nation of Ulysses, Anti-Flag, and more) with new interviews with key PF activists like co-founder Mark Andersen and supporters such as Ian MacKaye, Ted Leo, and Riot Grrrl co-founder Allison Wolfe. Covering a span of 25 years, More Than A Witness documents PF's Reagan-era origins, the creation of its communal house, FBI harassment, and the rise of a vibrant underground that burst into the mainstream amidst controversy over both the means and the ends of the movement. In the best punk fashion, PF volunteers have applied creative DIY tactics and radical critiques to issues of homelessness, racism, corporate globalization, sexism, and war while struggling to constructively address conflicting dynamics and visions within the group itself.
A documentary film that tells the story of the origins of Riot Grrrl in the American independent music scene of the 1990s, and how this feminist movement evolved into a revolutionary underground network of education and self-awareness through music, writing, activism, and women-friendly community.
Taking Punk to the Masses: From Nowhere to Nevermind visually documents the explosion of Grunge, the Seattle Sound, within the context of the underground punk subculture that was developing throughout the U.S. in the late 1970s and 1980s. This decade-and-a-half musical journey will be represented entirely through the lens of EMP’s oral history and permanent object collection, an invaluable and rich cultural archive of over 800 interviews and 140,000 objects - instruments, costumes, posters, records and other ephemera dedicated to the pursuit of rock n roll.
A documentary about the life and career of UK singer-songwriter and Adverts frontman, TV Smith.
When does art become obscenity? Cover Your Ears takes a close look at this question through the lens of the past 100 years of music and the ever-evolving discussion of legal and moral lines in the industry
White Flag : Flipside, Not Alright, Communication Breakdown G.B.H. : Gimme Fire, Wild Thing, I Am The Hunted 7 Seconds : This Is My Life, out of Touch, Skins brains guts Tesco Vee : worshiping /s - 7 seconds with a cat and a guessing game with: SSD doing Shangri-las, White Flag doing Pink Floyd & GBH doing the Buzzcocks. Battalion of Saints : I Wanna Make You Scream Minor Threat : Stand Up And Be Counted, Stepping Stone Rodney Mullen skating Minor Threat: betray & Jeff Nelson Brian baker (skating) it Follows Big Boys : Brickwall Stretch Marks : Professional Punks Urinals/100 Flowers : California Falling, Surfing With The Shaw, With: Keith Morris and D Boon Black Flag : Scream in Mike Muir's garage Kraut : Kill For Cash Minutemen : Split Red, Life As A Rehearsal, Ack Ack Ack Ack Angst : This Guns For You, Neil Armstrong Dickies : If Stuart Could Talk, Manny, Moe, and Jack, You Drive Me Ape, Gigantor ENDCLIPS: The Avengers, The Eyes, 45 Grave, SIN 34
Through an oral history format of in-depth interviews and archival footage, RIOT ON THE DANCE FLOOR bring to life the gritty story of City Gardens, one of New Jersey’s most infamous clubs and its larger than life promoter, Randy Now. Featuring the stark and iconic photography of Thrasher Magazine’s Ken Salerno, the film chronicles the rise of several different music scenes in a venue for underground music that traversed the entertainment spectrum; from the comedy of Henny Youngman to Nine Inch Nails, New Order to Nirvana. It is the story of musical champions, underdogs and how hoards of misfit kids found an unlikely home and above all, the freedom and liberation of having complete creative control. - IFF Boston
When six teenage boys came together as a skateboarding team in the 1980s, they reinvented not only their chosen sport but themselves too – as they evolved from insecure outsiders to the most influential athletes in the field.
In the mid-1980s outside this college town, home of the Kansas Jayhawks, punk rock history was being made in the middle of a cornfield. Where the pavement turned to gravel, in a small, primitive cinder block building, bands like Fugazi, the Melvins, Rollins Band, Gwar, the Circle Jerks, Body Count, Social Distortion, Bad Brains, White Zombie, Descendents, Sonic Youth, Green Day, Fishbone, the Meat Puppets, Helmet, and Nirvana played to all-ages crowds, a raucous scene of misfits and anarchists on the margins of youth culture. This was The Outhouse. Small, dark and sometimes dangerous, it quickly gained a reputation as a haven for the bands other venues were afraid of, and the kids who loved them.
A punk band from Texas whose music and persona was extreme and political and the supporters who've followed and loved them for over 35 years.
Turn It Around: The Story of East Bay Punk spans over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of the inspiring 924 Gilman Street collective. This diverse group of artists, writers, organizers and musicians created a do-it-yourself petri dish that changed the punk scene... and the world at large.
YOU CAN COLOR OUTSIDE THE LINES, THE BIG BOYS tells the true story of the beloved funk/punk band from Austin, Texas. Go beyond Austin's city limits and hear from some of music & skateboarding's greats about how the original "skate punk" band's message of DIY positivity still resonates today. Hear from such legends as Tim Kerr (Big Boys), Fred Armisen (SNL), Tony Alva (Dogtown & Z-Boys), Jeff Ament (Pearl Jam), Exene Cervenka (X) & many more as this VHS-inspired trip takes you back to those hot summers of Texas in the 80s. And then go make your own art!
The true story of punks, queers, & criminals on a ride with two men who accidentally changed music along the way.
Records Collecting Dust II focuses on the East Coast cities of Boston, New York and Washington DC, and includes in depth interviews with twenty eight highly influential people from the 1980’s hardcore punk rock music scene. Talking about the music, the bands and the records that forever changed their lives. Including Ian MacKaye of Minor Threat/Fugazi, John Joseph of Cro-Mags, Dave Smalley of DYS/Dag Nasty, Bob Cenci of Jerry's Kids, Amy Pickering of Dischord Records, Walter Schreifels of Gorilla Biscuits/Quicksand, Roger Miret of Agnostic Front and Clif Croce of The Freeze.
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.
'Parallel Planes' is a documentary film portraying 12 American avant-garde & punk-rock musicians. It is a journey between genres, an essay on free thinking and an intimate look at how 12 critical players relate to the potential of music.
This documentary features interviews with Ian MacKaye (Fugazi), J Mascis (Dinosaur jr.), John John Jesse (Demonic Erotic painter), Jim Rose (Jim Rose Sideshow), Jim Thirwell (Foetus), Lydia Lunch, Mike Watt (Minutemen), Richard Kern (Filmmaker), Ron Ashet
An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.
Starting with its inception in 1986, the all-ages nonprofit punk venue at 924 Gilman St. in Berkeley, Calif., was a mainstay of a thriving music scene. In this punk-tastic documentary, filmmaker Jack Curran takes a loving look at the historic club. Chronicling the DIY roots of the volunteer-run establishment, the program features interviews with Jello Biafra, Ian McKaye, Lars Frederickson and Matt Freeman, as well as many live performances.
"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.
The stories of some of the biggest artists in music, recalling the romance and adventure, as well as the idiocy and chaos, of their time on the road. While the world has changed, the custom has not changed. There is no other way to know whether you can make it in this business. You have to get in the van.
Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.
Largely ignored and left to their own devices, a group of unassuming teenagers in late 80s and early 90s Sioux Falls, South Dakota created their own culture, community, and economy. And when they moved out into the world at large, they brought what they learned along with them. I Really Get Into It: The Underage Architects of Sioux Falls Punk is a story about the tenacity and ingenuity of youth, finding and following your convictions, and how the kids you least expect often make the most noise. Shot on location in eight cities and assembled from dozens of hours of archival video and hundreds of photos, the documentary features interviews with Larry Livermore (Lookout. Records), Ian MacKaye (Fugazi), Mike Park (Skankin' Pickle), Rebecca Hanten (Cadillac Blindside), Terry Taylor (Hammerlord), and dozens of current and former members of the Sioux Falls all ages music scene.
62-years-old Alva, the oldest professional, skateboarder in the world, is considered by many to be the godfather of modern day skateboarding. Alva’s brand of aggression and bravado in the 70’s set the stage for the way skateboarding would be forever defined. Vans’ The Tony Alva Story chronicles T.A.’s humble beginnings on the streets of Santa Monica to his rise to superstardom as part of the legendary Z-Boys, his inevitable drug-induced implosion and his ultimate rise from the ashes to accept his rightful place as a beacon of hope and inspiration for generations of skateboarders the world over.
Rare multicam concert done in protest against the Gulf War.
To commemorate the 20 years that have passed since DC-based post-hardcore band Fugazi's last live appearance (November 4, 2002, at the Forum in London), Joe Gross, Joseph Pattisall and Jeff Krulik presented a screening of crowd-sourced, fan-recorded live shows, and rare archival footage to pay tribute to Fugazi's prowess as a live act—for old fans to remember and for a new generation to discover what they missed. This one-off screening event celebrates the fans and their cameras, as much as the band itself—a collision/collusion of the ephemeral moment on stage and the moments captured on camera.
These days, there’s a lot of talk about outsiders in politics, but very few people can claim outsider status like Joe Keithley, punk legend turned a dedicated environmentalist and city councilor. Something Better Change follows Keithley’s absolutely fascinating life and career, showing us both his time as the front man of the formative hardcore punk band D.O.A., as well as his campaigns for city council as a Green Party candidate in his hometown of Burnaby, British Columbia. Featuring interviews with other punk luminaries like Jello Biafra and Ian MacKaye, as well as an appearance from Beto O’Rourke, whether you’re a hardcore punk fan or just a civically engaged citizen, Creem: America's Only Rock 'n' Roll Magazine director Scott Crawford’s latest film has a little something for everyone. – Daniel Abelow
Hardcore punk legend Ian MacKaye (Fugazi, Minor Threat) discusses memorable experiences from the many live shows he’s played.
Kevin Seconds and Ian MacKaye “In Conversation” April 15th, 2025 at Braindead Studios in Los Angeles California to celebrate the 7Seconds release of New Wind/ Change in My Head on Trust Records in partnership with BYO Records.
A kinetic glimpse of the rock band Fugazi tearing it up in Wisconsin during the Summer of 2001. The original 16mm footage had gone missing for several years, but was eventually found, scanned, and edited together in 2010.
The most widely associated perception of Straight Edge involves abstinence from alcohol, tobacco, other drugs and promiscuous sex. Since it's origin in the early 1980's these beliefs have spread all over the world, connected through the Punk and Hardcore music scenes. Through interviews with musicians that directly shaped the idea of Straight Edge from its inception until today, EDGE reveals that the abstinence from drugs was established as a youth counter culture rejecting a society dominated by substance abuse and hegemony. Ian MacKaye (Minor Threat, Fugazi), Ray Cappo (Youth of Today, Shelter) and Karl Buechner (Earth Crisis, Freya) give witness to their perception of the history of Straight Edge, why it was so important to them and what it changed in their personal and professional careers. But they also address problems like violence, sexism and intolerance that emerged within Straight Edge, and how it changed the 'scene' as well as its public image.
The function of both popular and underground music in contemporary culture has long been a point of inquiry for Graham in his analyses of the social implications of cultural phenomena. Here he documents Minor Threat, a "hardcore" band from Washington D.C., in a performance at CBGB in New York. Distinguished from punk music in that it developed in suburban areas, hardcore, as typified here by Minor Threat, is seen by Graham as a tribal rite, a catalyst for the violence and frustration of its predominantly male, teenage audience. The raw quality of Graham's documentary style mirrors the crude energy of his young subjects and the hardcore subculture of the 1980s.
36 minutes of video footage shot by Lance Bangs and Jem Cohen (famously used in the Instrument movie).
Rare proshot concert of the band
Rare proshot