Andrei, a 13 year old teenager, living on Bucharest outskirts, decides one day to steal a trolleybus in order to impress Marilena, a prostitute he fell in love with.
It's Christmas Eve in a small mountain train station and no train is coming since all the tracks are blocked with snow. Four people are waiting for a train that doesn't show up. They don't know each other, how long it's going to take or if they will ever reach their destinations. But as the hours pass, Madalina, Cristi, Ozana, Alex share the absurd, the despair and the hope. Because they are accidentally stuck here. Because no one knows when it will end. And because it's Christmas.
A short film based on the short story "False Autostop" by Milan Kundera.
A documentary about the New Romanian Cinema. "Cinemaguerilla" brings together over 30 interviews with directors, producers, actors, film historians and critics about what unites and what separates the New Wave of Romanian films.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
Aymé Pigrenet, a recently widowed farmer, is eager to find a new wife to help him run his farm. Desperate, he seeks the aid of a local matchmaker who suggest that he go to Romania to find a new wife. There he meets Elena.
To David, no one matters more than his daughter, Maya. With summer break just around the corner, and Anca, his ex-wife out of town, David hopes to win Maya over, by building her a tree house.
Set on the background of economical migration, the film tells the story of Clara, a divorced Romanian mother in her thirties who needs to work abroad in Ulm, a German Town by the Danube river. She is as a babysitter for a little girl that is very fond of. At the same time, she had to leave behind her own 12 years old son who is now in the care of his grandfather. They live in a poor Romanian village also by the Danube river. Feeling abandoned by his mother, the boy runs away from home in an attempt to reach his mother by traveling on a small boat upriver. In this context, Clara has to come back home and face the life she left behind.
Composed of six unconventional vignettes, each one dealing with the late communist period in Romania, a narrative is told through its urban myths from the perspective of ordinary people. The title refers to the alluded "Golden Age" of the last 15 years of Ceaușescu's regime.