Lucía and Gonzalo have been dating for three years. They are about to go to a luxurious dinner at the agency where he works. An apparently trivial discussion ends up being deeper than expected, to the point of defining the future of the relationship.
Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.
A young couple. A luxurious hotel room. A wedding party.
Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."
Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.
Between documentary and fiction scenes, Juan Villegas inquires about Adán Buenosayres, Leopoldo Marechal’s iconic novel.
Three teenage friends, between bike rides, boring classes and days at the swimming pool, trigger a strong and different attraction between two of them that they did not feel before. Maybe it will be the last summer of their childhood, maybe it will be the last summer of the three of them together.
A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.
Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.
Jazmín, a young woman living in Mexico City, is nonplussed when she receives a call informing her that her father Toussaint, an illegal Haitian immigrant, is ill. She hasn't seen him in years, and does not know why they are calling her. When she finally gets to the hospital and discovers that her father is suffering from vascular dementia, she finds herself faced with the task of caring for a man who is more a stranger than a father to her.
In a snowy and industrial city in the south of Argentina, Paula, a 23-year-old girl from Buenos Aires, starts an intense job hunt with the sole purpose of saving money. The lack of a job, a home and a stable emotional environment will end up turning that search into a personal and introspective journey.
A teaching assistant at a private Buenos Aires school begins obsessively spying on her students in the early 1980s, as the public rises up against the military dictatorship.
Romina returns to her roots to rediscover who she is. After the first overwhelming years as a mother, it's as if the mist starts to rise: she's a little too old for disco parties and hanging round with twenty-somethings, but still young enough to fantasise about others. Actress Romina Paula points the camera at herself, her son and her mother in this intriguing mixture of documentary and fiction.
Jesus and Maria José live together in the grand house that belonged to their recently deceased father. Their playful routine is disrupted when Magdalena, their half sister on their dad’s side, returns from Spain asking for her share of the inheritance. What are they going to do about this interloper into their dangerous folie à deux?
Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.
As a child, Lucas falls in love with Ana. His story is truncated: she moves away and he loses track of her. Today Lucas does crossword puzzles and has almost zero love-sexual life. Meanwhile, his friend Santiago has a blind date with Verónica that ends after a few seconds. Verónica's neighbor is in a secret and quite toxic relationship.
Lola, a young playwright and drama director, goes into a crisis before her new play is released. Her leading actress raises time and again that she has problems with the text. A friend of her, a visual artist, moves to her home after discovering an affair and her ex-boyfriend claims copyright. Lola doubts about her own play and struggles between moving forward in the chaos or give it up. She needs to find the true meaning of what she is doing to justify herself.
Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.
In Patagonia, Leandro — the protagonist of Felt like real.— asks himself: is it possible to imagine a virtuous future in a world that seems destined for ruin? Filmed over the course of a decade (2014–2024), the film is built arround a deadly conflict between two brothers. Inspired by the life of Rafael Pinedo, it weaves echoes of “various pasts” in Super 8mm, filmed in the 1960s and 70s, with the present.